No País dos Arquitectos is a podcast created by Sara Nunes, who also heads the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country when it comes to this professional field, and its architectural output far exceeds what its small population and territorial scale might suggest.

In this episode of the fifth season, Sara talks with architects Marta Brandão and Mário Sousa about the Mima housing system. Listen to the conversation and read an excerpt of the interview below.

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Transportation connects us. It is how we get to school and work, visit our families, and access grocery stores and healthcare services. It is also how we ship and receive goods and services. As economies and populations grow, so does the need for efficient, accessible, and sustainable transportation options.

As of February this year, Brazil has 890 wind farms installed across 12 states. These facilities represent 25.04 gigawatts (GW) of installed capacity in commercial operation, benefiting 108.7 million people.

Of this total, 85% are located in the Northeast region. According to the Brazilian Wind Energy Association (Abeeólica), by 2028 Brazil will have 44.78 GW of installed capacity of this energy source, whose share in the national energy mix currently stands at 13.2%. Today, wind power already accounts for 20% of the energy generation needed by the country.

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This is not the first article to address this, nor will it be the last. Numerous studies and pieces have pointed out the inconsistency of promoting car-centric urban policies as mobility solutions. I myself wrote in 2021 about the need to stop building overpasses and claiming they will solve mobility issues. Recently, however, Maceió’s Municipal Transport and Traffic Department (SMTT), a local government agency, launched a public consultation to gather feedback on opening streets within the city's largest linear park, the Vera Arruda Corridor. The proposal aims to improve "mobility" and "traffic flow" in an area that "suffers" from rush-hour congestion.

On Wednesday (29), the National Institute of Historic and Artistic Heritage (Iphan) formally presented the nomination of the Artisan Minas Cheese-Making Practices to the Representative List of the Convention for the Safeguarding of the Intangible Cultural Heritage of Humanity, through the Permanent Delegation of Brazil to UNESCO (Brasunesco). The list comprises intangible cultural assets that are considered representative of global cultural diversity and require protection and appreciation.

The interior design of gastronomic premises is becoming increasingly important due to the demand for improvement in the areas of competition, customer experience, and brand identity. The ability to adapt to current trends and needs is a point that Argentinian architecture and interior design professionals have been facing with innovation and flexibility in the use of materials, colors, and textures.

Commerce is a human activity practiced by societies since the beginning of evolution. Exchanges were made between products negotiated by entire communities at first. They began to be based on a common currency and practiced individually over time, from family to family. In one way or another, this activity is a characteristic of civilization and even influences our territorial organization. Historically practiced in outdoor spaces, commercial activity defined many spatial configurations.

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Surfers in São Paulo will no longer need to travel to catch a wave. Scheduled to open in 2025, Beyond The Club is a sports and wellness complex featuring an artificial wave beach. Designed by the firm aflalo/gasperini arquitetos, the club will feature, in addition to the wave pool and sandy beach, a sports complex with beach tennis and tennis courts, a gym, a spa, an indoor skate park, and three restaurants.

The club will occupy the site of the former Hotel Transamérica, located near Marginal Pinheiros in the city's south zone, which was designed by the firm's first generation in the 1980s. 

Twenty-two proposals were submitted to the EFE (Trenes de Chile) architectural competition to convert the iconic seven-story, triangular concrete structure at 221 Exposición Street in Santiago into its new corporate headquarters. Originally designed by architect Boris Guiñeman, the building was constructed between 1970 and 1974 to house the Correos de Chile sorting center.

African cities are expected to experience a significant increase in population over the next 30 years. According to United Nations projections, these cities will welcome an additional 900 million inhabitants by 2050. This demographic shift will create both opportunities and challenges that will reshape the nature and structure of these cities. These challenges include the need for economic growth, increased demand for housing and infrastructure, and the development of supplementary transportation systems. So far, most African cities have responded to this rapid population growth with sprawling horizontal development patterns that expand the fringes of the city, increase social fragmentation, and ultimately lead to greater car dependency.

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The winners of the German Design Awards 2023 approach design in ways that are both clever and sustainable, with a focus on ground-breaking product solutions and visionary ideas. The cradle-to-cradle principle, modular construction methods, sustainable use of materials and energy efficiency have long been mainstays in manufacturing and the construction process. But real estate branding is also increasingly coming into focus and becoming an important instrument in architectural communication and marketing.

Of the 4,200 submissions that the German Design Awards 2023 received, 98 projects in total were honored with the highest ‘Gold’ distinction. The German Design Awards are one of the most well-recognized international design awards, distinguished by its diversity and the quality of the projects. The awards are given to companies whose products stand out in the categories of ‘Excellent Product Design’, ‘Excellent Communications Design’, and ‘Excellent Architecture’. In the three different design disciplines, this year’s winners include companies such as Duravit, Mono and WMF, as well as the architecture firm MVRDV and start-ups such as nevi and X Shore AB.

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Peter Pichler Architecture has been invited to participate in a private competition for the design of a set of Ski Facilities in Ponte di Legno, Italy. The project includes the addition of three new cableway lines for the ski resort, each marked by an architectural intervention designed to provide shelter and dining options. The buildings also include exhibition spaces dedicated to the preservation of the cultural, natural, and historical heritage of the site.

The National Pavilion of Serbia, curated by Iva Njunjić and Tihomir Dičić, has just announced its exhibition at the 2023 Venice Biennale, which explores architecture's futures, presents, and pasts through the lens of an international Trade Fair in Lagos, Nigeria, in 1977. The trade fair was a product of non-aligned cooperation between Yugoslavia and Nigeria.

March 9 marks the birthday of one of the most important Mexican architects worldwide. A pioneer of the Modern Movement in Mexico whose work has transcended geographical limits to be studied by different generations of architects who have rewritten his teaching to make it their own. Every year, this date represents the perfect excuse to rethink Barragan's legacy to architecture not only in Mexico but also in the world, and different projects have been carried out with this intention, awakening the interest of new generations. However, until a few years ago, the record of the architect's work was not very accessible since more than 50% of the projects he built remained anonymous due to the lack of a proper archive of his work.

The Ministry of Transport, Mobility and Urban Agenda (Mitma) revealed in November 2022 the winning proposal for the curation and exhibition design of the Spanish Pavilion at the 18th edition of the Venice Architecture Biennale, which will take place from May 21 to November 26, 2023. Developed by Eduardo Castillo Vinuesa and Manuel Ocaña, "Foodscapes" focuses on the biennale's theme "The Laboratory of the future", by choosing as the object of its research the architecture related to the food production, distribution, and consumption chain, from the domestic to the territorial level.

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These days, the architecture industry cannot disregard how significant the challenge of sustainability has become. One strategy for achieving sustainable development is a circular economy, based on a sustainable life cycle. This strategy minimizes resource usage and extends the useful life of buildings from a design perspective. Moreover, another challenge is how to increase the usability of the building itself, in addition to how we've incorporated building disassembly into the cycle. This requires that designers take the future into account when making design decisions, integrating the requirements of the present with the potential outcomes of what has not yet happened.

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This article was originally published on Common Edge.

There’s no shortage of slippery slopes in the architectural lexicon: “architectural” and “architectonic” hover near the top of the list. Problems invariably arise when the modifier supplants the modified. This happens more than you’d think, especially of late. A wholly separate issue arises when owing partly to a linguistic slight of tongue, architecture is understood as something distinct from the building, eschewing physical inhabitation. 

The National Preliminary Project Competition for the construction of the new laboratories of the Córdoba Grain Exchange and Chamber was organized by the Association of Architects of the Province of Córdoba (CAPC) and sponsored by the Argentine Federation of Associations of Architects (FADEA). As a public, nationwide ideas competition, its goal is to rethink the laboratory headquarters through flexible spaces capable of adapting to future changes and growth. The design incorporates functional, constructive, and energy efficiency, while remaining mindful of both the people who occupy these spaces and their landscape context.

Milan Design Week represents one of the biggest annual design events in the world, bringing together Salone del Mobile.Milan, the largest furniture and design trade fair worldwide, and Furiosalone, along with many other exhibitions, product launches, conferences, and design-related events. This year’s edition, held between April 17th, 2023 and April 21st, 2023, brought together architects, designers, manufacturers and enthusiasts, both Italian and international. Many architectural offices contributed by collaborating with various brands to develop architect-designed products and to create architectural installations to highlight not only furniture and object design but also the larger context of Milanese architecture and culture.

Featuring designs from internationally recognized architecture offices such as OMA, MAD Architects, Stefano Boeri Interiors and CRA-Carlo Ratti Associati, the following selection showcases temporary interventions in both historical and contemporary contexts. The designs present several recurring themes, such as the interest and fascination with the properties of water, be it contained within man-made structures or in its natural state. Many of the participating companies chose to showcase not only their products but also the historical architecture of Milan, by using buildings such as Pinacoteca di Brera, Casa Maveri, or the deconsecrated church of San Vittore e 40 Martiri as a backdrop for their installations.

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Essentially, windows are architectural elements set within an opening. These openings are integrated into walls in various dimensions to provide natural light and ventilation. Over time, window-making materials evolved from wood to metal. During this evolutionary process, the Industrial Revolution and the rise of metal took center stage, redefining construction at every scale—from entire cities to essential architectural features like windows.

The primary defining feature of metal windows is their structural simplicity and the large spans they can achieve. Their minimalist nature stands out for the visual lightness they provide, acting as elements that enhance the relationship between a building and its context. This connection is further elevated by minimalist systems developed by brands like OTIIMA, which integrate new technologies and opening typologies—such as sliding and pivot systems—that redefine spatial boundaries.

The Royal Institute of British Architects (RIBA) announced that Professor Yasmeen Lari, Pakistan’s first female architect, will receive the 2023 Royal Gold Medal for architecture. The award, one of the highest honors for architecture and the first to be personally approved by King Charles III, recognizes Yasmeen Lari’s work in championing zero-carbon self-build concepts for displaced populations. The Royal Gold Metal will be officially presented to Yasmeen Lari in June 2023.

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Serving as an emblematic construction for Copenhagen’s World Capital of Architecture and UIA World Congress of Architects, the Sustainable Development Goals Pavilions in Copenhagen, Denmark, will begin appearing this spring and summer, exploring how architects can respond to the UN’s development goals. Questioning future construction, in relation to one or more of the UN's 17 Sustainable Development Goals, architects, engineers, material producers, science institutions, associations, and foundations collaborated to create each one of the different structures. The SDG Pavilions were created by numerous Danish architecture studios, including Schmidt Hammer Lassen, EFFEKT, Architects Without Borders Denmark, ReVaerk, LOKAL, Leth & Gori, Rnnow Architects, GXN, FORMA, Terroir, AART, Mangor & Nagel, NOAA Architects, Studio Coquille, Tan & Blixenkrone, ATENASTUDIO, and MAST.

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"I am tolerant. But I revolt. I accuse. It is my obligation. I am alone. Behind me there's no dictatorship, no party, no group, nor any mafia — neither a collective intellectual scheme nor an ideology. The green revolution is not a political revolution. The base sustains it and is neither minority nor elitist. It is a creative evolution in harmony with nature and the universe's organic course."

The above paragraph was said in the mid-20th century by Friedensreich Hundertwasser, an Austrian artist, and architect born in 1928. Hundertwasser marked architecture history with his distinct style of irregular and vibrant forms. His projects were a manifesto against rational and repetitive architecture. In them, there was a right to intervene in windows, irregular floors, green roofs, and spontaneous vegetation. As an architect, he always put diversity before monotony, believing in the right of each individual to modify their home and express their creativity. Above all, Hundertwasser believed in the importance of man's identification with nature and the world around him, addressing concepts related to community life and respect for the environment.