On September 12, Arq.Futuro and Insper will host the 2018 edition of the Arq.Futuro International Seminar - The City and the Water. As in previous editions, the event will present the Brazilian public with iconic success stories in the restoration of urban waterways and their surroundings. For this year's seminar, three cases were selected that stand out both for their urban quality and their explicit purpose of combating different forms of urban exclusion.

During the Bogotá International Art Fair (ARTBO), held between October 24 and 28, Colombian artist Miller Lagos was awarded the second edition of the Kubik Prize. According to the organization, the prize “commissions a project that bridges art and architecture from an innovative perspective for the benefit of the city and its inhabitants.”

“In his recent work, the artist has undertaken projects in public spaces, examining the relationship between human populations and their bodies of water,” Kubik Lab stated, explaining its decision.

Bucaramanga is located 959 meters above sea level on a plateau in Colombia's Cordillera Oriental. Composed of 17 communes, it has a population of 528,575, while its metropolitan area is home to more than 1,141,700 people. Over the past 30 years, the city has systematically lost its public space due to abandonment, neglect, rapid urban growth, and a lack of coordinated political and planning initiatives that could foster direct communication between residents, public officials, academics, and private sector representatives.

The strategic project “Public Space: The Skin of Democracy” is a suite of initiatives designed by the Bucaramanga municipal government—and integrated into the city's current development plan—aimed at reconfiguring and renovating municipal public spaces. The initiative was launched by the Mayor's Office of Bucaramanga for the 2016–2019 term.

The team comprising Diego Concha, Tomás Aguirre, and Trinidad Hermosilla (Universidad Finis Terrae) has won first place in the XXXII CAP Chile Competition. Designed for the Quillayes tailings of the Los Pelambres mining company (Coquimbo Region), the project seeks to "recover and reuse mining waste through the use of highly mineral-resistant plants for the reduction and future mitigation of environmental risks on the site," according to the authors.

The competition jury explains that the project proposes "a new way of conserving, actively addressing environmental issues frequently present in the territory. It takes existing elements as a starting point and combines them with a series of contrasting geometries resolved using steel."

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Alcalá Street was filled with light last Christmas thanks to the installation designed by the architecture studio Brut Deluxe and led by Ben Busche, commissioned by the City of Madrid. 

Buenos Aires, 2018. Population? Almost 3 million. High-speed maglev trains? Zero. Skyscrapers interconnected by railways? Zero. DeLoreans flying through the air? Unfortunately, zero. Transportation innovations? The Metrobus and bike lanes. In urban terms, the city seems not to have progressed at the pace once imagined.

There was blind faith in the future—a future where anything was possible, the sky was not the limit, and people could move freely above the clouds along a network of pathways connecting towering high-rises. What happened? To find out, we must travel back in time. To the past, to be precise.

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Discovering what young architects are doing across Mexico was the starting question for architects Lucia Zesati Farías, Gustavo López Padilla, and Honorato Carrasco, curators of the exhibition 21 jóvenes arquitectos mexicanos. Segunda edición (21 Young Mexican Architects: Second Edition). The show opened on August 9 at the National Museum of Architecture at the Palace of Fine Arts and will run until September 23, 2018.

Over a year and a half, the curators reviewed recent works to select 21 architecture firms whose design teams are under 45 years old. This age limit was established because significant architectural production is rare among recent graduates in their twenties.

Today's Google Doodle, featured on its homepage in Brazil, honors Milton Santos, a world-renowned Brazilian geographer widely celebrated for his pioneering work bridging geography and urbanization studies in developing countries. With a prolific career, Santos left a vast intellectual legacy, now compiled on a website created by his family. Organized into biographies, books, articles, research, and audiovisual materials, it keeps alive the legacy of this key figure in the fields of geography and urban studies.

The Chilean firm of Jaime Larraín and Osvaldo Larraín is notable—among many other things—for treating facades as a unified compositional element. The architects' work includes completed buildings in the cities of Viña del Mar and Santiago, which are distinguished by the unique plastic composition of their street fronts, as well as their contribution to the urban image of their respective settings.

Their projects explore the creation of rhythm, the use of color, and repetition as compositional principles, standing out for an urban design approach that—informed by these considerations—is most clearly expressed in their collective housing projects.  

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Throughout the history of cinema, there are numerous examples of a close and deep relationship between film and architecture. The film 'Columbus', recently released in Spain and the feature debut of South Korean director Kogonada, is a magnificent example of how significant architecture can be an essential factor in the development of a film project. Set in the American city of the same name, the film serves as a genuine and wonderful tribute to its architecture and urban environment.

In the 1950s, through the Cummins Foundation and in collaboration with the city of Columbus, industrialist J. Irwin Miller launched a program to subsidize the construction of public buildings designed by prominent architects. In this way, Columbus, Indiana, became a sort of open-air museum, eventually coming to be regarded as a mecca of modern architecture. During those years, more than 60 buildings were constructed by great masters of the Modern Movement, such as Harry Weese, Cesar Pelli, I.M. Pei, Eero and Eliel Saarinen, Richard Meier, Robert Venturi and James Stewart Polshek, to name a few.

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A few days ago, we reported that BD Bacatá, Colombia's tallest skyscraper, has yet to open after a series of delays, and new reports from the local press make it clear that the outlook for its 4,200 investors is not improving.

The developer BD Promotores owes its suppliers an estimated 4 billion Colombian pesos (1.46 million USD) "for finishes and leases." Following a lawsuit filed by three suppliers demanding the payment of 750 million Colombian pesos (273,750 USD) for services rendered, "the only way out after declaring insolvency was the seizure of the trademark" by the Superintendency of Industry and Commerce (SIC), according to a report by local newspaper La República.

Designed by the firm Brasil Arquitetura, the Museum of Labor and the Worker is located in the city of São Bernardo do Campo. Once completed, it is set to house records of the "memory of the working world, from the arrival of the Portuguese to the present day." Although 5,500 square meters have already been built, construction has been halted and the site has been abandoned for about a year and a half.

In an op-ed published in the newspaper Folha de S. Paulo, Brazilian Pritzker laureate Paulo Mendes da Rocha and former UN Special Rapporteur Raquel Rolnik suggest that halting the museum's construction—officially blamed on suspected project overpricing—is actually more closely linked to an aversion to the cultural narrative surrounding the project.

The São Paulo - Morumbi Station is part of the second implementation phase of the São Paulo Metro’s Line 4 – Yellow and is currently nearing completion. The project features two external entrances located at the intersection of Francisco Morato and Jorge João Saad avenues, as well as integration with the SPTRANS bus terminal.

Ten sustainable social housing projects from Chilean universities have qualified to be built for the third edition of the Construye Solar competition, and will be exhibited in Santiago in October 2019.

Organized by La Ruta Solar and sponsored by the Technological Center for Innovation in Construction (CTec), the Construye Solar initiative aims to "generate new capabilities within the sustainable construction sector in Latin America and raise public awareness of the economic, environmental, and social benefits offered by eco-friendly housing," as noted by the organizers.

Foundations are certainly not the structural elements on which architects spend the most time during the design process. Since they are typically underground and serve a strictly technical purpose, this decision is usually left to structural engineers. However, foundations play a crucial role in construction, as they are the structural elements that transfer building loads to the ground.

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"Architectural competitions represent the combination of the art of choosing and the craft of being chosen," says Roberto Fernández about an area of our discipline that is widely recognized as an excellent platform for firms and independent professionals to present their ideas as true manifestos. Meanwhile, in academic circles, competitions often serve as tools for formal, conceptual, and graphic experimentation.

These types of commissions undoubtedly inspire not only architecture and urban planning professionals but also the public as a key player in their evaluation. Whether or not these proposals are built, they demonstrate that we must constantly champion innovation, recognizing the immense effort behind these results. With this in mind, we have selected six award-winning projects that reflect the value of architectural competitions in Colombia.

The Architecture and Design Festival "Concéntrico 04" is preparing for its fourth edition, taking place from April 27 to May 1, 2018. This public event invites residents and visitors to discover and rediscover key sites in the historic center of Logroño, Spain, through temporary urban installations.

As part of the temporary architectural installations for Concéntrico 04, the festival launched design competitions for interventions in Plaza de San Bartolomé, Viña Lanciano and the creation of an information pavilion in Plaza Escuelas Trevijano to serve as a landmark and starting point for the festival's routes and activities. These will be built, assembled, and dismantled by the winners themselves.

The "Floating Cemetery of Alto Biobío" project, developed by Universidad de Chile architect Fabián Leiva, proposes a memorial for the Quepuca cemetery—one of 14 flooded following the construction of the Ralco hydroelectric plant. The design features a monomaterial concrete volume positioned over the flooded cemetery to establish a vertical communication between the living and the dead, creating a point of connection between them.

To mark the commemoration of the February 27 earthquake and tsunami, the creation of “Rubble Hospitals” is being promoted, drawing on recent earthquake experiences in Chile and Mexico.

A new guide for creating these spaces was announced in Concepción by Chile's Proyecta Memoria Foundation, coinciding with the anniversary of the February 27 earthquake and tsunami. The guide compiles experiences from earthquakes in Chile and Mexico, while promoting Rubble Hospitals as spaces to safeguard and reuse debris from large-scale seismic events.

The document is the result of three years of work and details memory rescue initiatives during the 2010 and 2015 earthquakes in Chile and the earthquakes in Mexico.

The greatest force in the fight against climate change lies in the hands of cities. This is where most people live and where the global economy drives forward. However, according to the new report by the New Climate Economy, titled "Unlocking the Inclusive Growth Story of the 21st Century: Accelerating Climate Action in Urgent Times," urban areas are not leveraging their transformative potential to promote sustainable development. Ultimately, this could mean missing our final opportunities to reduce poverty and halt climate change.

The “Welcome Mother Nature” project, winner of the June 2016 international competition to redesign Madrid's Plaza España, will ultimately not be allowed to alter the position of the Cervantes monument as initially planned.

The Community of Madrid announced at the Local Heritage Commission its intention to fast-track the declaration of the complex as an Asset of Heritage Interest (BIP). Consequently, the project designed by architects Fernando Porras Isla-Fernández, Aranzazu La Casta Muñoa, and Lorenzo Fernández-Ordóñez Hernández will not be allowed to rotate the statue of the Spanish writer to face the Edificio España, as reported by the Spanish newspaper El País.

The Federal District office of Iphan did not approve the project submitted by the Federal District Department of Roads (DER-DF) for the reconstruction of the section of the Eixão Sul that collapsed in February of this year, burying two cars and the tables of a restaurant.

The agency responsible for Brazil's artistic and cultural heritage blocked the proposal, claiming that the DER-DF/Novacap project "significantly alters the original architecture and compromises the architectural and urban integrity and, by extension, that of the Plataforma Rodoviária complex and complementary road system."

Featuring references to his career, projects, and travels, the Ocupação Paulo Mendes da Rocha celebrates the 90th birthday, on October 25, of Brazil's most important living architect. Through sketches, technical drawings, models, and other materials selected from Mendes da Rocha’s personal archive, curator Guilherme Wisnik reveals some of the architect’s most radical ideas, which use ideology and technique to challenge and subvert colonial mindsets that still echo in Brazilian architectural design.

Curated by Oscar Humphries, this exhibition opened on Monday, February 5 at 11 AM, and will run from February 7 to March 24, 2018.

Sean Scully - San Cristóbal is the first exhibition presented at Cuadra San Cristóbal, and marks the first time the artist's sculptures will be exhibited in Latin America.