The Revit Importer converts families and building elements to SketchUp’s native tags and components. It optimizes geometry creating a lightweight and well-organized SketchUp file that is ready-to-use.

The World Architecture Festival (WAF), the largest international gathering of architects, has announced its judges for 2016. The annual event, consisting of awards, a conference, and an exhibition, recognizes outstanding projects in a variety of categories, and is attended by over 2,000 visitors from 65 countries. This year's festival will be held from November 16-18, 2016 at Arena Berlin in Germany.

Snøhetta’s MAX IV Laboratory Landscape Design will open in June on the edge of Lund, Sweden. Selected for the project in 2011, Snøhetta’s design fills 47-acres (19 hectares) of formerly agricultural lands northeast of the city, and is the first project in a larger masterplan to transform the Brunnshög area into a “Science City.” The MAX IV national laboratory is a synchrotron facility with two electron storage rings, and is jointly operated by the Swedish Research Council and Lund University.

In celebration of Earth Day, we invited Benjamin Grant—founder of the Daily Overview—to select the five "overviews" which he considers to be among the most inspiring that his platform has shared. The image above, taken on Christmas Eve in 1968 by astronauts of NASA's Apollo 8 mission is, according to Grant, "believed by many to be the first "overview" of our planet, captured by astronaut Bill Anders." This photograph dramatically pulled into focus the simultaneous magnificence, intricacy, and terrifying fragility of the planet we inhabit. Since that moment the advent, acceleration, and accessibility of satellite imagery has made one thing abundantly clear: that humankind has had a considerable effect on Earth, for better or for worse.

Knitknot Architecture, in collaboration with nonprofit group Seeds of Learning, has designed -- and is raising funds to build -- the El Jicarito School. Located in El Jicarito, a tiny village in Nicaragua, the school will serve 27 children who currently do not have a school to attend.

The low-cost school design aims to bring the community together through collaborative construction methods, the use of local materials, and the creation of a new educational landscape that will enhance creativity.

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SHoP has won Landmarks Preservation Commission approval to build Brooklyn’s tallest tower at 340 Flatbush Avenue Extension, reports New York Yimby. Located on the same block of the former Dime Savings Bank, an individual and interior landmark, SHoP’s proposal calls for a 73-story, 1,066 foot-tall mixed-use tower. The proposal required LPC-approval because the architects want to merge the tower’s lobby with the bank and convert the atrium into a new retail component. The site’s relationship to the bank building encouraged the architects to develop a design and material choices that are heavily influenced by the proposed tower’s smaller, but no less grand, neighbor.

The American Institute of Architects (AIA) reported the March Architecture Billings Index (ABI) score was 51.9, up from the mark of 50.3 in the previous month. This score reflects an increase in design services (any score above 50 indicates an increase in billings). The new projects inquiry index was 58.1, down from a reading of 59.5 the previous month.

A 50-meter stretch of Rio de Janeiro's Tim Maia bike path, which was built in preparation of the 2016 Olympic Games to connect neighborhoods Leblon and São Conrado, collapsed this morning. Adjacent to the Avenue Oscar Niemeyer, in the south of the city, the bike path was inaugurated on January 17 this year. According to the fire department, the deadly accident was caused by the surf of the sea.

According to passersby, the bike lane was hit by a strong wave that, in addition to collapsing the site, broke the windshield of a bus and dragged a woman on the boardwalk. The location is near the exit of the sewer pipe.

OMA’s Pierre Lassonde Pavilion of the Musée National des Beaux-Arts du Québec (MNBAQ) will open to the public on June 24, 2016. Increasing the museum’s space by 90 percent, the 14,900 square-meter pavilion faces Québec City’s Grande Alléee and seeks to fuse the energy of street life with the idyllic landscapes of the adjacent Parc des Champs-de-Bataille.

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It's no secret that architects are often fascinated by maps, and in the age of Google - where access to accurate maps of almost anywhere in the world has become universal - maps have become one of the most powerful ways to understand our cities. Interestingly, Google has in a way enabled a new way to interrogate maps from the past, as historic maps can be more easily overlaid with the Google interface to make comparisons to the present day. That's just what the website Locating London's Past has done, creating a tool to compare three maps: the current version of Google Maps, the first Ordnance Survey map from 1863-80, and John Rocque's 1746 Survey of London, allowing web users to see the growth of the UK capital over the past 270 years.

Bjarke Ingels has been named one of TIME's 100 Most Influential People in the magazine's annual list of groundbreakers in five categories: Pioneers, Titans, Artists, Leaders, and Icons. Other giants of the same field endorse the authority of each selected figure and, in Ingels case, former boss Rem Koolhaas offers poignant words of praise. “Bjarke is the first major architect who disconnected the profession completely from angst,” says Koolhaas. “He threw out the ballast and soared. With that, he is completely in tune with the thinkers of Silicon Valley, who want to make the world a better place without the existential hand-wringing that previous generations felt was crucial to earn utopianist credibility.” You can review the full profile and TIME’s complete list of people here.

Like many Brutalist buildings in America, the Central Library in Atlanta by Marcel Breuer is facing demolition, reports The Architect's Newspaper. Completed in 1980 with a 300-seat theater, restaurant and 1 million books, the building exemplifies Breuer’s sensibilities, with its bush-hammered concrete panels and Bauhaus-inspired forms. However, over the years the building has fallen into disrepair, with its theater closing in the mid-1990s, and the restaurant closing a few years later. In 2002, the city spent $5 million on restoration. Even so, in 2008, voters approved a $275 million bond referendum, which included a proposal to replace the library by Breuer with another. Despite protests from preservationists, the building’s future is uncertain, with voters clearly calling for a new library building.

Zhang Ke is the founder and partner of standardarchitecture, an architecture firm based in China. Still relatively new, the firm has roughly 40 staff members, half of which are from China. Despite their status as a fledgling office, standardarchitecture has already completed a varied range of projects, including urban interventions in the iconic hutongs of Beijing and tourism infrastructure in the Nepal region. In 2015, Zhang Ke and his firm were the focus of an exhibition at the AEDES Gallery in Berlin, titled “Contemplating Basics.” In this interview, Zhang Ke talks about the importance of learning at different schools, as well as his own beliefs about the duty of an architect, the importance of context and his desire to tell stories in architecture.

Qatar Museums has announced a shortlist of eight finalists that will move on to the third and final stage of the Art Mill International Design Competition in Doha. On a site extending into the Arabian Sea that was only recently occupied by Qatar Flour Mills, Art Mill will integrate gallery and exhibition space with facilities for education, events, conservation, art handling, and research. Joining the Museum of Islamic Art designed by I.M. Pei, and the still under-construction National Museum of Qatar, designed by Jean Nouvel, in the words of the competition brief, “Art Mill will and extend and intensify the cultural quarter being developed in Doha.”

The Ford Foundation has received Landmarks Preservation Commission (LPC) approval for renovations to its building at 320 E 43rd Street in Midtown Manhattan, reports New York Yimby. Constructed from 1963 to 1967, with a design by Kevin Roche and John Dinkeloo and an atrium garden by Dan Kiley, the building became an instant architectural mecca and was made an individual and interior landmark in 1997. The proposed renovations, designed by Gensler, seek to restore a half century of alterations to the building’s appearance, in addition to subtle changes to adhere to adhere to fire and accessibility codes.

By next Fall, the architecture students of Washington University in St. Louis will no longer be allowed to use Styrene on their projects. The university's newspaper, Student Life reports that the commonly used white plastic material was deemed in 2014 by the National Research Council's National Toxicology Program as "reasonably anticipated to be a human carcinogen." Thus the Sam Fox School of Design is taking its own measures to protect their student's health. A number of other schools and cities have already banned Styrene since the NRC's ruling.

At last year's Moscow Urban Forum, Charles Renfro discussed Diller Scofidio + Renfro's design for Zaryadye Park in Moscow. Located in the heart of the city, the park employs Wild Urbanist principles, which seek to emulate Russia's diverse landscapes – tundra, steppe, forest, and wetland – against a backdrop of architectural landmarks that includes the Kremlin, Red Square, and St. Basil’s Cathedral.

Establishing professional contacts in architecture – and well, in any field, really – has changed dramatically in the last decade, passing from the paper world to the virtual realm. However, small details can still make a big difference when it comes to captivating a potential new client or establishing a new partnership -- and these details aren’t unique to the virtual world.

Among these smaller, but powerful, details is the business card. Timeless and effective, the impact that a business card can have when meeting someone new cannot be overlooked. While simple, monochrome cards with muted prints are well liked among architects, exploring new forms, unusual materials and bold colors can result in a unique card that will leave a lasting impression on the person who receives it.

Below we’ve compiled some examples of cards that can serve as inspiration for architects, engineers, designers, landscapers and urbanists: 

Zaha Hadid Architects has 36 projects underway in 21 countries, and four of them will be completed this year. The Salerno Maritime Terminal will open later this month, the Port House, Antwerp, in September, the King Abdullah Petroleum Studies and Research Center (KAPSARC) in Riyadh, in October, and the Mathematics Gallery at the Science Museum in London, in December.

In spite of the untimely death of the practice’s namesake last month, the firm has pledged to continue with its slate of projects, stating, “Zaha is in the DNA of Zaha Hadid Architects. She continues to drive and inspire us every day, and we work on as Zaha taught us – with curiosity, integrity, passion and determination.”

Terra Award, the first international prize for contemporary earthen architectures, has released a shortlist of 40 projects competing for awards in nine categories. The finalists selected span five continents and 67 countries. Each entry was evaluated on a range of topics including: architectural quality and landscape integration, environmental approach and energy performance, creativity and innovation, technical performance, local economy and social intensity, and showcasing of skills. Project materials range from light clay to cob, poured earth, wattle and daub, compressed earth block (CEB), adobe, rammed earth, and others.

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Hou de Sousa (Nancy Hou and Josh de Sousa) have recently won two competitions for temporary installations in Washington DC and New York, both using salvaged materials. The first, Raise/Raze, is the winning proposal for DC’s Dupont Underground, an abandoned trolley station repurposed as a contemporary arts and culture space. The project reuses the balls from Snarkitecture’s “The Beach” installation at the National Building Museum for a new environment-generating initiative, which opens on April 30.

As winners of the 2016 Folly Competition held by the Architectural League of New York, Hou de Sousa will also soon build a pavilion in Socrates Sculpture Park, in Queens. A simple wooden canopy, the structure is a multi-purpose space made of standard dimensional lumber, but has been accentuated with shingles of scrap wood found on-site. Known as Sticks, the pavilion will open to the public on July 9.

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