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Architects: Bernardo Rodrigues
- Year: 2018
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Manufacturers: Ruta Classe




A few weeks ago, this year’s edition of the Serpentine Pavilion opened to the public. Designed by Chicago-based artist Theaster Gates, it’s an evocative project, its cylindrical form referencing American beehive kilns, English bottle kilns, and Musgum adobe homes found in Cameroon.
What the pavilion is named tells the viewer a lot more about its intentions as a spatial experience. Titled Black Chapel, it houses a spacious room with wraparound benches, and an oculus above that allows daylight to filter into the space. It’s a fairly minimal interior – designed as a site for contemplation and reflection. This minimal quality of Gates’ Serpentine Pavilion raises particularly interesting questions. How artists and architects opt for a “less is more” approach when designing meditative spaces, but also how these introspective spaces have been equally enhanced by ornamentation.

Heatherwick Studio is taking part of this year’s Royal Academy Summer Exhibition with two retrofit projects in the United Kingdom: Broad Marsh in Nottingham and Parnham Park in Dorset. Titled "Ruins Reimagined", the exhibition presents two different approaches to reusing existing architecture, from a Grade I-listed 16th century house to a partially demolished 1970’s shopping center, each offering a unique response in scale and heritage to the Summer Exhibition’s theme of ‘climate’. The models are on display in the Architecture Room until 21st August. This year, the Architecture Room is curated by Niall McLaughlin RA and Rana Begum RA, and will sit across two spaces, mixing art and architecture together.
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The Mies Crown Hall Americas Prize (MCHAP) announced the 48 outstanding projects selected by the MCHAP 2022 jury. From the body of nominated projects, the jury elected 38 entries in MCHAP as outstanding among other submissions. The fourth prize cycle considers built works completed in the Americas between January 2018 to December 2021, nominated by an anonymous network of international experts and professionals.


The 21st Serpentine Pavilion, Black Chapel, designed by Chicago-based artist Theaster Gates opens today, on June 10, 2022. On display until the 16th of October 2022, the project is realized with the architectural support of Adjaye Associates with Goldman Sachs’ patronage. In 2021, the Pavilion events program was planned to reflect Gates’ concept of interlinking architecture and music, particularly emphasizing artistic explorations of monastic sounds and hymns. The pavilion will act as a platform for Serpentine’s live program throughout the summer, offering the public space of reflection, connection, and joy.



SO-IL Architects has been chosen to develop the conceptual design for a new building for the Williams College Museum of Art (WCMA) in Williamstown, Massachusetts. The project is set to provide the first stand-alone facility for WCMA, and will feature teaching spaces, collections, exhibitions and programs that will transform the museum’s engagement with the campus, as well as the Williamstown community and the Berkshires cultural region. The architecture firm was commended for its "inventive and enthusiastic approach to the museum’s teaching mission", putting art at the center of academia, student life, the campus, and community.