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The Skidmore Owings & Merril (SOM) two-tower development in Downtown Chicago has just started construction. Situated at the intersection of Lake Michigan and the Chicago River, the new residential development seeks to redefine Chicago’s skyline. Composed of 635 residential units in its first phase, 20% of which are designated as affordable housing, the scheme also outlines the design of DuSable Park. Phase one of the project has officially commenced, occupying the last undeveloped waterfront parcel in the Streeterville neighborhood.

Skyscrapers are iconic symbols of modern urbanization and technological advancements all over North America. These structures are a sign of economic prosperity, urban density, and the capabilities of humanity’s ambition. In major cities across the continent, they shape the skyline and give identity to these metropolises. Cities like New York City, Toronto, and Florida utilize these cutting-edge designs to showcase power beyond their physical stature.

In general, skyscrapers are characterized by their remarkable height and pioneering engineering capabilities. They use advanced materials such as steel, glass, and concrete and serve as multifunctional spaces, ranging from housing to hotels and offices. Architects all around the world continually push the boundaries of architectural creativity, design, sustainability, and functionality while crafting these buildings. The structures allow architects to maximize land use in new ways, tackling densely populated urban areas.

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They say Rome wasn’t built in a day, and the same surely applies to one of the most prominent and glitzy cities in the world: magnificent Paris. It might even seem that both cities, of legendary repute, are somehow counterparts. They were both envisioned by an emperor who wanted to display a political message of innovation, grandeur, and opulence. In both cases, these major urban reforms and massive reconstructions blanketed any popular struggle or resistance with blinding beauty and a popular entertainment setup (from gladiators to cancan dancers and brasseries). And thus came to be the Paris that we now know, a city of divertissement that amasses over 30 million tourists a year.

But it’s also fascinating to learn how an entire growing city was dealt with as a single, almost experimental mass project. For over twenty years, from 1853 to 1870, Paris was a continuous construction site. With the implementation of new technologies and new design standards, the result was not just a different aesthetic but a completely new social order, urban sprawl, and way of life.

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