Summer, carnival, and transit fare hikes: the beginning of the year in Brazil is typically when municipal and state governments announce increases in public transportation fares. While these fares were frozen in 2021 due to the coronavirus pandemic, many cities have faced hikes once again in 2022. Understanding the impact of rising public transportation fares on our society is crucial.
On May 3 at 11 a.m., Portobello will host the UNLTD Dreams Exhibition, an event that promotes discussions on art, architecture, and sustainability, while showcasing the diverse possibilities of space design through the eyes of leading professionals.
African architect Diébédo Francis Kéré, known worldwide for work guided by a social vision of architecture and design practice as a tool for inclusion and transformation, was this year's Pritzker Prize laureate. To discuss the award, the jury's selection, and its implications for architectural culture as a whole, Arquicast invited Caio Dias and Bruno Sarmento.
Two thousand five hundred reais is the average price of a good virtual reality headset. If you opt for the full experience, shell out another four thousand reais to add sensors and controllers. These models must be connected to a high-performance computer to process information and transform spaces into 3D models, costing at least five thousand reais. In addition to the headset, sensors, and computer, software is also required, with annual licenses that likewise run into the thousands. In short, keeping up with technology nowadays is quite a costly endeavor.
There is no shortage of filmmakers trained in architecture, nor of architects passionate about cinema. On the Betoneira Podcast, architect and filmmaker Marcio Kogan joined hosts Marcelo Barbosa and André Scarpa, both architects and cinephiles, to discuss the films that have shaped their lives and influenced their architecture.
The world's population is aging, and one of the major questions raised by this demographic shift—with more older adults than young children—is whether municipalities are equipped for these citizens to use urban spaces safely and accessibly, and to feel included in the social and civic life of their communities.
A United Nations (UN) report estimates that the number of individuals aged 65 or older is expected to double by 2050, growing from 727 million in 2020 to approximately 1.5 billion—representing 16% of the global population.
From May 10 to 15, the second edition of the Barcelona International Architecture Film Festival (BARQ) will take place. The event will be hosted within the MODEL. Barcelona Architectures Festival. It will feature seven feature films and twelve short films in competition, which will be screened at Barcelona's Cines Girona and the Disseny HUB. During the festival, the selected films will also be available on the Filmin platform.
Dating back to 1535, the Church of Saints Cosmas and Damian in Igarassu, Pernambuco, is considered the oldest surviving church in Brazil. This iconic landmark has recently undergone an extensive restoration that preserves its historic features while introducing upgrades to facilitate its contemporary use. The intervention also included the adjacent two-story Parish House.
Alternating between housewife and architect, Lina Bo Bardi appeared in the pages of O Cruzeiro magazine—featured in women's columns for her risotto alla milanese, and in cultural sections as the architect of MASP (Museum of Modern Art of São Paulo). Published weekly by Assis Chateaubriand's Diários Associados, O Cruzeiro enjoyed nationwide notoriety and circulation. Although targeted at upper-class housewives, its content was broad, covering fashion, culture, cinema, politics, and "women's advice sections" (sic).
No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architecture film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind Portugal's leading contemporary architecture. With just over 10 million inhabitants, Portugal is a fascinating country when it comes to this professional field, and its architectural output far exceeds its population or territorial scale.
In this episode, Sara talks with the architects of extrastudio, João Caldeira Ferrão and João Costa Ribeiro, about the Red House project. Listen to the full interview and read an excerpt of the transcript below:
From May 5 to 15, the first edition of Model. Barcelona Architectural Festival will take place. Co-organized by the Barcelona City Council and the Architects' Association of Catalonia (COAC), the event will serve as an open, plural, and multidisciplinary space for reflection, addressing key debates in architecture and urbanism to confront the social, political, and climate challenges of the 21st century.
Lacking a clear definition, the term smart cities has become increasingly common with each passing year. Many theorists point out that this conceptual ambiguity is linked to its rapid adoption and expansion by large corporations and institutions, thus turning it into a buzzword. Despite the “innovative” rhetoric, the model chosen to implement a smart city can lead to segregation and privilege specific groups if it is not designed around local specificities and does not involve local leadership (MENDES, 2020). This essay adopts the understanding that innovation and intelligence are not necessarily tied to digital technologies or high-cost resources. Rather, they stem from a fresh perspective on urban problems and the development of non-traditional solutions in decision-making and execution.
One of the most highly acclaimed television productions of recent years, “Severance” (released as “Ruptura” in Brazil), the Apple TV+ sci-fi series released in 2022, establishes an intriguing premise: employees of the mysterious Lumon Industries volunteer to undergo a procedure that surgically separates their personal and professional memories, ensuring that their work and private lives never overlap. The procedure thus creates an intermittent alter ego, mutually unaware of the other self and hyper-focused on its respective domain. The deft direction of Ben Stiller and Aoife McArdle, coupled with stellar performances from the cast, does justice to Dan Erickson's brilliant plot. Here, however, we focus on how the show's primary setting—the corporate headquarters in the fictional town of Kier—heightens the distress of the small team of employees through the architecture that houses and alienates them during the workday.
