The city of Kharkiv has faced significant challenges due to its proximity to the Russian border. Amidst these circumstances, Kharkiv's Mayor, Ihor Terekhov, underscored the need for a new landmark during the United Nations' Second Forum of Mayors—a project that could embody renewal, resilience, and hope. The Freedom Square International Competition was launched as part of this vision, inviting local and international experts to propose innovative designs for Freedom Square and the Kharkiv Regional State Administration Building.
This competition is part of the broader Kharkiv Masterplan Concept, an initiative led by the Kharkiv City Council in collaboration with the United Nations Economic Commission for Europe (UNECE), the Norman Foster Foundation, Arup, and local architects and experts. The Masterplan Concept seeks to guide Kharkiv's regeneration by fostering a vibrant, inclusive, and forward-looking urban environment while honoring the city's historical identity.
Today, the International Day of Education serves as a reminder of the significant impact that architectural design has on learning environments. From flexible classrooms that adapt to diverse teaching methods to outdoor learning areas that integrate natural elements, the architecture of learning spaces embodies the principles of pedagogy, offering opportunities for exploration, collaboration and creativity, all while maintaining a focus on the safety and comfort of all users. This selection of articles explores the potential of design to enhance learning outcomes through spatial exploration, be it inside the classroom, in outdoor spaces or by encouraging larger communities to part-take in the learning process.
Spanish architect Miguel Arraiz has introduced the design for the 2025 Burning Man Temple, titled Temple of the Deep. Drawing inspiration from the natural landscape of the Black Rock Desert, the Temple aims to provide a space for reflection, healing, and connection. The Temple of the Deep explores the concept of radical acceptance, emphasizing the importance of fully experiencing emotions as part of the healing process.
Bilbao, the largest city in Spain's Basque Country, has undergone a remarkable transformation over the past few decades. Once an industrial hub, the city has redefined itself as a center for culture, innovation, and urban regeneration. This evolution has been partly driven by architecture, which plays a central role in shaping Bilbao's identity. From contemporary landmarks to thoughtfully repurposed spaces, the city's built environment reflects a careful balance between honoring its industrial heritage and embracing modernity.
The turning point in Bilbao's architectural narrative came with the inauguration of the Guggenheim Museum Bilbao in 1997. Designed by Gehry Partners, this iconic structure catalyzed the city's renewal, sparking a wave of urban and cultural investments. This transformation became known as the "Bilbao effect," a phenomenon where a single, significant architectural project triggers wider urban regeneration and economic growth. Today, Bilbao is a dynamic architectural landscape, where works by international figures like Santiago Calatrava, Norman Foster, and Arata Isozaki coexist with projects by local studios such as ACXT and Coll-Barreu Arquitectos. Together, these interventions illustrate how architecture can be a powerful social, economic, and cultural revitalization tool.
Project developed by student Jonah Ring, during InArch 2024. Image Courtesy of UC Berkeley
Are you considering a career in architecture or environmental design? The College of Environmental Design at UC Berkeley offers immersive summer programs that could help you decide if these creative fields are right for you. Whether you're a professional, undergraduate, or high school student, CED's Summer Programs offer you an invaluable opportunity to explore architecture, urban design, sustainable city planning, and landscape architecture.
Over the last eight years, I have interviewed Beijing-based architect and educator Zhu Pei several times. His persistent quest to combine traditional planning and construction principles with innovative formal and spatial sensibilities intrigues me. His latest projects, including Zijing International Conference Camp (2022) and Jingdezhen Imperial Kiln Museum (2020), are widely published and represent his most mature works. Yet, he is convinced that his best building is in the making. "This is going to be amazing! I feel so excited!" the architect told me, referring to his now under-construction Majiayao Ruins Museum and Observatory in Gansu province in Northwestern China. "I hate column-beam solutions. I want column-free spaces for the public building," he continued. Our conversation took place earlier this year on a video call, complete with dozens of relevant illustrations.
The Swiss Arts Council Pro Helvetia, represented by Sandi Paucic and Rachele Giudici Legittimo, has announced that the Swiss Pavilion at the Venice Architecture Biennale 2025 will host the exhibition "The final form is determined by the architect on site," curated by Elena Chiavi, Kathrin Füglister, Amy Perkins, Axelle Stiefel, and Myriam Uzor. This all-female team poses the question: What if Lisbeth Sachs, rather than Bruno Giacometti, had designed the Swiss Pavilion? The exhibition will explore this question by reviving one of the iconic works of Lisbeth Sachs, one of the first registered female architects in Switzerland and a contemporary of Giacometti.
