Neri&Hu: The Latest Architecture and News

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Woods Bagot have announced that they will be leading a redesign effort for the abandoned Hongqi Zhen Sugar Factory in Zhuhai’s Jinwan District. Due to be completed in three phases over the next ten years, their master plan for the almost 80,000 square meter site includes designs that will revitalize the area and transform it into an integrated tourism, cultural and leisure park.

A decade ago, a wave of striking architecture invaded major Chinese cities as the country prepared for the 2008 Beijing Olympics and 2010 Shanghai World Expo. Internationally renowned architects proposed and developed over-the-top structures, which soon became new symbols of the country. These iconic buildings helped mark Beijing and Shanghai as the major entry points to China, but as time progressed, the phenomenon spread to other, lesser-known Chinese cities. As these "second tier" cities thrived, their governments wanted to improve living standards and develop their own trademark, resulting in new theaters, stadiums, schools, and office towers.

Having focused on Beijing and Shanghai in his first series of photographs, Kris Provoost has continued his "Beautified China" series with a deeper look at buildings in 12 Chinese cities throughout the country, from Harbin to Hong Kong. The project continues under the same premise: 20 minimalist photos taken over the past 8 years of striking architecture built in the last decade.

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For the 2018 Venice Biennale, Stefano Boeri Architetti presents Slow Food Freespace, the first Slow Village to be constructed in Sichuan, China. Made in collaboration with Slow Food Movement, speakers Stefano Boeri and Carlo Petrini discussed the project at the event “Across Chinese Cities - The Community.”

For the Slow Food China project, Stefano Boeri Architetti has designed a school, a library and a small museum for the villages involved, free of charge. The program attempts to encourage millions of Chinese farmers to stay in their rural districts, combatting the unprecedented emigration to cities which has grown in the last few years. By offering educational facilities and cultural landmarks to these rural communities, it inspires the preservation of local culture and acknowledges the importance of the agricultural economy.

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A post shared by #ihaveathingforwalls (@ihaveathingforwalls) on Mar 17, 2017 at 1:22pm PDT

As architects, we all have a 'thing' for walls, windows, and everything in-between. The aptly named Instagram account @ihaveathingforwalls celebrates the beauty of walls—the peeling, the painted, the colorful, the dilapidated. As a curated selection of submissions from their followers, the page displays photographs of walls from Warsaw to Hong Kong; snapshots of beauty from everyday life.

Take a tour of walls across the globe below, and feel inspired to pay a little more attention to the surfaces around you:

We live in a society

A post shared by sssscavvvv (@sssscavvvv) on May 4, 2018 at 12:15pm PDT

In the modern age of sensationalism, consumerism, and widespread fake news, it's easy to understand why we feel the need to express ourselves through memes—the abstract photographs, video clips, and gifs that are manipulated in various ways to express thoughts on certain matters or situations that are relatable to people across the globe. Memes often expound complex yet concise sentiments which, in a way, closely resemble the way that we communicate in real life.

In the world of architecture, communication is often represented through critical essays, stunning renders and photographs, and hand-drawn analytical diagrams. In fact, architecture communication as we know it has mostly been a literal representation of the thing itself: Ideas are translated into plans, sections, elevations, details, form diagrams. But with the rise of memes and abstract expressions, why aren’t we popularizing our own personal thoughts with this form of widespread social media?

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The late British architect Will Alsop was noted for his exuberant and irreverent attitude that took material form in his expressive, painterly portfolio of educational, civic, and residential works. At the ripe age of 23, he was awarded second place in the 1971 Centre Georges Pompidou. From there, he went on to work for the ever humorous Cedric Price before establishing his practice with John Lyall, and eventually many others, in the early 1980s. With a career spanning almost fifty years, here are ten iconic works from an architect who never missed an opportunity to play.

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Throughout the work of Beijing-based practice ARCHSTUDIO, there is a constant feeling of sensitivity to culture and history. That is not to say that the firm’s designs are not modern—far from it in fact—but that the work of founder Han Wenqiang infuses modern materials and forms with a distinctly Chinese sensibility, that is just as apparent in his designs for a food packaging facility as it is in a Buddhist shrine (incidentally, both designs which won ArchDaily Building of the Year Awards, in 2017 and 2018 respectively). In the latest interview from his “City of Ideas” series, Vladimir Belogolovsky speaks to Han about whether architecture is an art form and what it means to create “Chinese” architecture in the 21st century.

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The global architects at Benoy have announced their design for The Hangzhou Canal Art Center — a new, green hub for local cultural events and art exhibitions. Located in the revitalizing, Gongshu district in Hangzhou, China, the art center will occupy the former site of a thermoelectric power plant.

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Morphosis has released details of their competition-winning masterplan for Unicorn Island in Chengdu, China. One of four entrants to be successful, including the OMA scheme we covered yesterday, Morphosis were recognized for their “walkable park city interweaving business resources, green infrastructure, and lifestyle” to offer the optimum conditions for both large and small companies to thrive in the Chinese development zone.

As the Chinese economy transitions from a production-based system to one driven by services, the Unicorn island masterplan is an initiative commissioned by the Chengdu government to offer state-of-the-art resources and networks for both start-up firms and so-called “Unicorn” companies, those with a value of over one billion US dollars.

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Appreciated within the industry but often maligned by the general public, brutalism came to define post-war architecture in the UK, as well as many countries around the world. In his 1955 article The New Brutalism, Reyner Banham states it must have “1, Formal legibility of plan; 2, clear exhibition of structure, and 3, valuation of materials for their inherent qualities as found.”

One Kemble Street, a 16-story cylindrical office block originally named "Space House" and designed by George Marsh and Richard Seifert, clearly exhibits all of these characteristics, creating a landmark in the heart of London that remains as striking today as it was upon its completion in 1968. Photographing the Grade-II listed building throughout the day, photographer Ste Murray manages to beautifully capture the building’s essence, celebrating its 50 year anniversary while also highlighting the intrigue of its form in a way that suggests parallels to contrasting ideologies.

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