A facade must meet steep requirements as both the first skin that protects a building, its interiors, and its materials, and as the first thing a person sees. In addition to weather resistance and durability, its appearance is extremely vital for any architectural project. Prefabricated facade panels provide a clean, precise, and sophisticated finish to buildings and sport high versatility through different patterns and shapes.
Have you ever been stuck for hours obsessing over a font that matched your work? Before starting a project, do you already think about which font you will use? Do you get annoyed when you read an important message written in Comic Sans? Or do you feel offended when a mundane sentence is written in all caps? Rest assured, you are not alone.
Architects and designers constantly use graphic elements as expressive means in the schematization of their works. Among them, the most common are the drawings, in a constant variety of techniques, styles, and patterns. But among the elements that make up the boards, panels and drawings, techniques and models, there is a particular fragment that helps them in composition and identity: the font.
VS-A is a facade designing company that celebrates in Shenzhen it's 30th anniversary with an exhibition and 2 conferences. The first conference coincides with the opening of the exhibition, and will question what is the international approach, if there is any, with Partners from OMA, Steven Holl Architects, AREP and Jacques FERRIER.
The term "resilience" has been employed in a wide range of subjects. The scientific definition is the ability of a substance or object to recover its form after suffering some trauma. In other words, it is quite different from resistance, as it concerns the capability of adapting and recovering. In ecology, resilience is about the ability of an ecosystem to respond to a perturbation or disturbance, resisting damage and recovering quickly. In architecture, however, designing something while having resilience in mind can lead to a variety of approaches. Resilient designs are always site-specific. Predicting the potential scenarios for typical building use, and even any disasters that could challenge the integrity of the project and its occupants is an important starting point. Furthermore, it is possible to address adaptive structures and materials that can ''learn'' from their environment and continuously reinvent themselves. Since there are software and robots with algorithms that learn from their contexts, why can't we use the same approach in construction?
We have selected 10 adaptive materials and solutions that work under the concept of Resilience in Architecture and Construction. We are left wondering whether these solutions will someday become mainstream or merely occasional innovations.
Many of us spend most of our days sitting behind a computer and working. In our working environments, not only indoor conditions, but also the daily interactions with building’s façade (i.e. opening a window, closing a window blind or simply looking out from a window) have a major impact on our experiences. In that respect, as a part of an ongoing Ph.D. research, this survey investigates users' experiences in their working environments, related to the building's façade.
The use of steel in architecture is considered as one of the most innovative construction developments in history, allowing architects to create structures in scales they never thought they could. Fast-forward a few centuries, and steel remains as one of the most crucial materials in architecture. But there is a lot more to the material than just tensile strength and durability, some architects were well-aware of steel's potential and transformed it into lighting fixtures, facades, decorative elements, and finishes.
Here are 15 projects where architects looked beyond steel as structural support and explored its diverse possibilities in architecture.
Architectural bureau Tsimailo Lyashenko and Partners have unveiled their concept for "Brodsky", a new residential building on a high-density plot in the central district of Moscow. Situated along a river embankment, the scheme seeks to create a strong functional and visual connection between itself and the surrounding context.
The 14-story scheme named after the famous Russin poet seeks to enhance the public realm by creating a courtyard with a pedestrian alley, weaving around the scheme’s arch façade to connect with the embankment. The positioning of the courtyard alley also establishes a new visual experience not currently realized: a two-point perspective from the courtyard to the river.
A series of concave concrete panels hoisted on slender plank-like columns sit amongst the vast rural plains of Sweden, silently redefining the typology of an otherwise utilitarian structure. White Arkitekter's recent proposal for a water tower in Varberg is a slim horizontal structure, deviating from the typical, vertical and round design. Titled VÅGA, it features two tanks for storing water within its unique shape that may actually be better suited to its purpose.
Patinated copper, also called oxidized, is a metal coat that "ages well" with excellent weathering resistance. Due to its capacity for transformation over time, when coming into contact with atmospheric conditions, the material does not require major maintenance, giving a unique aspect to the facades.
In addition to orange-colored plates, this material also gives off a blue / green appearance through a controlled chemical oxidation process. Its coloration is defined by the amount of crystals contained in the surface of the material. With the appearance of natural light, the panels display various shades and nuances of color.
Flagship stores excite both fashion shoppers and designers alike due to their role as visionary laboratories for the latest trends and stimulating retail experiences. Architects have developed various ways to dress haute couture stores, from distinctive icons in the day to seductive night-time images. The images accompanying this article, created by the Portuguese architect and illustrator André Chiote, help to explore the graphic potential of famous brands like Dior, Prada and Tod's. The illustrations clearly reveal the various techniques of playing with diaphanous layers, intimate views inside or the contrast of light and shadow.
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