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Kulapat Yantrasast: The Latest Architecture and News

The Met Selects wHY Architecture to Renovate Rockefeller Wing in New York City

13:00 - 20 November, 2018
The Met Selects wHY Architecture to Renovate Rockefeller Wing in New York City, Michael C. Rockefeller Wing. Image Courtesy of wHY Architecture
Michael C. Rockefeller Wing. Image Courtesy of wHY Architecture

The Metropolitan Museum of Art in New York City has selected Kulapat Yantrasast and wHY Architecture to renovate its Michael C. Rockefeller wing. With arts produced in Africa, Oceania and the Americas, the 40,000-square-foot wing is located on the southern side of the Fifth Avenue museum. The $70 million project aim is showcase the collection of arts and artifacts from sub-Saharan Africa, the Pacific Islands, and the Americas.

wHY to Expand San Francisco's Asian Art Museum

16:00 - 10 March, 2016
wHY to Expand San Francisco's Asian Art Museum, Proposed. Image © wHY
Proposed. Image © wHY

As part of its 50th anniversary celebrations, the Asian Art Museum of San Francisco has announced major renovation and expansion plans by wHY Architecture. The practice is expected to design a new 12,000-square-foot exhibition pavilion, reconfigure the Museum’s existing galleries, and modernize its education and public programming spaces. Work will begin in 2017.

"The new pavilion will underscore San Francisco’s cultural diversity, create one of the nation’s premier exhibition spaces dedicated to Asian art, and increase the number of special exhibitions on view for visitors," says the Museum.

Zaha Hadid and Sou Fujimoto Among 30 to Design Pre-Fab Pavilions for Revolution Pre-Crafted

13:00 - 25 January, 2016
Zaha Hadid and Sou Fujimoto Among 30 to Design Pre-Fab Pavilions for Revolution Pre-Crafted, VOLU Dining Pavilion at Design Miami. Image Courtesy of Revolution PreCraft
VOLU Dining Pavilion at Design Miami. Image Courtesy of Revolution PreCraft

Following the recent trend of luxury pre-fabricated structures like Muji’s recent three huts, Robbie Antonio’sRevolution Pre-Crafted” is a collection of pre-fabricated pavilions by 30 top designers and architects, including Zaha Hadid, Sou Fujimoto, Daniel Libeskind and Gluckman Tang. Some have already been built, being exhibited at Design Miami, while others are planned for the future.

With recent advancements in building technology, Revolution Pre-Crafted hopes to democratize the design of pre-fab structures, offering a line of products that incorporate the distinct spatial and social brands of the designers. See a selection of the Revolution Precraft line after the break.

50 Architects Tell Us What They Are Looking Forward to in 2016

12:00 - 18 January, 2016
50 Architects Tell Us What They Are Looking Forward to in 2016

As the first month of 2016 draws to a close, we decided to tap into our network and ask an esteemed group of architects, critics, theorists and educators to tell us what they are looking forward to this year in architecture. 

What are you looking forward to in architecture this year?

In Residence: Kulapat Yantrasast

14:00 - 27 October, 2015

"You cannot bullshit with concrete." - Kulapat Yantrasast

Kulapat Yantrasast is the latest to be featured on NOWNESS' In Residence series. Set within Yantrasast's home in Venice Beach, the Thai architect and founder of wHY shares his thoughts on how to create meaningful architecture, from the "process of making" to designing with a "sense of play" and how the building can form an "engaging" relationship with its user.

A Matchmaker For People and Art: Kulapat Yantrasast

00:00 - 2 February, 2015
A Matchmaker For People and Art: Kulapat Yantrasast, Kulapat Yantrasast at an exhibition design meeting. Image Courtesy of wHY
Kulapat Yantrasast at an exhibition design meeting. Image Courtesy of wHY

Last month we spoke with Kulapat Yantrasast, Co-Founder and Creative Director of the LA-based design firm wHY. On the heels of the opening of Harvard Art Museums - for which Yantrasast collaborated on the designs of the exhibition spaces - we wanted to learn more about his approach to designing the galleries for Harvard. “One of the things that I'm super sensitive about is the identify of the experience. Harvard, in particular, is a university museum. So first and foremost it's a place for students and faculty to spend time looking at things closely. Because of that, we want to make sure that a group of 15 people can sit or stand around an art object and could really have a discussion,” Yantrasast explained.

wHY has carried out a wide range of museum and gallery projects, including the Grand Rapids Art Museum, the Royal/T project and the renovation of the galleries at the Art Institute of Chicago. Read the full interview with Yantrasast below to learn more about the challenges of gallery design and how technology is affecting museums exhibitions.

Courtesy of wHY - © Photograph by David Heald Courtesy of wHY - © Photograph by David Heald Courtesy of wHY - © Photograph by David Heald Courtesy of wHY - © Photograph by David Heald + 13

Museo Nazionale dell’Ebraismo Italiano e della Shoah / Studio Arco, -Scape, Michael Gruber & Kulapat Yantrasast

17:00 - 2 February, 2011
© -scape with Simone Lapenta
© -scape with Simone Lapenta

The collaboration of Studio Arco -scape architects with Michael Gruber and Kulapat Yantrasast shared with us their project, Museo Nazionale dell’Ebraismo Italiano e della Shoah, for an international competition open to the European community. Upon believing that a museum is an object for the city, the MEIS is a Memorial, as well as a place where one can experience the presence of Jewish culture in Italy. At the same time, it is a symbol: the symbol of the city, of an historically involved territory, but also a testimony of common cultural roots, becoming a monument recognized by any citizen and religious community. More images and architects’ description after the break.