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Between 2005 and 2021, French photographers Yves Marchand and Romain Meffre developed a long-term project titled Theaters. Recently exhibited at KYOTOGRAPHIE 2026, the work documents a phenomenon that continues to unfold gradually around the world: the decline of infrastructure originally designed for public entertainment in the early twentieth century. Theaters, cinemas, and performance venues that once accompanied the modernization of cities are increasingly being abandoned, repurposed, or "left suspended as hybrid ruins." This process is often associated with the growing individualization of cultural consumption, from the widespread adoption of television to the rise of the streaming industry, as well as the impact of the COVID-19 pandemic on cultural institutions. Below are three cases located in England, Chile, and Japan that illustrate different stages in this transformation, while also highlighting community-led efforts to preserve modern cultural heritage.

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Step from the heat of Dubai into the lobby of a glass tower, and the desert seems to disappear. Outside, temperatures climb past 45 degrees Celsius; inside, the air is cold, sealed, and perfectly controlled. For decades, this contrast became the defining image of Gulf modernity. Architecture became less a negotiation with climate, and more a demonstration that climate could be overcome. Towers of reflective glass rose from the desert as symbols of arrival, projecting financial power, technological confidence, and global ambition. Beneath this urban image sat an infrastructure built on oil, cheap energy, and the continuous mechanical suppression of heat.

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Cities in Southeastern Europe do not wait to be read. They accumulate, layer upon layer of socialist planning, post-socialist disruption, and the quieter, less legible work of citizens remaking space from the ground up. Here, space and legacy insist on their own terms. What happens to architectural research when the cities that we observe already seem to know something our discipline has not yet learned to see?

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Very close to the Mexican border, in the southwest corner of the United States, lies the city of San Diego. Its urban history began in 1769 with the arrival of a Spanish military expedition commanded by Gaspar de Portola, which marked the first permanent settlement in the territory that was known as Alta California. However, unlike the more formally urbanized administrative capitals and towns of Mexico and Central America, San Diego was conceived as a frontier outpost. Today, it has become the second-largest city in California, just after Los Angeles, and its urban grid tells a story about the Hispanic heritage that is intertwined with the contemporary cultural environment of the United States.

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