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Architects: David Chipperfield Architects
- Year: 2013
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Professionals: Arup, Alonso y Asociados, Iacsa, Asociados A, BMS i, +4










LYCS Architecture has won a competition to design urban headquarters for the Zhejiang Printing Group. Dubbed "The Corner of Hangzhou," their proposal is informed by the surrounding cultural context, and the distinctive highrise creates both a habitable thoroughfare and a landmark for the city.

Sunlay Design Group's latest endeavor is a modern shopping center with heavy ties to China’s ancient cultural influences. Inspired by classical dragon mythology and the principles of feng shui, the Chengde Tianshan Retail Center will offer the Hebei province a mixed-use shopping experience that fuses contemporary form with traditional methodology. Construction is set to begin this summer.


Gottlieb Paludan Architects have been selected as the winners of an anonymous two-stage competition to design a new biomass unit at the Amagerværket power plant in Denmark. The combined heat and power unit (CHP), dubbed BIO4, will power the facility with biofuel, upholding local efforts to make Copenhagen the world’s first CO2-neutral capital by 2025.



For those familiar with the more canonical work of Bernard Tschumi, the Limoges Concert Hall may seem a puzzlingly conventional departure from the radical, intensively theoretical projects that introduced the world to the Swiss architect. In one sense, the visual clarity of the design doesn’t provoke the same complex discourses on architectural violence and eroticism that guided his early-career pursuits, and it is certainly a more functional evolution of his polemic on non-programmatic space that was famously exhibited at Parc de la Villete. In another sense, the concept and form of Limoges aren't anything novel, either, emerging almost in its entirety from a concert hall prototype Tschumi developed in the late 1990s for a similar venue at Rouen. But Limoges is important for other reasons: in addition to its thoughtful material and spatial choices, it is one of the more articulate illustrations of Tschumi’s explorations of movement and enclosure—“vectors and envelopes”—that inform much of his recent work.
