Navigating certain cities around the world is remarkably easy to grasp, just as finding an address without GPS is not particularly difficult, even for first-time visitors. Urban design explains this ease of navigation. Urban spaces designed on a grid, such as Barcelona (Spain), New York, Chicago, and Phoenix (US), and Toronto (Canada)—where streets intersect at right angles to form a gridiron pattern—make orientation intuitive and optimize spatial utility.
Pointed arches, ribbed vaults, stained glass, finials, rose windows, and intricate decorative details. These are some of the elements that define Gothic architecture, a movement that emerged and flourished in Europe from the 10th to the 15th centuries. In Brazil, these features were adopted much later, within a revivalist context known as Neo-Gothic. This historical revival is primarily reflected in grand churches and select historic buildings. While the tropical nation does not boast as many works as the European continent, architecture expressing these ideals can be found from north to south.
While studying and traveling through cities around the world, one of the most striking urban scenes I witnessed was a square in Tokyo filled with uniformed children playing during their school recess. The square had only a low fence, yet a diverse range of people (like myself) could mingle and interact among the children. Childhood independence in Japan is world-renowned and was recently depicted in the Netflix series "Old Enough," where children under six run errands outside the home alone, without their parents. While these might be ordinary scenes for a Tokyo resident, for someone with a different urban reference point, the question "how is this possible?" immediately arises, so far removed is it from the reality of most of our large cities.
In another episode on quality of life and connection with nature, Arquicast explores a topic that has become even more relevant in recent times: public open spaces in cities, with a focus on precious, revitalizing green spaces—urban parks and plazas. In an increasingly urbanized world, the search for places to connect with nature has become essential. The discussion is enriched by two special guests: Luciana Jesus, an architect, urban planner, and leader of the Urban Landscape and Inclusion research group at the University of Vila Velha; and Klaus Chaves Alberto, a PhD in urbanism and researcher in the field of health, well-being, and quality of life at the Federal University of Juiz de Fora.
No building stands in isolation. Engaging environmental and cultural networks, architecture is an inherently grounded art. As such, limits, constraints, and restrictions drive the design process forward, engendering solutions that celebrate the world as we find it. Embodying this dynamic, renovations and adaptive reuse projects embrace challenging problems and existing conditions. This is especially true when working with industrial buildings, places where machinery, manufacturing, and power combine.
Atrium Ljungberg recently unveiled Stockholm Wood City, the world's largest timber urban development project—an effort to showcase Sweden's commitment to sustainability. On the other side of the world, Tallwood Architects' Tamango Project exemplifies the challenges and opportunities of timber construction in Chile and could become Latin America's first 12-story building featuring a prefabricated mass timber structure.
In the design of open spaces, I consider one of the most important concepts—and one of the most difficult to explain—to be the shaping of “positive” open spaces. As far as I have been able to establish, this term was coined by Alexander et al. (1977) in A Pattern Language and continues to be used by other authors (see, for example, CARMONA et al., 2003), although it is not a widely adopted term.
On September 7, the exhibition "How to Design a Revolution: The Chilean Road to Design" opened at Santiago's Centro Cultural La Moneda (CCLM), as part of the activities commemorating the 50th anniversary of Chile's civil-military coup. The exhibition showcases graphic and industrial design created during the administration of President Salvador Allende, bringing together over 350 original pieces and featuring a complete reconstruction of the Cybersyn operations room. The show will run until January 28, 2024.
Jointly produced by the Pontificia Universidad Católica de Chile, the Massachusetts Institute of Technology (MIT), and CCLM, in collaboration with the Ministry of Science, Technology, Knowledge, and Innovation and the Goethe-Institut Chile, the exhibition is curated by designer Hugo Palmarola and architect Pedro Ignacio Alonso—both recognized for winning the Silver Lion for Monolith Controversies at the Chilean Pavilion during the 2014 Venice Architecture Biennale. Renowned Colombian science historian Eden Medina of MIT also participated in the project.
Timber has been a popular source of construction material for thousands of years. Through sawing, milling, and other engineered wood conversion processes, various wood forms have been created and applied in products, furniture, and architecture. However, these processes can sometimes alter the basic lines of wood structure. The stems can be split, grain patterns changed, and some woods, such as oak and cedar, are easily reduced while others can become intractable. This led to the exploration of whole timber forms in ancient structures, such as log cabins, which layered timber in different cross-sections to form home profiles. Through design, the use of trunks or branches of trees in their entirety can accentuate their innate mechanical properties for structural sustainability. Although these practices are fairly absent in contemporary building techniques, new technological innovations expand the prospects of timber construction in architecture.
UNStudio has been selected as the winner of the international competition for the design of a mixed-use development in Düsseldorf, Germany, surpassing other internationally recognized participant offices, including 3XN, BIG, David Chipperfield Architect, and finalists Hadi Teherani Architects, HPP Architekten, and Ingenhoven. UNStudio’s proposal features two mixed-use towers measuring up to 120 meters, surrounded by a low-rise community pavilion. In addition to the office and residential spaces, the scheme also includes multifunctional uses and services such as sports, fitness, medical facilities, gastronomy spaces, a mobility hub, a daycare center, and opportunities for cultural events.
The German Pavilion Open for Maintenance / Wegen Umbau geöffnet at this years 18th International Architecture Exhibition – La Biennale di Venezia was curated by ARCH+ and Summacumfemmer Büro Juliane Greb. At its core, the exhibition addresses the resource problem and the material cycles of the biennale. Inside the pavilion is a functioning workshop dedicated to applying these concepts of care, repair, and maintenance to Venice onsite. In Venice, ArchDaily had the chance to speak with the co-curator Anh-Linh Ngo, where he discussed the different aspects of the German Pavilion.
Shelves are incredibly versatile furniture items that are vital in organizing, decorating, and maximizing efficiency in various spaces, including homes, businesses, and industries. Crafted from a wide range of materials and available in numerous designs, shelves enhance compact environments by adding flexibility and easy access. With this in mind, we've compiled suggestions to elevate these ubiquitous solutions — temporary additions or integrated architectural features — into prominent elements within interior design.
This article was originally published on Common Edge.
Auction houses, secondhand furniture stores, and realtors make small fortunes from a nomenclature that, despite the fuzziness surrounding its indeterminate span and whether everything made during its indefinite duration ought to be stamped with the same label, continues to demand attention. Years from now, serious collectors of architectural magazines may search for that single issue of the 21st century magazine Dwell, absent a major spread of a house designed in the midcentury modern (MCM) manner or a restoration of a building from that era. MCM is the very blood that pulses through the publication’s arteries, promulgating a view of a squeaky-clean and well-lighted lives lived almost invariably by (often childless) ectomorphic couples, blissfully happy under a flat roof with floor-to-ceiling windows affording fine views of distant landscapes best enjoyed behind insulated glass in an ambient temperature of 72 degrees Fahrenheit. But what are we to make of this term, this period—some even call it a “movement”—so well-known globally it goes by initials?
Wulff Castle in Viña del Mar is a renowned landmark, celebrated for its appearance and architectural style inspired by Liechtenstein Castle in Germany. The structure features German and French design elements, along with medieval characteristics—qualities that captivate both locals and the thousands of tourists who visit it.
As part of a new project by the architecture firm WORC, "Moradores" emerges: a space located just steps from Jardín Zaragoza in Toluca, State of Mexico. Housed within a 342-square-meter residence with nearly a century of history, it is one of the few surviving structures from the evolution of a representative neighborhood in the city's historic center. The studio, directed by Ricardo Martínez and Camila Ureña, describes the space as a “public house” comprising a restaurant, art exhibitions, and a community gathering point.
When Kisho Kurokawa designed his now iconic Nakagin Capsule Tower in 1972, the structure was meant to represent the core principles of Metabolism, experimenting with ideas of growth and change borrowed from biological processes. The emerging style in postwar Japan aimed to create buildings and megastructures that emulate living organisms that can evolve, expand, contract, and adapt to their changing conditions. Following this concept, the Nakagin tower was composed of 140 identical cell-like capsule units, each individually bolted to the two central shafts. The capsules were intended to be replaced and upgraded every 25 years, allowing for flexibility and mutation. The innovation proved to be impractical, however. Almost 50 years after its construction, the tower was demolished, but not in its entirety. A total of 23 capsules were saved and removed from the building to be given a new life. Now, the capsules are scattered around the world, continuing to represent Metabolist ideals in unexpected ways.
In Nieuw Delft, a newly developed city area next to the historic city center of Delft and in close proximity to the central train station, Common City is developing the winning LeeuwenPart plan in collaboration with Space&Matter. The project includes a residential building located on the edge of the future Van Leeuwenhoek Park. The project is developed as a co-commissioning, a process where the future residents are included in the design process, resulting in a well-adapted building and a close-knit community.
The Center for Arts and Innovation has just selected Pritzker Prize-winning architect Renzo Piano to design its new creative campus. The campus is situated in the heart of downtown Boca Raton in Florida and aims to become a global hub for creative excellence. Ultimately, The Center is on a mission to transform Boca Raton into an internationally recognized destination for culture, arts, innovation, and technology.
Color plays a significant role in the world. Partly because of the significance attached to each hue, the use of color in architecture – especially in interiors – changes the ambiance of each project. In commercial establishments, color has a considerable influence on highlighting a given brand, and in homes, it can reflect the resident’s personality and complement the language adopted in the project. This exploration can take place directly in the tectonic object (architecture) through the surfaces that constitute the building, or it can take advantage of mobile elements, easily changeable.
Why research and innovate in architecture? In a conversation with architectural designer Jenny E. Sabin, we delve into the critical link between research and practice in architecture. Seeking the development of a new model, her team incorporates an interdisciplinary approach that introduces connections between these areas, fostering collaboration with both scientists and engineers.
Observing nature’s behavior, the proposed method integrates biological and mathematical discoveries into the design process. After undergoing a systematic testing process, these insights are applied in the project’s generative design phase to create adaptive and responsive material solutions. Analyzing her research and design strategies, we showcase how she translates research into architectural practice.
The international architecture and city festival Open House will take place in Madrid from September 21 to 24, 2023, inviting residents to visit and explore some of the capital's most iconic buildings. Extending beyond Madrid to open several spaces in San Lorenzo de El Escorial, this ninth edition will open the doors of over 120 buildings and studios, while also offering 13 outdoor routes and itineraries to discover Madrid's architecture.
Between April 2 and 16, students from Latin America, together with architects, worked on the analysis, design, and construction of public infrastructure for the city of Suchitoto in El Salvador, within the framework of the XIX Latin American Social Workshop (TSL).
Since its first edition held in Barranquilla in 2002, the TSL has annually brought together public and private entities, university students, architects, professors, and members of Latin American civil society to develop practical architectural exercises with a strong community and local focus. This year, the XIX TSL was led by the Latin American Coordinator of Architecture Students (CLEA) and the local organization, the National Association of Architecture Students of El Salvador (ANEA).
The following is the work produced by the workshops led by architects from El Sindicato, Taller Bugambilias, Taller de Tierra, Colectivo Hormiga, ACCIÓN, Laborateca, Sen Sos Hábitat, Alejandro Alcázar, and Coonvite:
Most biennales and architecture events, especially the recent ones, have influenced and shaped the dialogue of the ones that followed. In fact, during a conversation earlier this year with Lesley Lokko, the curator of the 2023 Venice Architecture Biennale, she explained and affirmed that “all exhibitions […] take sustenance from those that came before”, further noting that “if I look back at the dozen or so Architecture Exhibitions over the past twenty years, each one has contributed in some way to the discourse of the next.”
So far, 2023 has witnessed significant events in the architectural world, ranging from the XXIII Architecture Biennial in Santiago, Chile, and the Islamic Arts Biennale in Jeddah, KSA, to Milan Design Week and Salone del Mobile in Milan, Italy, as well as the Venice Biennale and the UIA World Congress of Architects in Copenhagen. Addressing both contextual and global themes, this year continues to contribute to the international architectural discussion.
In the realm of architectural design and interior furnishings, achieving a balance between form and function is a daily challenge that designers encounter. This interplay between utility and aesthetics has not only evolved over time but also involves a constant exchange of styles and production methods. Frequently, this interchange leads to standardization and generic designs, potentially causing a depletion of authenticity in the design process.
For this reason, in the contemporary era, designers are revisiting the fundamentals, rediscovering manual design processes that range from sketching to model making, all while embracing pure forms. Designers and manufacturers alike are embracing conscientious approaches to develop proposals that maintain simplicity in design while retaining a distinctive identity. In response to this, Bette, in collaboration with the British design studio Barber Osgerby, proposes the creation of minimalist-style bathrooms through the BetteSuno bathroom collection, stripping away complex shapes and seeking a light visual design.
