Kindergarten architecture has long stood apart as a realm where design and imagination converge. Unlike most building typologies, these spaces are conceived not only to shelter and function but to shape the earliest experiences of curiosity, play, and social interaction. Throughout history, the design of kindergartens has evolved alongside pedagogical shifts, moving from modest, utilitarian beginnings to highly intentional environments that stimulate both learning and wonder. In this context, architecture becomes more than a backdrop — it becomes a silent educator, capable of nurturing emotional, cognitive, and physical development.
Amidst global economic adjustments and a domestic focus on high-quality development, Shanghai has implemented a strategic shift in its urban development approach—moving from 'incremental expansion' to 'connotative enhancement.' Guided by the concept of a "people-oriented city", Shanghai has elevated urban construction from mere physical space aggregation to a comprehensive endeavor aimed at optimizing functional quality, revitalizing spatial vitality, and boosting residential resilience through urban renewal initiatives. This transformation is framed not merely as a response to resource constraints but also as an intentional approach to urban development principles. Its core proposition lies in: under the policy framework of strictly controlling incremental land use, how to unleash development potential through the "reproduction" of existing spaces.
How do pavilions emerge in architecture? What role do they play in urban spaces? Beyond the multiple interpretations that exist around the world, the pavilion, as an architectural principle and typology, tends toward extroversion, often associated with a centrifugal nature and visual openness toward the horizon, which is linked to its origins as a tent offering shelter from the elements. Pavilions are usually identified as isolated and independent structures that can promote lateral openings in the urban space, panoramic or introspective views, technological reflections, and material experiments that are recognizable from the outside or once inside.
For nearly the past two decades, cities around the world embraced "starchitecture"—futuristic, eye-catching buildings designed by globally renowned architects. In China, this trend was particularly pronounced as rapid urbanization fueled the construction of iconic megastructures like Zaha Hadid's Galaxy SOHO, OMA's CCTV Headquarters, and Herzog & de Meuron's Bird's Nest Stadium in Beijing. At the time of their construction, these were all celebrated as symbols of progress and global ambition. However, architecture worldwide has begun shifting toward a more context-driven, human-centered approach, with China emerging as one of the key contributors to this transformation. This year, Liu Jia Kun's 2025 Pritzker Prize further underscores that shift.
The world watches China's development with a mix of admiration, curiosity, and apprehension. From massive infrastructure projects—such as hydroelectric plants and a modern high-speed rail network—to the emergence of entire cities built from scratch, the country showcases an ambitious growth strategy and an impressive capacity for execution. However, this rapid progress also brings significant challenges and stark contrasts. On one hand, modernity asserts itself in futuristic skyscrapers and cutting-edge technology; on the other, there remains a pressing need to preserve the country's rich cultural and historical heritage, reflected in ancient temples, imperial palaces, and historic cities.
Rapid urban growth has also introduced issues such as overcrowding, environmental pollution, increasing social inequality, and the loss of agricultural land. Large-scale urbanization has led to the disappearance of traditional villages, environmental degradation, and the homogenization of architecture and lifestyles in many Chinese cities. It is within this context that Liu Jiakun, awarded the 2025 Pritzker Prize, stands out for his subtle yet profoundly transformative architectural approach. His work responds to these and other challenges of Chinese society while valuing traditional materials and techniques, as well as the creation of communal spaces.
The 2025 Pritzker Prize has been awarded this year to Chinese Architect Liu Jiakun. Born in Chengdu in 1956, he grew up in the densifying city, before attending and graduating from the Chongqing Architecture and Engineering College (Chongqing University) in 1982 with a Bachelor of Engineering degree in Architecture, and becoming one of the first college graduates to be tasked with rebuilding the country during the Chinese transition period. However, it wasn't until many years later that the architect understood that "the built environment could be used as a medium for personal expression". It was then that his endeavors and career took off, with Liu Jiakun starting his practice in 1999, and participating in more collaborative works across China and Europe. Based on his experiences, his works are anchored in his understanding of reality and a respect towards China's multi-traditional history and internal diversity; all while achieving a seamless balance between architecture and nature, tradition and modernity.
These concepts do not obstruct his consciousness of human needs and the importance of community spaces. Through his projects, Liu Jiakun proves that spaces can affect human behavior and become positively evocative. A public space such as those he's created can be conducive to a benevolent atmosphere that provides rest and collaboration. "such as my pursuit of narrative and poetry in design." The comprehensiveness of Liu Jiakun's works makes it easy not to be constrained by stylistic or aesthetic limitations or requirements. He just follows what the site, natural landscape, pre-existing urban frame, and citizen needs might require. The physical result is a mix of all of these with the predominant vernacular traditions.
In a world flooded with millions of new products and designs each year, identifying and sharing those that truly stand out isn't just important—it's essential. That's the motivation behind the A' Design Awards, a platform dedicated to recognizing and celebrating outstanding designs and meticulously crafted products. The outcome? Shining a global spotlight on their work, boosting international visibility, and inspiring the next wave of design innovation that not only pushes the boundaries of creativity but also benefits and advances society. Amidst this vast sea of talent, the award elevates extraordinary designs to the surface.
https://www.archdaily.com/1026319/the-countdown-is-on-a-design-awards-and-competition-last-call-for-entriesEnrique Tovar
