As part of The New York Times' documentary series "En los ojos de México" –where six filmmakers present a perspective on their country– Santiago Arau and Diego Rabasa present "Ciudad Herida" (Wounded City), a chronicle of the 2017 earthquake in central Mexico. Through drone footage, the film captures the strength and resilience shown during a moment of crisis.
The team at '3 Construcciones' has developed a sustainable housing construction system based on frames and recovered plastic modules, aiming to establish a mass-scale, low-cost, and low-energy method to address Argentina's housing deficit.
Late last November, we published the winners of the second call for graduation projects in Colombia—also known as undergraduate theses—for which we received 70 submissions from 14 cities and 29 universities. Ultimately, nine projects passed the three evaluation stages, standing out for addressing current pressing issues, developing in-depth research analyses, and posing challenges for both urban and rural contexts, just as in 2016.
In this feature, we take an in-depth look at Boundary and Architecture: Relationship Between Interior and Exterior Space, a proposal developed by John Pineda Torres, Juan Salamanca Carrillo, Javier Pachón Romero, and Nathalia Sánchez Rojas, all graduates of the Universidad Piloto de Colombia.
How many architecture students sit down to listen to a community's needs and transform them into a project to be built during the academic term? Few. While there are several participatory courses in universities, they often remain as proposals—brilliant ones, by the way—without ever materializing; though, of course, they leave us inspired. Meanwhile, other projects that do get built do not necessarily involve an exhaustive dialogue with the residents of the site. In recent years, students at Peru's architecture schools are increasingly engaging with reality, recognizing that the country is an experimental laboratory still under construction. And the project presented here is the first of such complexity to be built within a university workshop.
Preface: Tsinghua University School of Architecture is a world-renowned institution for architectural education. But how does a design institute operate within such a prestigious university system? Over its 60-year history, how has the Tsinghua University Architectural Design and Research Institute (THAD) maintained its relationship with the school, and what transformations has it witnessed in China's architectural industry? What challenges does the contemporary architectural field face? How will design institutes evolve under shifting national policies? How significant is the gap between architecture students and practicing professionals, and what qualities do contemporary architects lack? ArchDaily had the privilege of conducting an in-depth interview with Professor Zhuang Weimin, Dean of the Tsinghua University School of Architecture and President of THAD, to explore these questions.
'Alta Densidad' (High Density) is a project by architect Jorge Taboada comprising a series of aerial photographs that depict the stories of a city. This series is presented as an "archaeological vestige" where "people lose their face and identity and become invisible."
The history of social housing in Mexico has come a long way, undergoing transformations that concern not only architecture, but also the organizations leading their construction and the government.
Domotics = Domus ('home' in Latin) + Autonomous ('self-governing' in Greek)
True to its name, domotics enables a home to function intelligently, responding to user needs through automated systems that improve spatial habitability and comfort, increase security, and boost long-term energy and financial savings.
By utilizing sensors, motorized systems, wireless technologies, and direct integration with smartphones or tablets, domotics is here to stay. It can be integrated into architectural projects from the initial stages through various automated systems. How can this be achieved? Here is a selection of solutions classified by their benefits: energy savings, comfort, accessibility, and security.
El Campo de Cebada has become a benchmark for self-management and the collective construction of public spaces, closely linked to the Spanish *acampadas* of 2011. In this article, the architecture collective Zuloark reflects on the key principles that made the experiment work.
On the occasion of the 75th anniversary of the Colegio de Arquitectos de Chile, the professional association has announced the winners of the 2018 CA Awards, the country's most important national honors.
Following a 2017 edition heavily criticized for the absence of women among the honorees, this year's awards not only introduced two new categories promoted by the Mujer Arquitecta organization—the Dora Riedel and Eliana Caraball awards—and another recognizing regional contributions, but women also swept 9 of the 12 categories awarded by the Colegio de Arquitectos to its members.
Below are the winners of this edition:
Jean Pierre Crousse and Sandra Barclay have just won the Mies Crown Hall Americas Prize –the highest architectural distinction in the Americas– with the recently completed Edificio E at the Universidad de Piura. Through their work, Barclay & Crousse has approached the Peruvian territory and landscape from different perspectives and at different scales, complementing this approach with research and teaching at the Pontificia Universidad Católica del Perú, where they explore the transdisciplinary and multiscalar dimensions of architecture.
In this interview, we delve into their relationship with teaching, the Peruvian territory, and the role of architecture today in countries like Peru.
In early 2016, we reported that construction had been completed on BD Bacatá, Colombia's tallest skyscraper (216 meters), and that its opening was just months away. However, an official opening date has yet to be set, while elsewhere in the Colombian capital, construction is progressing on a project that will surpass BD Bacatá in height: the Atrio Towers (268 meters), designed by Rogers Stirk Harbour + Partners (RSHP) and El Equipo de Mazzanti.
What is the difference between sustainable architecture and bioclimatic architecture? Both terms are frequently used within the profession, though their underlying principles were discovered centuries ago (referring to the vernacular tradition of architecture) and the terms themselves were derived from the concept of “sustainable development,” first proposed by Norwegian Prime Minister Gro Brundtland at the 42nd session of the United Nations in 1987:
But what is the difference between the two? They are highly similar concepts, varying only according to the intentions of the architect using them. To clarify: terms like sustainable architecture, green architecture, eco-architecture, or environmentally conscious architecture are often used by architects attempting to reflect a basic climatic awareness in their work, but whose actual “gestures” have little impact on energy efficiency. Their primary focus often ends up being to make the building appear “eco-friendly” through a green facade or a green roof. In most cases, these designs lack a real climatic foundation. By contrast, the second term, bioclimatic architecture (without any qualifiers), bases its entire raison d'être on the climate. The building's final appearance is secondary, as all design decisions stem from a preliminary study of the climate—treating it as a fundamental tool—and aim to understand and leverage it.
This gives rise to the concept of the “healthy building,” recently proposed by Harvard University's prestigious school of public health, the Harvard T.H. Chan School of Public Health. Focused on “building healthier communities around the world,” the school has launched the Healthy Buildings program at the Harvard Center for Climate, Health, and the Global Environment (C-CHANGE). One of its main goals has been to synthesize 30 years of public health science to identify what makes a building “healthy.” The result: the 9 Foundations of a Healthy Building. This 36-page study identifies key factors and details how they relate to human health. In addition to defining these factors, the study provides simple recommendations for each, including the regular assessment of both the factors and occupant needs. In short, it is a straightforward study—still far from frameworks like the Well Building Standard—but well-targeted and a step in the right direction.
On November 24, 2016, the Superior Council of Colleges of Architects of Spain (CSCAE) awarded the Gold Medal of Spanish Architecture to architects Guillermo Vázquez Consuegra and Víctor López Cotelo. This would have been routine, were it not for the complete absence of women architects among the winners, nominees, finalists, jury members, and the presenting panel.
This discrepancy was highlighted in a petition on Change.org addressed to Jordi Ludevid, then-president of the CSCAE, in which the signing architects called for greater active participation of women at all stages of the process, seeking equal representation with their male colleagues.
The year 2018 marks the centennial of artist Athos Bulcão. In celebration of the life and work of one of Brazil's most influential 20th-century painters, sculptors, and muralists, the National Institute of Historic and Artistic Heritage (Iphan) has launched an updated version of the inventory of his work.
Titled Inventário da Obra de Athos Bulcão em Brasília (Inventory of the Work of Athos Bulcão in Brasília), the book builds upon an initial study conducted by the institute between 2008 and 2009 and published in 2010. That first edition documented 261 works, revealing the sensitivity, versatility, and richness of the artist's creative universe. Officially launched on July 30, the new edition spans over 200 pages, featuring a conceptually expanded and revised content alongside a playful and inventive graphic design.
Every now and then, it is inevitable to pause, set everything aside, and simply think about the future. This necessary imaginative exercise—performed countless times throughout the history of fiction—allows us, among other things, to recognize where we stand and understand where we are going. As such, it becomes a relevant and compelling practice to apply to our own transformative and visionary discipline. We proposed this challenge to several Chilean architects, inviting them to speculate not just on the near future—already difficult to navigate in today's liquid modernity—but on a more distant horizon, framed by the question: what will be the role of architects in Chile over the next 25 years?
Their opinions and commentary, emphasizing different facets of architectural practice, share several common threads by connecting current issues and questions relevant to the 21st-century city: the human dimension—the ethical, the collective, the common—and the urban realm, in their relationships and forms of organization.
The Federal District office of Iphan did not approve the project submitted by the Federal District Department of Roads (DER-DF) for the reconstruction of the section of the Eixão Sul that collapsed in February of this year, burying two cars and the tables of a restaurant.
The agency responsible for Brazil's artistic and cultural heritage blocked the proposal, claiming that the DER-DF/Novacap project "significantly alters the original architecture and compromises the architectural and urban integrity and, by extension, that of the Plataforma Rodoviária complex and complementary road system."
Architects Rafael Pina and Nicolás Maruri, from the ARKRIT Collective, reflect on the soccer fields nestled within the adobe and rammed earth settlements of Morocco's High Atlas. Having barely altered the territory, these spaces integrate and merge into the topography through minimal modifications and actions for a single, simple purpose: to play.
Construction requires mobilizing material resources and human labor, inevitably transforming the territory. Building with what is readily available is a stance that can be driven by ethics, but also by necessity. In either case, the outcome is usually economical and fitting. Resource consumption is kept to a minimum, and adaptation to the environment becomes a natural consequence.
BASE Studio, a design and research practice focused on innovative architectural systems, has designed "Flocking Tejas," a pavilion made of handcrafted clay tiles. The installation emerges as an architectural system that expands the possibilities of handmade materials and adaptive systems, ultimately creating an intervention designed to spark the curiosity of its users.
The project was a finalist in the YAP_Constructo 8 competition, directed by architects Marcelo Sarovic and Jeannette Plaut.
Cities are living testaments to the cultural, social, economic, and political transformations of society. In a state of constant evolution, superficial traces of the past fade away, while deeper scars overlap with the multiple layers of the present that unfold across cities over decades and centuries.
Throughout history, a combination of factors has allowed some cities to remain better preserved, offering vivid glimpses of colonial Brazil. In contrast, in other cities, the traces of early urbanization have been erased or swallowed by subsequent eras.
For many years, Mexico City has been what many authors call a "living organism," built day by day and choreographed in diverse ways. Santiago Arau's work portrays a city where time passes, shaped by its inhabitants—ranging from sweeping aerial views to the daily gaze of a commuter on public transit. Don't miss this time-lapse, which will allow you to imagine (or remember) what it is like to experience Mexico City in just one minute.
Featuring references to his career, projects, and travels, the Ocupação Paulo Mendes da Rocha celebrates the 90th birthday, on October 25, of Brazil's most important living architect. Through sketches, technical drawings, models, and other materials selected from Mendes da Rocha’s personal archive, curator Guilherme Wisnik reveals some of the architect’s most radical ideas, which use ideology and technique to challenge and subvert colonial mindsets that still echo in Brazilian architectural design.
To encourage the use of bicycles as a non-motorized mode of transportation, BKT Mobiliario Urbano has developed the Ciclopuerto CP-009; a geometric piece made of recycled aluminum and rubber that accommodates two bicycles per rack. The unit consists of a metal structure clad in recycled aluminum on its lower section to increase durability, and rubber on its upper section to protect bicycles from scratches and other damage.
After two editions at the Parque Cultural de Valparaíso, the Chilean Biennial of Architecture and Urbanism will return to Santiago in 2019. On Wednesday, June 6, the Mayor of Santiago, Felipe Alessandri, and the President of the Chilean Association of Architects, Humberto Eliash, signed the official agreement during a ceremony at the Mercado Matadero Franklin, which was attended by city council members, Minister of Housing and Urban Development Cristián Monckeberg, undersecretaries, regional authorities, and other officials.
During the ceremony, organizers confirmed that the 21st Biennial will take place in October 2019, with both the Mercado Matadero Franklin and the Teatro Huemul serving as the main venues for the country's premier architectural event.
Studio davidpompa is a project founded in 2013, dedicated to creating contemporary objects with a strong commitment to Mexican identity and craftsmanship, using specific materials transformed into innovative shapes to create simple, elegant objects.
Based in the heart of Mexico City with a showroom in Roma Norte—a neighborhood built primarily in the early 20th century featuring French-style buildings—they have reinvented themselves to create a new space.
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