Great school design is more than just a good piece of architecture. Particularly in vulnerable areas with poor public infrastructure, schools symbolize the role of the state and education as a transforming agent for social improvement. They can also become areas for community life, sports, courses, among other uses. Unfortunately, these projects do not always receive the attention they deserve. 

Schools require diverse and complex programs and flows, therefore, developing an educational project is one of the greatest challenges for architects. Due to the economy, rationalization, and speed of work, Brazil's largest portion of school projects are designed from prefabricated concrete elements with rigid modulations and, in rare cases, steel. But what may seem to limit at first, can actually become an exercise in structural creativity. 

In an attempt to elucidate the systems used to materialize these projects, we've selected a compilation of seven prefabricated schools in plan and section to create incredible spaces for learning. 

Home automation, or Domotics, is a set of technologies applied to a residence to control lighting, climate, entertainment systems, and appliances. Its systems allow for efficient management of energy consumption, security, accessibility, and the general comfort of the building, becoming an important issue to consider when designing, building, and living.

Domotic systems are based on the collection of data by sensors, which are then processed to issue precise orders to the executors, varying the environmental quality of each enclosure according to the needs of the user. The pace of current life and the technological advances we have experienced in recent years have led to new ways of living, motivating the design of homes and more human, multifunctional and flexible buildings. What was once a luxury is now a feasible and effective solution for all types of projects.

In this article, we've compiled a collection of smart homes where domotics have been used.

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In 2017, Ramboll Studio Dreiseitl and RSAA/Büro Ziyu Zhuang were commissioned by Guangdong Zhuguang Group Co., Ltd. to create an ecologically transformative urban design and waterfront landscape along the northern bank of the Pearl River in Guangzhou's CBD. The planning phase of the project spanned nearly a year.

Today, Wednesday, November 21, the winners of the 2018 Gold Medal competition were announced as part of the XXI Pan-American Architecture Biennial of Ecuador (BAQ2018) in Quito.

The jury for the 2018 Gold Medal competition, comprising Astrid Petzold (Venezuela/Mexico), Ana Milovan (Uruguay), and Lucas Fehr (Brazil), determined the winning projects of the contest, which honors the best student work produced at Ecuadorian schools and departments of architecture between November 2016 and October 2018.

Studio Cadena’s Happy installation has been unveiled in New York's Flatiron Plaza. The project is the winner of the fifth annual Design Competition hosted by the Flatiron/23rd Street Partnership Business Improvement District (BID) and Van Alen Institute. As the centerpiece of the annual holiday program, the installation was selected by a jury with expertise across the worlds of design and public art, including representatives from the Flatiron Partnership, New York City DOT Art, and Van Alen Institute’s board of trustees.

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Safdie Architects has completed a comprehensive renovation of Moshe Safdie’s unit at the iconic Habitat 67 in Montreal, Canada. The 10th floor unit of the designated monument was restored to celebrate the 50th anniversary of Habitat 67, in conjunction with a 2017 exhibition of Safdie’s work titled “Habitat ‘67 vers l’avenir : The Shape of Things to Come.”

Two years worth of repairs to the duplex unit included addressing decades worth of water damage, extensive interior restoration, and technical upgrades to align the building’s systems to 21st century standards of sustainability and energy conservation.

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This interview was originally published in Metropolis Magazine as "Inside the Mind of Sou Fujimoto."

Hokkaido-born Sou Fujimoto’s breakout masterpiece, the playful and cloud-like 2013 Serpentine Pavilion says a lot about who Fujimoto is and how he thinks about architecture. But even more so do the 100-plus sometimes painstakingly refined, sometimes roughly executed exploratory models that dot the minimalist gallery space of Japan House Los Angeles. This, his retrospective show, Futures of the Future, neatly reflects on Fujimoto’s career, which began when he opened his own Tokyo-and-Paris-based firm in 2000.

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Danish architecture firm ADEPT has been announced the winner of a competition to redevelop Berlin's Marinehaus as part of the city's Stadtmuseum group. This iteration of the competition was launched in 2018 (following a similar competition ten years ago) and will rehabilitate the Marinehaus for public use after nearly 20 years of closure.

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Architect and photographer Romullo Fontenelle of FLAGRANTE studio shared with ArchDaily a series of photographs from the recently inaugurated Japan House Sao Paulo, a project by Kengo Kuma in partnership with the local office FGMF Arquitetos.

The global initiative by the Japanese Government aims to "create a vision of contemporary Japan." Opened May 2018, Japan House combines art, technology, and business to offer an escape to present day Japan. 

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Children Village by Brazilian architects Aleph Zero and Rosenbaum has won the 2018 RIBA International Prize. Located on the edge of the rain forest in northern Brazil, the new school complex provides accommodation for 540 children attending the Canuanã School. The RIBA International Prize is awarded every two years to a building that exemplifies design excellence and architectural ambition, and delivers meaningful social impact. Children Village was recognized for it's vision in imagining architecture as a tool for social transformation.

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Most architects tend to begin explaining their projects by pointing to the entrance. "You enter here," they usually say. As if nothing had happened or existed before entering. As if the user's life, or that of the building itself, began at that very threshold which many assume separates the exterior from the interior. A strange conception of time.

Enric Miralles made an interesting observation regarding this: it is not about entering, but about accessing—something that will also be marginalized later. We must assume that in architecture, accessing means "to enter a place or pass into it," as the dictionary explains. Yet we also find other, more compelling interpretations, such as "to gain access to a superior situation, condition, or degree; to attain it," which imbue the act of accessing with meaning and time.

The Metropolitan Museum of Art in New York City has selected Kulapat Yantrasast and wHY Architecture to renovate its Michael C. Rockefeller wing. With arts produced in Africa, Oceania and the Americas, the 40,000-square-foot wing is located on the southern side of the Fifth Avenue museum. The $70 million project aim is showcase the collection of arts and artifacts from sub-Saharan Africa, the Pacific Islands, and the Americas.

The landscape of the United Kingdom is littered with historic castles reaching back centuries. Once proud structures commanding the surrounding countryside, many stately houses, castles, and churches have since collapsed into ruin. While the ruins evoke a sense of magic and curiosity in their own right, a study into how these castles looked in their heyday is a worthy venture.

With this in mind, Onward and NoeMam Studios have joined forces to digitally reconstruct six ruined castles across England, Scotland, Wales, and Northern Ireland. The series of gifs sees the castles fluidly re-emerge from the landscape, retelling the sense of place by showing “the true splendor enjoyed and defended by yesteryear’s barons, queens, and kings.

Daniel Libeskind will visit Chile this coming December, following an invitation extended by Mauricio Soria, the mayor of Iquique, and approved by the Chilean city's municipal council. However, the decision has drawn coverage from local media due to opposition from council members who voted against the initiative, primarily over the budget: 75 million Chilean pesos (around $110,000), which includes a "city visit, site visit, public lecture, and a preliminary draft or conceptual proposal," as highlighted on Twitter by council member Felipe Arenas, one of the dissenting voices in the municipal vote.

Although the announcement was shared by the mayor's office on Twitter on November 8, efforts to bring Libeskind to the country began exactly a year ago when the architect visited Chile to give a lecture at ENMATERIA's International Architecture and Materials Encounter. During that visit, the American architect met for the first time with Soria and his technical team in Santiago.

This article was originally published on CommonEdge as "Was Modernism Really International? A New History Says No."

I taught architectural history in two schools of architecture during the 1980s and 1990s. Back then it was common for students to get a full three-semester course that began with Antiquity and ended with Modernism, with a nod to later twentieth-century architecture. My text for the middle section was Spiro Kostof’s magisterial History of Architecture: Settings and Rituals. With many centuries to cover, he spent very little effort in dealing with the twentieth century. In the last third of the course, students read texts such as Towards a New Architecture by Le Corbusier and Reyner Banham’s Theory and Design in the First Machine Age. My colleagues and I felt that we offered students a pluralistic and comprehensive review of key developments in the history of the built environment.

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The latest Apple Store designed by Foster + Partners has opened on the Champs-Élysées in Paris, occupying the grounds and courtyard of a historic Parisian apartment. The ornate Beaux-Art building has been appropriated by “carefully interweaving several layers of history with contemporary, light-filled and inviting spaces.”

The design is the result of a close collaboration by Foster + Partners and Apple’s chief design officer Sir Jonathan Ive, which has produced Apple Stores around the world including Piazza Liberty in Milan, Michigan Avenue in Chicago and Regent Street in London.

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Today, the construction industry faces growing demand for environmentally friendly projects, such as green building certifications and energy efficiency standards. Consequently, raising awareness about the ecological value of timber is essential, as it serves as a renewable alternative to other materials that are more energy-intensive and generate high CO2 emissions.

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Los Angeles County Board of Supervisors have decided to move forward with a plan to reuse L.A. General Hospital as affordable housing for high-need populations. The plan aims to provide homeless residents and low-income tenants with new living units inside the 1930s-era hospital. The board approved a motion to study the feasibility of reusing the structure and to craft a strategic plan that would bring the project to life. As the “birthplace of emergency medicine,” the Art Deco–style building includes 1.5-million-square-feet of space that could be used for the housing project.

Shigeru Ban Architects have been selected to a new 420-acre campus for the owners of Kentucky Owl Bourbon just south of Louisville, Kentucky. The new project will convert the former Cedar Creek Quarry into a distillery, bottling center, and rickhouses. Working with landscape architects Design Workshop from Denver and Earthscape from Tokyo, the $150 million project will be built with three timber pyramids housing the distillery at the center of the development. The new plans come after Stoli Group purchased the Kentucky Owl brand in 2017.

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Steven Chilton Architects has released details of their proposed Puzzle Ball Theatre in the Huadu District of Guangzhou, China. The 2000-seat spherical scheme is influenced by the ancient art of puzzle balls; “intricately carved sculptural ornaments consisting of several concentric spheres, each freely rotating with the next and traditionally formed from a single block of material.”

The Chilton scheme, along with the original Yue-inspired show it will contain, seeks to evoke the characteristics and qualities of the ancient art, through a spherical massing, asymmetric overlapping patterns, and a complex surface geometry.

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The modernization of Bogotá between 1940 and 1970, captured in urban and architectural photographic reportages, has been documented in various books, magazines, and photobooks of the era, as well as in images from the city's public and private archives. These photographs reveal a deliberate, even critical, approach to how modern architecture reconfigured city centers and put new buildings and urban spaces in relation to the existing urban landscape.

When analyzing the impact of photography on architecture, it is essential to discuss Paul Beer and Germán Téllez. While both captured a wide spectrum of subjects, these two photographers dedicated themselves more specifically to architectural photography. Commissioned by the most prestigious architectural firms of the era, their photographs reveal distinct yet complementary values, relationships, and aspects of modern architecture and the city.

In this edition of Bogotá in the Eyes of 10 Photographers we explore the legacy of Germán Téllez:

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Foster + Partners have unveiled details of their latest proposed tower for the City of London. “The Tulip” seeks to become a “new public cultural attraction” sitting adjacent to The Gherkin: one of Foster’s and London’s most iconic structures.

The 305-meter-high, bud-like scheme, named after its nature-inspired form, will offer an education facility operated by building owners J. Safra Group. The program, with 20,000 free places per year for London’s state school children, will feature “unparalleled vantage point to view London from a height of around 300 meters.”

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The Tallinn Architecture Biennale has announced the shortlisted schemes for their 2019 Installation Programme Competition “Huts and Habitats.” 137 worldwide submissions were received for the two-stage competition, aimed at “offering emerging architectural talents the opportunity to design and built an experimental wooden structure in the heart of Tallinn.”

The formal exploration of architecture offers several avenues for experimentation within design practice. Designing diverse forms, site layouts, and compositions is a strategy that gains significant depth when paired with material investigation. Glass, as a material, allows architects to engage with some of the core elements of architectural theory: natural light, the transparency and opacity of surfaces, the suspension of spatial boundaries, and the visual relationships established between different parts of a building.

When freed from its conventional role as a window, glass can be used strategically to address complex project conditions, enrich spatial quality, or serve as a balancing element between weight and lightness when combined with other materials such as steel, wood, and concrete.