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In this Barcelona guide, we have rounded-up the architecture of probably the best known and most influential architect from the beginning of the century in Spain, Antonio Gaudí. Gaudí spent most of his life in Barcelona and the city boasts the largest concentration of his works in the world. His style is unique, often imitated but never matched.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss whether or not architects should sell their floor plans online. The two cover the financial benefits of selling plans, making good floor plans accessible to more people, the downsides of selling partial services, quality concerns, the future of the profession, prioritizing speed and efficiency in design, why architects are often not used on projects, and more.
Burnout Syndrome, or professional exhaustion syndrome, is an emotional disorder characterized by extreme exhaustion, stress, and physical depletion resulting from demanding work environments that entail intense competition or high levels of responsibility. Particularly during and after the pandemic—essentially our current reality—burnout rates have surged. Yet, the topic remains under-discussed. Given the significant role of spatial design in the lives of employees, how can neuroarchitecture support quality of life and help mitigate burnout?
The current summer in the Northern Hemisphere has been so hot, with temperatures reaching record highs—including in the sea—that discussions are already revolving around the limits of human survival. Even in Antarctica, sea ice has failed to reform, a drastic departure from normal winter patterns. It is not just an impression that extreme heat events are occurring more frequently. As a result of climate change, the frequency of these events has increased—and is expected to worsen.
In fact, in most years, heat is the most lethal weather phenomenon, killing an average of 490,000 people worldwide and causing serious health problems for many others. According to the World Health Organization, heat-related deaths are projected to increase by 50% by 2050. However, this impact is not distributed equally, either globally or within communities: populations already living in more vulnerable conditions face the greatest risks.
With studies estimating that by 2050 nearly 70% of the global population will live in cities, planning for more sustainable and balanced urban development has become imperative for the coming decades. This discussion invariably hinges on a more assertive choice of construction materials that yield greater urban and environmental benefits. In this context, a material re-emerging as a more sustainable choice for urban infrastructure is wood, particularly when paired with new technological advancements, which is being reintroduced into cityscapes due to its versatile characteristics and its ability to align with the construction of tomorrow.
Every day, governments, financial institutions, and corporations face a critical decision: continue investing in physical assets that emit greenhouse gases and degrade nature, or prioritize developing green solutions that foster a stable, resilient, and equitable economy. As communities bear the brunt of severe climate impacts, the imperative to build a sustainable future becomes increasingly clear.
There are a series of multiple factors to take into account when deciding where to place a TV, including —but not limited to— the dimensions of both the furniture and the TV, image resolution, height, design, and so on.
In this article, we share some recommendations to achieve the comfort and well-being of the users avoiding possible problems of visual fatigue or unfortunate body postures.
Mexico City-based firm LOCUS, in collaboration with Studio Météores and Philippe Rahm Architectes, has been awarded fourth place in the single-stage international competition for the renovation of the National Museum of Carthage for its project titled "Byrsa, Topographies of an Act of Reparation." The Ministry of Cultural Affairs of the Republic of Tunisia announced the results of the competition, which was organized by the UIA, the OAT, UNESCO, Expertise France, and Patrimonie 3000.
Tomás Vodanovic, mayor of the municipality of Maipú in Santiago, Chile, announced a new measure prohibiting high-rise construction along major thoroughfares, such as Pajaritos, Américo Vespucio, and 5 de Abril, in an effort to foster the aesthetic and sustainable development of the district.
Tropical Africa boasts vast forests that cover 3.6 million square kilometers of land in West, East, and Central Africa. These forests provide valuable timber resources that significantly impact sectors, such as the furniture, fuel, and paper industries. However, interestingly, timber is seemingly absent in the contemporary architecture of the countries in this region. While architectural taste plays a role, the main reasons for this absence can be attributed to the wood industries' inability to meet the requirements of availability, affordability, aesthetic appeal, durability, and climatic and structural performance of timber. The wood industry in tropical Africa is mainly composed of informal and small-scale operations, focused primarily on sawing logs rather than refining wood for architectural or structural purposes. Despite this, the large number of informal enterprises in the region presents an opportunity to reshape the wood industry and utilize the local forestry resources to construct timber buildings.
While most cities around the world seek to implement more sustainable and environmentally friendly modes of transportation, encouraging new urban mobility habits in their residents, the use of automobiles still persists, occupying significant parking spaces in urban centers. Finding a way to integrate these uses, provide new spaces for their citizens, and leverage their facilities for ecological, productive, and other purposes is the challenge faced by many professionals in architecture and urban planning.
This article was originally published on Common Edge. If you’ve been in the profession of architecture long enough, you come to know a certain rarified subset of fellow professionals: Those who call themselves “architects,” who have a degree, and who may even be licensed and members of the AIA, but who do not practice architecture. They simply like being an “architect.”
In the context of WWI and to address the massive housing shortage resulting from the conflict, the Dom-Ino modular structure, one of the most significant contributions of functionalism and designed by the Swiss designers Le Corbusier and Max Dubois, established concrete premises for a new vision of a lightweight structural model that optimizes the construction process. Thanks to the use of a reinforced concrete slab and column system, the Dom-Ino structure allowed for the flexible arrangement of elements in the floor plan and freed the facade from the limitations imposed by load-bearing walls.
This condition prompted the creation of architectural designs that not only integrated windows as functional elements but also as compositional. Thanks to technological innovations, windows with slender framings and wider openings were achieved, as exemplified in works such as Villa Savoye and Farnsworth House. While these proposals redefined the aesthetics of architecture, the technological limitations of the time presented challenges. Nowadays, the continuous development of windows with improved technical characteristics has led to the concept of the minimalist window, which has inspired three fundamental principles derived from this concept, conceived by Vitrocsa. These principles —transparency, functional variations, and advanced mechanisms— incorporate technological innovations while simultaneously blurring spatial boundaries. Each of them plays a key role in the design of spaces and together they significantly redefine the aesthetics of buildings and interiors.
For five days, we ventured into the Turbio River of Barquisimeto, its valley, and its banks to experience fieldwork that culminated in the construction of landscape interventions. We were 70 students and 30 professors, guests, and collaborators, taking part in a Summer School organized by Dislocal alongside the Faculty of Architecture and Urbanism of the Universidad Central de Venezuela and its Extramural Teaching Unit in the city of Barquisimeto.
Cities worldwide face growing challenges in urban planning and the creation of sustainable, engaging public spaces such as green areas. In response, new approaches have emerged to integrate green landscapes into municipal public spaces. These sites play a fundamental role in the development and transformation of cities; for a long time, they have served as the stage for social interaction, cultural expression, and the exchange of ideas.
The capacity of trees to naturally cool cities is one of the key benefits of promoting urban planting. In the Federal District, urban afforestation has been studied to guide public policies toward the sustainable use of natural resources. Architecture and Urbanism student Júlia Almeida, from the University Center of Brasília (CEUB), measured the microclimatic influences of vegetation at the residential scale in Brasília, proving the power of greenery to improve quality of life.
Artificial Intelligence (AI) is poised to shape the future of architecture. As the AEC (Architecture, Engineering, Construction) industry rapidly evolves, AI matches the momentum. With these simultaneous evolutions, a burning question arises: will architects continue to be the primary creators of our built environment, or will AI dominate?
According to AIA, “90 percent of [architecture] firms anticipate they will be using or increasing usage of AI over the next three years.” This futuristic technology is now more than a subplot of science fiction, offering unprecedented capabilities for optimizing design and automating tasks. However, can the depth of an architect’s creativity and context outweigh machines?
The BIM (Building Information Modeling) methodology is revolutionizing the construction sector, and with it, the role of the BIM Manager. This professional is responsible for managing the building process using BIM, from initial sketches to project completion.
A BIM Manager's career path can vary based on education, experience, and professional goals. However, in general, BIM Managers tend to follow a similar career trajectory.
Colors have played an essential role in the history of modern architecture - from Le Corbusier's theory of polychromy to the aesthetic conceptions of the Bauhaus. However, we find ourselves at the beginning of an era where the interpretation and implementation of colors in architecture are undergoing a transformation based on their impact on the built environment.
Throughout the month, we conducted an open call to listen and learn from our readers, exploring their predictions and thoughts related to the future of colors in architecture. After reviewing an immense number of comments and opinions, it was surprising to discover commonalities regarding the importance of considering energy efficiency in color choices. Check out the main viewpoints below.
World War II left a profound influence on the evolution of society, introducing significant changes in the fields of urban planning and architecture. During the 1930s, the Congrès Internationaux d'Architecture Moderne (CIAM) promoted modernism on an international scale. After the war, this architectural movement became firmly established as the dominant one, driven by the imperative of reconstruction and technological advancements. Influential figures like Le Corbusier and Alvar Aalto spearheaded this movement.
In 1959, the same year as the final CIAM meeting, Japanese architects like Kenzō Tange, Kishō Kurokawa —the designer of the Nakagin Capsule Tower—, and Kiyonori Kikutake began to explore new approaches to urban design and architecture, known as the Metabolist movement. This exploration was particularly significant in the context of Tokyo's rapid repopulation after the war and the scarcity of resources for reconstruction. Innovative concepts such as Marine City, The City in the Air, and the 1960 plan for Tokyo emerged, which proposed the city as a constantly evolving organism and emphasized the relationship between humans and their built environment. These ideas shaped the concept of "megacities" and reflected Japan's creative response to its challenging postwar situation.
The window for solving climate change is narrowing; any solution must include embodied carbon. The Sixth Assessment Report published by the IPCC (Intergovernmental Panel on Climate Change) concludes that the world can emit just 500 gigatonnes more of carbon dioxide, starting in January 2020, if we want a 50 percent chance of staying below 1.5 degrees. In 2021 alone, the world emitted about 36.3 gigatonnes of carbon, the highest amount ever recorded. We’re on track to blow through our carbon budget in the next several years. To quote the IPCC directly: “The choices and actions implemented in this decade will have impacts now and for thousands of years (high confidence).”
When an architect conceives the opening of a space, the primary objective is to create a frame that enhances the views, optimizes the entry of natural light, and makes the most of the illumination it provides. In this context, we often seek to maximize the proportion of glass, reducing the presence of frames and profiles to a minimum, thus expressing the growing desire for perfect integration between indoor and outdoor environments. To adequately meet this demand, architects and manufacturers are constantly searching for solutions that minimize the visual obstruction caused by structures, pushing the boundaries of what is technically and statically feasible toward minimalist window frames and profiles.
Many cities around the world face severe housing affordability issues. One of the primary reasons is highly restrictive zoning regulations. Zoning—the rules that dictate what can be built on any given lot—was originally designed to manage urban issues such as congestion, pollution, and shadow impacts.
Over time, however, planners aligned with property owners to tighten these rules. Planners disliked urban density and were more than happy to reduce it. Homeowners realized that stricter codes could preserve their property values and exclude low-income residents and minorities from their neighborhoods.
Tashkent, the capital city of Uzbekistan, stands as one of the most populous cities in Central Asia. Situated in the northeastern part of the country, near the border with Kazakhstan, Tashkent has been profoundly shaped and influenced by diverse cultures throughout its history. The most significant transformation of its urban landscape occurred during the Soviet era when the city was rebuilt as a model Soviet city, following the 1966 earthquake that caused substantial damage. During this reconstruction, architects from various regions of the Soviet Union collaborated with local experts, resulting in a unique form of architectural modernism that harmoniously integrated elements of Islamic architecture, indigenous creativity, and cutting-edge engineering achievements of that era. At that time, Tashkent held the esteemed status of a prominent international city in the East.
In an effort to preserve the modernist architecture and heritage in the Uzbek capital, while raising awareness of its importance, the Uzbekistan Art and Culture Development Foundation (ACDF) has announced its inaugural conference, "Where in the World Is Tashkent", scheduled to take place on October 18-19, 2023, as part of the Tashkent Modernism XX/XXI research and preservation project. The project was initiated and commissioned by ACDF and coordinated by Grace, a Milan-based architecture studio.
