Articles

Women think, plan and construct our buildings and cities, our living spaces. However, gender equality is not yet a reality in various social and professional practices. We see this in the face of physical and psychological violence suffered by women, lack of recognition, occupational impositions, wage differences, and so many others. This panorama concerns women from all over the world, but also within the architecture there are statistics that prove how women are still not socially and professionally valued.

Inside this framework of devaluation and inequality, black women face an even greater panorama of invisibility. The racial prejudice rooted in our society, as well as the still segmented opportunities generate a disparity of quantity and recognition of black professionals in the classes and areas of action of Architecture and Urbanism.

Arata Isozaki, the Japanese architect and winner of the Pitzker Prize 2019, is not only renowned for his fruitful portfolio of works built all over the world (more than a hundred) but also for his continuous input to the theory of urbanism, including texts and proposals. 

It is precisely in the field of urbanism, that he developed one of his most interesting non-built projects: the futurist master plan, known as City in the Air, in the Shinjuku neighborhood in Tokyo, Japan.

The University of Navarra presents three Master's programs for 2019: the Master's Degree in Architectural Theory and Design (MtDA), the Master's Degree in Environmental Design and Building Management (MDGAE), and the Master's Degree in Architecture (MUA). These in-person programs will be taught at the university's Pamplona, Madrid, and Bilbao campuses starting in September of this year. Explore more details below.

On November 15 of last year, the national ideas and preliminary design competition for the Norpatagónico Hospital in Neuquén was launched. Organized by the provincial government through the Ministry of Health and the Ministry of Economy and Infrastructure, the competition was endorsed by the Argentine Federation of Architects (FADEA) and sponsored by the College of Architects of Neuquén Province.

The site—where the objective was to build a facility that provides high-complexity services while connecting with the natural environment—is located on the Neuquén plateau and spans an area of 32,700 square meters. First prize was awarded to La Plata-based architects Guillermo Ariel Canutti, Bernardo Luna, Clara Gallardo, Agustín Ichuribehere, and Fernando Sebastián Fariña. Read on to discover the project in detail below.  

Do you have ideas on how to improve existing social housing to transform environmental conditions? That was the question posed by Proyectar a Conciencia 2.0, a competition open to students and faculty throughout Chile, aiming to intervene in the Family Heritage Protection Program (PPPF) of the Chilean Ministry of Housing and Urbanism (MINVU).

In May 1985, an old theater and concert hall opened its doors to the public for the opening of a brand new nightclub in New York City. Located on 126 East 14th Street, the project was commissioned by entrepreneurs Steve Rubell and Ian Schrager, owners of the also famous club Studio 54, and was conceived as a vibrant and luminous independent structure arranged inside a rather classic shell, which appears as a beautiful backdrop behind the clean geometry of Isozaki.

As The New York Times pointed out in its May 20, 1985 edition: 'Arata Isozaki is at once a great eminence of Japanese architecture and a source of some of its freshest thinking. And all sides of Mr. Isozaki are visible in the Palladium'.

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The functional distribution plays a fundamental role in the contemporary design of offices and places for work. The study of the architecture plan shows an interesting form of approach; not only allows for proper logistics and circulation but find efficient variations and innovations that will enable better workspaces that adapt to the current needs.

We have selected more than 50 plans of projects that will inspire you, recognizing the different ways in which architects have faced the challenge to design offices, in all different scale ranges.

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During the professional life of an architect, the task of designing a residence can be a frequent occurrence. As the project develops, representing a vision in a determined space through a set of drawings is certainly one of the primary tasks of the design process. While the architect has a certain level of visual literacy, sometimes the client won't necessarily understand all the drawings. Going beyond the two-dimensionality of the plans, sections and elevations, axonometric perspectives are presented as an efficient instrument in the spatial representation of the project. When adding the notion of third dimension—and even though it’s presented by on a 2D sheet of paper—it gives a better understanding to those unfamiliar with technical drawings.

Lluís J. Liñán, from the ARKRIT Collective, invites us to reflect, in his article "Global Valdrada," on the consequences of humanity's increasingly close relationship with its media representations, to the point where the distinction between the two realities is no longer discernible: it shapes our way of thinking and behaving, and therefore, how we produce everyday reality. Does the same apply to architecture?

Think of a courtyard, just a courtyard. Naturally, the first thing that comes to mind is a courtyard defined by its frame. Thus, the designers created this frame to establish the atmosphere of a “home of knowledge”—yachaywasi—, as they have named their project. Yet, once again, do not lose sight of the courtyard. They also conceived a frame that not only defines the courtyard but integrates it with the surrounding volume, allowing it to transform, stretch, adapt, and complete or create what the school is missing. Shade, seating, panels, ventilation, green areas, a garden…even the facade.

This is what can happen when facing a competition with clear and defined parameters, yet with the freedom to let the imagination run wild—participating not just to win, but to propose and innovate. The result is an inspiring school. This proposal took second place in the First Social Infrastructure Projects Competition, organized by PLAN PISE, whose ongoing goal is to leverage the natural condition of a courtyard as an educational space for the Villa de Jesús IE 7216 school, located in Villa El Salvador, south of Lima. The project description from the design team follows.

Perhaps the most renowned 'skylight' ever built is the Pantheon of Rome commissioned by Marco Vipsanius Agrippa during the reign of Emperor Augustus (27 BC-14 AD) and rebuilt by Hadrian (117-118) around 126 AD. At the highest point of its dome (in this case, the oculus) the sunlight shines, casting its beams over the various statues of planetary deities that occupy the niches on the walls. The light that enters the space symbolizes a cosmic, sacred dimension. In projects around the world, natural light continues to fulfill this scenic role, especially in religious projects.

It is characterized as zenithal illumination as that which comes from above, from the sky (zenith). Very useful for large spaces that can not be adequately lit by windows, skylights are a widely used device for providing a pleasant, diffuse light. Generally, care is taken to prevent direct entry of sunlight; the openings must be well designed so that they do not overheat the space of allow water infiltration. Below is a collection of projects that make good use of this technique.

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The core of Castilian modern architecture, and indeed of the 20th century, emerged from the work of Rafael Aburto [1913-2014] and his contemporaries—this forgotten generation. An interwar generation whose trenches were fought not only on the battlefield, but also within architecture. This cohort of architects had to confront both the ravages of the Spanish Civil War and a sterile traditionalism, surrounded by professionals who had read, known, and seen almost nothing. Tradition—specifically, Spanish tradition—was what sustained everything. Unsurprisingly, the Civil War itself dealt a generational setback to the profession, impacting not only Aburto's peers but also those to come. 

The generational divide was defined solely by the experience of having fought in the war. Oíza was eighteen when it broke out; Sota, Cabrero, Coderch, and Aburto were called to battle, mostly fighting on the Nationalist side. Once the war ended, Spain was unrecognizable compared to its pre-war self, and architectural thought was no exception. Returning to the profession in the 1940s, architects faced an outdated, practically useless tradition, alongside a precarious modernism devoid of depth or knowledge. This is why figures like Aburto broke through—these postwar architects who took on the role of pioneers, or at least demonstrated their determination to break free from academic constraints and embrace their own modernism. 

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“I decided to call it Silos because this building used to store food, which is, of course, essential for life. For me, just like food, clothing is also part of life” [1].

Built in 1950, the 4,500-square-meter grain storage facility Armani Silos by Giorgio Armani has been expanded and transformed into Armani/Silos, a unique four-story space housing an astonishing collection and selection of some of the designer's creations, organized by themes, color palettes, and textures where each tells a different story.

Colombian practices Urbanittá and Lumaa have been awarded first place in the competition to design the Comfamiliar recreation park in Huila, Colombia.

This initiative is part of the organization's mission to expand its recreational services in the southern region of the department. The project entails the construction of a recreation center in Pitalito, strategically located near major cultural and tourist attractions, including the Tatacoa Desert and the San Agustín, Alto de los Ídolos, and Alto de las Piedras archaeological parks.

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2019 Pritzker Laureate Arata Isozaki has been designing for more than half a century; several of his works are considered architectural classics due to their influence and impact on international design.

His work combines a number of styles, from vernacular to high tech  and organic to brutalist, giving his projects a sculptural and undeniably photogenic appearance. With such richness in design, it is perhaps no wonder that people around the world are excited to photograph his work.

We've selected 23 of the most beautiful photos of Isozaki's work posted to Instagram by users across the globe. Our selection, after the break:

The prolific and varied career of 2019 Pritzker Laureate Arata Isozaki, which includes more than 100 works built on virtually every continent, gives us a huge amount of facts that are relevant to understanding his life and architecture. Considered the first Japanese architect to develop his work on a truly global scale, Isozaki took special care to respond to the context and the specific requirements of each project, expanding the heterogeneity of his work and resulting in a variety of styles from vernacular to high tech.

See below 20 fascinating facts that illuminate his particular genius:

The conventional city model establishes very clear and concrete boundaries between the public and the private. Within this model, what is defined as “urban” has always corresponded to the public realm, whereas “domestic” defined the boundaries of the private. Yet societies are not immune to change and evolution, and neither is urbanism. Those traditional concepts of the urban and the domestic are becoming obsolete, transformed into expanded and more updated understandings. It is precisely around this blurred boundary—between what appears urban and what appears domestic—that the new public sphere is being constructed. 

This is the leitmotiv driving the ‘Dom Project’ intervention: to establish a gradient of spaces where the urban and the domestic are not clearly demarcated, but instead colonize one another, bringing certain public uses and programs to the surface within the ‘Housing Block.’ The project was submitted to the international architecture competition ‘Open International Competition for Alternative Layout Designs in Standard Housing’, organized by the Ministry of Construction, Industry, Housing and Infrastructure of Russia alongside the Unified Development Institution in the Housing Sector and the firm Strelka KB, winning second prize.

Quacquarelli Symonds (QS) has revealed it's ranking of the world’s top universities for the study of Architecture / Built Environment for 2019, based upon academic reputation, employer reputation and research impact.

On this edition, the Bartlett School of Architecture at UCL (University College London) has been named the best university for studying architecture, taking MIT's place, which has topped the rankings for the past four years .

Keep reading and check out the complete ranking.