At the height of the railways in the mid-20th century, the state of São Paulo had around 500 railway stations. With the end of long-distance passenger train services during the 1980s and early 1990s, much of this heritage was abandoned, and those structures that escaped looting and vandalism eventually collapsed due to a lack of maintenance. Today, fewer than 50% of these stations remain standing, according to the Brazilian Association of Railway Preservation (ABPF).
Playful experiences have long been a subject of research and experimentation for professionals across diverse fields. Interested in establishing a serious, committed dialogue around a lighthearted subject—which has yielded highly compelling initiatives across various disciplines over time—these practitioners prompt a debate on the potential of tools that foster experiences of pleasure, imagination, fun, and, in many cases, childhood.
In the field of architecture, notable projects have leveraged play as a design strategy. A key example of this approach is the Apollo Schools by Dutch architect Herman Hertzberger. These buildings, aligned with an avant-garde approach to primary education, materialize design principles from a pedagogical proposal centered on the playful and collective nature of children's learning.
Description provided by the design team:
Ten pieces made of different materials challenge the laws of balance. Using the same typology at different scales, each composition in the Balance collection explores the equilibrium between technique, people, and the ideas that inspire us. Each piece was produced using various traditional crafts, artisanal techniques, and Mexican industrial technologies that Joel has explored at different points in his career.
Architects and engineers have launched a call for free technical assistance in the design, renovation, or construction of social housing—already established by a 2008 law—to "be more than a law; to become a State Policy, as part of the social right to housing guaranteed by the Constitution."
The appeal was made at the opening of the Seminar on Technical Assistance for Social Housing, hosted by CAU/BR and the Federal Council of Engineering and Agronomy (CONFEA) in Brasília on the 15th of this month. If the proposal is adopted, Brazil would have the equivalent of a "SUS" (Unified Health System) for social housing. The proposal is part of the "Open Letter to Candidates in the 2018 Elections for the Right to the City," recently released by CAU/BR and the Institute of Architects of Brazil (IAB).
On the occasion of Pope Francis's visit to Chile, the Metropolitan Cathedral Chapter requested conservation work on the Cathedral's vaulted ceiling to improve safety and the condition of the ornamentation after recent earthquakes, aiming to safeguard the many faithful who visit the Cathedral daily.
In this interview, we speak with Carmelo Rodríguez and Rocío Pina, who, along with David Pérez, founded Enorme Studio. Based in Madrid, the firm is known for its radical, unconventional approach to architecture, the city, and society.
Although they began with a practice focused on architectural competitions, the young firm has since evolved to embrace other formats, including participatory urban dynamics, installations based on industrial systems, typological innovations, exhibitions, and curatorial projects.
Practice breeds true knowledge. As architectural design is a highly practical discipline, designers must continuously refine their creative philosophies through hands-on experience. With this in mind, the forum was themed “On Practice,” aiming to showcase the extensive creative work of China IPPR’s Third Architectural Design Institute over the past year—highlighting outstanding designs, refining creative methodologies, and demonstrating team vitality. We hope this forum marks a promising beginning, encouraging more architects to step away from their computers, pick up the microphone, and actively participate. By sharing their built works and welcoming diverse dialogues, they can help realize a creative vision where theory and practice complement and enrich each other.
The video “One day at the School,” produced by Building Pictures about the Maternelle du Lycée Français project in Barcelona by b720 Fermín Vázquez Arquitectos, invites viewers to experience daily life at this school.
The firm Estúdio 41 was named the winner of the Paranoá Lake Waterfront Master Plan Competition. The proposal features leisure facilities, restaurants, and observation areas for waterfront users. Out of the 22 projects evaluated by the jury, Thiago de Andrade, Secretary of Territory and Housing Management, explained that feasibility is one of the winning entry's greatest merits, as no major interventions will be needed to implement the plan. “It is very simple and takes the entire environmental context into account. The next step is to hire the winner to finalize the design by the end of the year.”
The winning team will sign a contract to detail the master plan, incorporating feedback from the jury, the Secretary of Territory and Housing Management, the Brasília Environmental Institute (Ibram), and the Federal District population, who will offer input through public consultations.
Read an excerpt from the winning project's description below.
Sinuous shapes, contemplative spaces, native vegetation. These are some of the characteristics of the gardens of Burle Marx, one of the most prominent architects and landscape architects in Brazilian history. Throughout his 85 years of life, he left his mark on various Brazilian cities, including Recife, where he lived for five years.
To recover this piece of history and promote the appreciation of local heritage, cultural producer Sandro Lins developed the app Patrimônio PE Mobile, launched in early August. The app features 12 squares in Recife designed by Burle Marx and gathers historical information and data about their gardens and themes, compiled by professors Julieta Leite and Ana Rita de Sá Carneiro from the Department of Architecture and Urbanism at the Federal University of Pernambuco (UFPE).
Have you ever heard of the term “hostile architecture”? Coined in June 2014 by reporter Ben Quinn in the British newspaper The Guardian, the article originally titled Anti-homeless spikes are part of a wider phenomenon of 'hostile architecture' [1] surprised readers worldwide, who began to notice these practices in their own cities. In the piece, Quinn discussed how urban design influences behavior and social interaction, criticizing how contemporary design approaches seek to exclude unhoused people from urban centers.
In late 2017, Colombian architect Antonio Yemail and his team moved to a new office in Bogotá. After eleven years of working in a single, open-plan space where all activities overlapped, the move became an opportunity to inventory, reconstruct, destroy, and document design processes through their physical models.
Out of 150 models produced over the years, 90 were restored and photographed again. "It is the primary visual record of how our design inclinations have evolved and linked together, because as Álvaro Siza says, a project is the model for the next," Yemail explains in a conversation with ArchDaily.
The city of Groningen, located in the north of the Netherlands, is an international benchmark for urban mobility. With just over 200,000 inhabitants, Groningen is considered the country's cycling capital—roughly 61% of all trips in the city are made by bicycle.
This shift in mindset dates back to the 1970s, when Dutch cities began to be dominated by cars and local realities were altered. The trend at the time was to redevelop older neighborhoods to make room for vehicles traveling to the center.
Solano Benítez participated in the 13th edition of the International Seminar "Architecture is a Way of Knowing," which focused on the interpretation and production of urban space as an essential part of learning in architecture and urbanism, reflecting on the specificity of the architectural perspective regarding the built environment and its relationship with other viewpoints.
Last October, we published the winners of the third call for final graduation projects in Colombia, also known as undergraduate theses, receiving 94 submissions from more than 10 cities and 22 universities.
Our editorial team selected six winning projects, and for the first time, a jury composed of leading Colombian architects was tasked with choosing the 2018 Grand Prize Winner: Lina Toro, Carlos Cano (OPUS, Medellín), and Jorge Noreña (Ruta 4, Pereira).
The jury awarded the Grand Prize to the thesis project Rehabitar la ladera, designed by Daniela Núñez and Roger Escalante, graduates of the Universidad Nacional de Colombia, Medellín campus. "The project does not limit itself to describing and documenting a housing situation based on that built intuition as a testament to local dwelling; instead, it proposes an open design project that generously and simply outlines the guidelines for intuitive yet regulated growth," Toro noted in the jury's official statement.
The stories of women in architecture are often less known than those of their male counterparts. Here, we focus on the biographies of women architects who form a crucial link in the chain of architecture, highlighting the most-read profiles we have shared courtesy of Un día | Una arquitecta.
Un día | Una arquitecta seeks to bring visibility—through an impressive catalog of over 700 biographies—to the contributions of women architects across various fields: architectural, urban, and landscape design, technology, curatorial work and publishing, artistic production, politics, social habitat management, theory, and education, sharing a glimpse into their stories, backgrounds, and inspirations.
Below, discover twelve stories of women architects who stand out in the field.
Late last year, Imagen de Chile launched the international campaign "Ask for Chile, A World of Services," aimed at positioning Chile as a competitive player in global services. As part of the campaign, several professionals from the fields of engineering, information technology, and the creative economies were selected to become "Brand Ambassadors." The selection was made through a consensus-based process involving trade associations and public institutions that evaluated leading Chilean experts in the highlighted sectors, with renowned Chilean architect Cazú Zegers among those selected.
Located in the heart of this neighborhood, at Marsella #59, Vitrina arose from the desire to create a design-focused exhibition space that goes beyond commercial interests. Inspired by early 20th-century department store window displays, this exhibition fosters a dialogue between designers, pedestrians, and the neighborhood regarding recent trends in the design scene and how each designer expresses their vision.
Vitrina features a 1.60m x 3.60m street-facing window and a 35-square-meter area enclosed by a 2.30m-high curtain, aiming to serve as a transitional space between the street and the interior, design and the user, and the pedestrian and the city. Every six weeks, the work of two designers or collectives will be presented, fostering a dialogue or a conceptual confrontation.
The Ministry of the Environment has launched an online guide to urban agriculture. The booklet compiles techniques, reading recommendations, initiative mapping, and other resources on urban gardens.
The guide aims to encourage new initiatives and support existing ones, including through an interactive map that showcases inspiring preservation, restoration, and food production projects in cities.
The rocagallery.com platform, powered by Roca, aims to become a leading reference for news and trends in architecture and design, featuring over 30 international contributors and weekly content updates.
Spanish architect Rafael Moneo, winner of the 1996 Pritzker Prize, will design the new expansion of Madrid's Atocha railway station, as confirmed to the Spanish media by the Minister of Public Works, Íñigo de la Serna.
This latest expansion includes new platforms for the AVE—the high-speed rail network operated by the state-owned company Renfe—and will mark Moneo’s third intervention at the Spanish capital’s main railway station.
Proposed 25 years ago and never initiated, the "Chamartín Operation" has recently reached a framework agreement between the Madrid City Council, Adif/Ministry of Development, and the Distrito Chamartín Norte (DCN) consortium, which brings together the private stakeholders involved: BBVA and Constructora San José.
As is typical in such cases, the agreement strikes a middle ground between the maximum demand represented by DCN (3.37 million square meters of lucrative buildable floor area, including a total of 18,748 housing units, 90.54% of which would be market-rate) and the minimum proposal presented less than a year ago by the Madrid City Council (1.75 million square meters of buildable floor area, with 4,587 housing units, 20% of which would be subsidized).
With a professional career marked by prolific production and research, not only in architecture but across a range of other interrelated fields, Sérgio Bernardes began working at a very young age, founding his first model-making workshop at thirteen. At fifteen—even before entering architecture school—he designed his first project, the Eduardo Baouth residence in Itaipava, Rio de Janeiro, for family friends. Beyond architecture, he also ventured into other fields, such as woodworking.
In 1948, he graduated from the School of Architecture at the University of Rio de Janeiro, at a time when Brazilian modernism was gaining prominent international recognition, following the country's participation in the 1939 New York World's Fair and after Brazilian modernist works were exhibited at MoMA in 1943. Even before completing his degree, Sérgio secured his first architectural publication, featuring his Petrópolis Country Club project in the magazine L’Architecture d’Aujourd’hui.
Bixiga, one of São Paulo's most traditional neighborhoods, has gained significant historical and tourist importance over the years, thanks to its cantinas, street festivals, and vibrant cultural scene. However, many of the neighborhood's other layers and histories are harder to discover and access. Recognizing these numerous attractions, heritage sites, and the overall complexity of the area, and believing in the importance of walking, the NGO SampaPé! has launched the "Bixiga a Pé!" map, which highlights Bixiga's diverse historical and cultural layers for those exploring the neighborhood on foot.
