The Kharkiv School of Architecture is celebrating a prosperous year of academic and international achievements. In addition to hosting the nominated projects of the 2019 EU Mies Awards, the school has completed its first year of BA in Architecture. To celebrate these milestones, the school has organized a double exhibition showcasing the works of first-year students, as well as displaying the projects of Europe's most innovative architects.
By bringing together these two exhibitions, the school built a link between two generations of architects: The Mies Award, where the best works of the current European architects and designers are displayed, and the school's “Open/Work” exhibition, a glimpse into the innovations of future Ukrainian architecture.
The relationship between the human body and architecture has always been a fundamental element of architectural design and practice, yet it was only in recent history that this connection was formally documented, let alone fully accepted. The question today is: how is the human body interpreted in the contemporary era, and how do these perceptions shape the way we design buildings and spaces? Ergonomics is often viewed as a discipline that highlights the separation between body and object; in reality, however, it not only bridges the two, but also serves as a blueprint designed to maximize and synchronize efficiency between them. At its core, ergonomics is a technical discourse concerning an increasingly mechanized human habitat.
As part of an initiative by PienZa Sostenible, a group of architects comprising Alberto Kalach, Rozana Montiel, Tatiana Bilbao, and Manuel Cervantes joined forces with the design firm Pirwi to create a series of structures designed as bee habitats, thereby promoting population growth, care, and conservation. This project is supported by the work of Betsy de la Vega, who incorporates an interpretation of hand-woven textiles made by artisans from the León XIII Foundation, serving as a bridge connecting handmade craft with design requirements.
In the midst of today's digital revolution, architectural representation is no longer solely based on high resolution photography. Architects are now collaborating with audiovisual professionals to transform their projects into cinematic experiences.
Earlier this year, German design firm 22quadrat founded 9sekunden, a new film studio specialized in short landscape and architecture documentaries. For Tadao Ando's Conference Pavilion, the studio take their viewers on a meditative journey, portraying the concrete structure's calm and restrained atmosphere in a short film.
Architect and visual artist Mohammad Hassan Forouzanfar has been conceptually combining contemporary landmarks with traditional Iranian houses and palaces, in a photo-series titled "Retrofuturism". In his latest collection, the Persian architect chose to displace iconic structures and place them in 19th century paintings of the country by artist Eugène Flandin.
Bleutech Park Las Vegas. Image Courtesy of Bleutech Park Properties
Cities across the globe are undergoing makeovers - swapping out old, antiquated technology for new, sleek alternatives. The development and implementation of computer vision and real-time analytics are ushering in the newest wave of smart cities. The combination of cloud-based dashboards and machine learning are providing actionable data to be collected and understood regarding everything from vehicle concentration to pedestrian activity. As cities continue to push forward and develop socially and technologically, there is no doubt we will continue to see cities incorporate tools like Artificial Intelligence (AI) to facilitate such changes. Despite the fact that eye-popping technologies like drones and robots are at the forefront of this technological revolution, there are also a number of unexpected ways cities are becoming smarter.
The tension between modernity and tradition is the most striking feature of Hans Broos's work, as evidenced by his designs for Cia Hering, where eclectic buildings are juxtaposed with exposed concrete structures in a symbiosis of historical eras.
Herein lies the radical contemporaneity of his work: Broos understands the contemporary as the coexistence of distinct eras meeting at the same moment, shaping the wonderful entanglement of which time is made, as Lina Bo used to say.
One of the most practical and functional spaces of any residential project is the kitchen. Its artificial surfaces – be it countertops, kitchen benches, or coverings – contain most of the space's equipment. Thus, it’s essential to build kitchens with the most resistant and hygienic materials. Aside from these requirements, it's also important to pay attention to aesthetics and profitability, while adapting the space to the dynamics of each family.
Fellow architects, can we talk? This is gonna hurt, but it needs saying. Were I a poet, I’d write, The end is nigh, and we are why. I’m no bard, though, so I’ll put it this way: Most of us suspect anthropogenic climate change will lead to civilization’s end. Some architects deny the science (“The climate is always changing!”), while others ignore the obvious (denial is a good coping mechanism), but buried within the folds of all angst-addled designer brains lies the fear that today’s toddlers could be the last of us.
I’ll pause here to let the weight of that thought depress you.
Architectural photographer Guilherme Pucci shared with us his photo essay of the boat garage that is part of the Santa Paula Yacht Club complex, designed by architect João Batista Vilanova Artigas in the early 1960s and closed in the mid-1980s. Currently, the building, one of the icons of São Paulo's modern architecture, located on the shores of the Guarapiranga Reservoir in the southern zone of the city of São Paulo, is in a state of disrepair and abandonment.
There exist frequent reports of toilet accidents, as they are often located in tight and slippery places. Although no one is immune to a slip after bathing, it is the elderly who suffer most from falls, and can often suffer serious injuries, sequelae, and functional limitations. Due to the natural reduction of reflexes and muscle mass, the higher the age group, the more prone to falls we become.
To provide more comfortable living conditions as users grow older, the environment must adapt to the new physical capabilities of its occupants. Making toilets safer is critical to reducing the risk of accidents and decreasing response time in the event of a fall. Here are some things to keep in mind when designing toilets for older people:
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
The human body, at least in terms of anthropomorphic ideals, was in the centre of western architectural debates from Greco-Roman times up to the Renaissance. Although the very concept of the body didn't come as explicit in traditional architecture writing in the east, the notion that the body (or, the envelope of the soul) connects the mind and the physical world was constantly revisited and reinterpreted.
https://www.archdaily.com/924279/thoughts-on-cities-and-the-human-body-eyes-and-ears-of-the-city-zhang-brian-li-for-the-shenzhen-biennale-uabb-2019ZHANG, (Brian) Li
A common choice for commercial and corporate buildings, mirrored facades often evoke mixed feelings among architects, frequently leaning toward the negative. There is no shortage of arguments against them, and they generally hold merit—citing everything from the decline of modern architecture and the homogenization of its glass facades to climate concerns and a disregard for local context reflected in these surfaces.
There are three words that have long-awaited to be put together: The Siza Pavilion. Their story begins with top furniture brand CAMERICH and the Aedes Architecture Forum’s search for a visionary in architecture and product design. The 1992 Pritzker Prize Laureate, Álvaro Siza, was later selected and commissioned a pavilion for China’s International Furniture Fair (CIFF 2019).
Children playing on Paulista Avenue on a Sunday. Photo: Eduardo Augusto de Carvalho.
The theme of children's absence in the contemporary city, and the search for solutions that enable their mobility with greater autonomy and playfulness, guided a study of about 130 children, aged 7 to 12, from different social backgrounds, residing in the Consolação district of São Paulo. After walking, talking, and drawing with the children to map an ideal route between the local square and school, an intervention proposal [2] was developed, weaving together the Vila Buarque and Higienópolis neighborhoods, aimed at bringing children out to play in groups, outdoors, every day.
Santa Maria Annunciata in Chiesa Rossa. Photo by Andrea Pavanello/Creative Commons
Daniel Flavin was a key figure of the minimalist art movement of the 1960s and 1970s in the United States. The term was first coined by philosopher Richard Wollheim in his 1965 essay “Minimal Art” to categorize works that, like Duchamp's ready-mades, did not seek to represent an external reality; instead, the exhibited object was to be understood as a work in its own right, and the viewer's experience was not meant to rely on external associations.
Hello Wood, as you may already know, is an annual festival, which gathers hundreds of people in a Hungarian village for a week. Divided into groups, the architects and students carefully selected by the team of organizers, build installations made of wood with their bare hands. The outcome is amazing — dozens of beautiful structures rise up there each year adding more and more originality to the site.
The words cannot express the vibe you get at the Hello Wood Project Village — all the "beautiful people", as they call each other, are one big family. There is no competition, the teams help each other to make sure all projects are completed before the deadline, when they all march to the neighboring village and celebrate the week spent together.
But what is the idea behind this festival? What is the secret key to building a strong community of professionals and students in such a short period of time? Watch our interview with Hello Wood team to learn how they answer these questions.
Many people's way of working has changed, but most offices remain the same.
However, innovating doesn't necessarily mean breaking down every wall and creating a play space; the design of an office must take into account the needs and details of each type of work separately. For every function, there are better and worse ways to organize spaces, and some configurations work better for certain activities but not for others. The most important consideration is that the workplace allows interactions while providing spaces for concentration and focus.
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