The global reference for architecture

In this edition of the 2023 Venice Biennale, the Korean Pavilion, curated by artistic Directors Soik Jung and Kyong Park, presents “2086: Together How?” bringing together architects, community leaders, and artists to explore how people can cooperate in withstanding the current and future environmental crisis until 2086 when the global population is said to the peak. The exhibition invites visitors to imagine an eco-cultural revolution by critically reassessing the world's capitalist, globalist, and colonial history. The viewers will be encouraged to reconsider current conditions through a participatory video game and a series of multidisciplinary installations that include photographs, drawings, models, videos, and architectural installations.

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The Portuguese office MASSLAB, in collaboration with AFRY Ark Studio, won the Train Factory Mixed-Use Competition, an international competition in two stages whose main objective was to create a landmark for the city of Helsinki, Finland. The proposal was selected from five world-renowned architectural consortia.

The Train Factory Group and the City Council of Helsinki organized the competition, and the proposal “A roof for Helsinki” was chosen. The old electric train building will be transformed into a 45,000 m² complex for offices, retail and a hotel, reimagined as part of the social, commercial and cultural heritage.

Since 1998, the Venice Architecture Biennale has been divided into three pillars: the national pavilions (each country chooses its own curators and projects), the international exhibition (curated by the Biennale's curator), and the collateral events (approved by the Biennale's curator).

In the 2023 edition of the event, the international architecture exhibition curated by Lesley Lokko is structured in six parts, including 89 participants. Over half of them are from Africa or the African Diaspora, with a 50/50 gender balance, and an average of 43 ages for participants.

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Imagine if light would not only provide optimum visibility for tasks but convey meanings as well. Standards with recommended lux levels for various visual tasks have led to a quantitative understanding of lighting. However, lighting can also be used to contribute to emotion in rooms and to structure architecture. Would it be adequate to regard lighting as language sent by architects or interior designers and being received by inhabitants and citizens? Adding a semiotic perspective can help to recognize how light and shadow contributes to the meaning of the built environment.

Two decades in the making, the Grand Egyptian Museum (GEM) in Cairo is one of the most anticipated cultural buildings, set to be an architectural marvel and a leading scientific, historical and archeological study center. The vast, billion-dollar mega-project occupies a site of around 500,000 square meters adjacent to the Pyramids UNESCO World Heritage Site in the Giza Plateau. Within its halls, what will soon be the world’s largest archeological museum will showcase 3,500 years of ancient Egyptian history, revealed through a collection of more than 100,000 artifacts –many of which will be displayed for the first time.

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Animals measure distances and weight for their survival. On the other hand, stemming from their need to communicate to live in society, humans created languages and, later, established the standards of measuring. Whether for moving around, portioning food, making tools, or calculating the weight of objects and animals, measurement standards arise from this need that was already present in human activities in the age of chipped stone and has been with us ever since. Nowadays, most of the world's population uses meters and centimeters to measure distances. These standards come from the need to establish comparisons that allow trade between peoples and also from political and social disputes.

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