Santa Monica’s City Staff has recommended OMA’s competition proposal for a mixed-use development in the heart of downtown Santa Monica. The building and surrounding plaza incorporates a civic plaza, cultural venue, retail, residences, offices and a boutique hotel. The City Staff selection panel praised OMA’s project for its iconic architecture and flexibility, saying it would “easily accommodate potential design modifications and adjust to market demand changes in the future.” Santa Monica’s City Council will review the recommendation on August 27th before the project formally proceeds in 2014.

The proposal’s plazas and terraces will add over 55,000 square feet of programmable open space. A cultural venue will sit inside of the building, anchored by office spaces for Santa Monica and greater Los Angeles’ growing tech industry. The project will be led by OMA’s New York office, headed by Shohei Shigematsu. He explained, “Our design provides residents, tourists, and entrepreneurs a dynamic new public realm – a stepped building that achieves a strong interaction between interior program and exterior environments.”

More images and information after the break…

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When the $1.9-billion project is completed next year, the 2,073-foot Shanghai Tower will become the world’s second-tallest building. The state-of-the-art, spiraling form, which is engineered to help it withstand typhoons, pays tribute to the city’s dynamic rise as a leading commercial center. 

The super-tower also symbolizes the ascension—and resilience—of the firm that designed it. With 3,500 employees, Gensler operates 43 offices in 14 countries. Last year, the company worked on some 6,700 projects for about 2,200 different clients, reporting a record-breaking $751 million in revenue. This year, the company projects its revenues will be closer to $800 million—astounding figures considering the industry is emerging from one of worst economies since the Great Depression. “It’s been a serious downturn and a slow recovery,” says Kermit Baker, chief economist of the AIA. “From 2008 to 2011, architecture firms’ gross firm billings dropped 41 percent. Now, most firms are inching back, but very slowly.”

In a landscape still riddled with fallout, Gensler has managed to weather the recent economic storms. After cutting about 30 percent of its workforce in a nine-month period between 2008 and early 2009, the firm has rapidly rebuilt and now employs more staff and generates more revenue than ever before. Many in the industry today are scratching their heads: What’s Gensler’s secret?

The RIBA has announced three projects—two located in Asia and one in the United States—for the shortlist of the RIBA’s Lubetkin Prize. Named for Berthold Lubetkin, a Georgian-born architect, the prize celebrates the work of RIBA members building outside of the UK. Zaha Hadid’s Galaxy Soho, Grimshaw’s Via Verde and Wilkinson Eyre’s Cooled Conservatories will face off for the honor; the winner of this year’s Lubetkin Prize will be announced (along with the winner of the prestigious Stirling Prize) on September 26th in London.

Angela Brady, RIBA President, said:

"The 2013 RIBA Lubetkin Prize shortlist features three exceptionally innovative projects that meet three very different urban challenges. From the blueprint for New York affordable housing and the creation of an impressive new shopping district in central Beijing to Singapore’s new sustainable gardens, these are all extremely clever solutions. These cutting-edge schemes show the leading role that architects play in delivering visionary new thinking about urban issues, and illustrate why UK creative talent has such recognition around the world."

More on the shortlisted projects after the break…

Legendary American architect Steven Holl has collaborated again with Spirit of Space to produce two short videos on the recently completed Campbell Sports Center in New York City. While always compelling to hear an architect discuss a project, these videos integrate the architect's narration with different dynamic shots of the building's detail and context, thus truly immersing the viewer in the project.

The first video (above) features Steven Holl and senior partner Chris McVoy explaining the project's inspiration, design concept and program; simultaneously, the filmmakers take us into the space and show how the new athletic facility is being used by the student athletes. The second, shorter, video (after the break) shows the building in the city, revealing the fascinatingly complex relationship between the passing subway cars, the field hockey players, the movement of shadows and the building itself.

See the second video, after the break...

This article, by Alexandra Lange, originally appeared on Metropolis Magazine as "Architecture's Lean In Moment."

“Women are the ghosts of modern architecture, everywhere present, crucial, but strangely invisible,” writes historian Beatriz Colomina in “With, Or Without You,” an essay in the Museum of Modern Art’s 2010 catalog, Modern Women. “Architecture is deeply collaborative, more like moviemaking than visual art, for example. But unlike movies, this is hardly ever acknowledged.” 

Colomina goes on to chronicle the history of modernism’s missing women, acknowledged, if at all, as working “with” Mies van der Rohe, Le Corbusier, Alvar Aalto, or Charles Eames. To put yourself in the shoes of Lilly Reich, Charlotte Perriand, and Aino Aalto, simply watch the cringe-worthy video of the Eameses on the Home show in 1956; Ray['s] introduced as the “very capable woman behind him” who enters after Charles has bantered with host Arlene Francis.

This spring, these ghosts came back to haunt us: Arielle Assouline-Lichten, a student at the Graduate School of Design at Harvard, read excerpts from an interview with Denise Scott Brown in which she mentioned her own absence from partner Robert Venturi’s 1991 Pritzker Prize. “They owe me not a Pritzker Prize but a Pritzker inclusion ceremony,” Scott Brown said. “Let’s salute the notion of joint creativity.”

Read all of Alexandra Lange's essay, after the break...

Zaha Hadid has unveiled her first New York City commission: an 11-story, luxury apartment block planned alongside the second section of the High Line in Chelsea at 520 West 28th Street.

Spearheaded by New York developer Related Companies, the “sculpted” glass and steel residential development hopes to lure buyers with its expansive, double-height entrance lobby, communal garden, generous terraces, private courtyards, and, of course, exclusive views of New York’s most beloved attraction: the High Line. 

Videos

I get most of my knowledge about the current trends and interests of architects through social media and various websites. My Facebook newsfeed constantly shows an array of pictures, articles, and videos of things ranging from new buildings to data algorithms to bacteria evolution to (usually confusing) romantic, poetic statements about architecture. 

They all share one thing in common: they are posted on Facebook by architects and architecture students. To me, this shows the current disarray and lack of focus in the field. Architecture publications and websites only confirm my thoughts further. And nothing reaffirms this more than my daily experiences at MIT. 

Read more, after the break...

AD Classics presents you with great buildings of the past, providing inspiration and motivation for architects to design for the future. But why must inspiration only come from poured concrete and erected walls? For this edition of AD Classics, we share a work, the Plug-In City, by the avant-garde group Archigram. Though never built, their projects and ideas provoked debates, combining architecture, technology and society; when Plug-In City was proposed in 1964, it offered a fascinating new approach to urbanism, reversing traditional perceptions of infrastructure’s role in the city.

More on this radical project after the break...

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Figures released last month by the National Endowment for the Arts offer telling insight into the architecture profession across the US, with a helpful breakdown of the representation of various demographic groups.

The data, collected between 2006-2010, reports the number of architects in each state and their race, gender, age and income. The data reveals which states have the highest/lowest income, the best/worst gender discrepancies, and also offer insights into the average age and races of architects, per state. 

Read more about what the NEA statistics reveal after the break.

Our friends at Arup Connect spoke with Matt Williams, a leader of the façade engineering group in Arup’s Americas region and one serious sketcher, about the role of sketching in the digital age. The following interview, originally titled "To Sketch or Not to Sketch," discusses how sketching enables communication and how our over-reliance on technology isn't really as efficient as we may think.

One of the things we’ve been trying to develop in the façades group is people who can relate to the architect, developing and responding to the key architectural requirements. Having come from an architectural background myself, historically there seems to be a bit of a conflict, if that’s the right word, between architects and engineers. There shouldn’t be, though. Everyone wants the same thing at the end of the day: a successful project.

Read the rest of the interview, after the break...

David Mirvish, founder of Mirvish Productions, and Toronto-born starchitect Frank Gehry have released updated renderings of their massive, mixed-used project planned to transform Toronto's downtown arts and entertainment district. The Mirvish+Gehry vision will include a triad of residential towers perched on top a six-story, wooden podium inspired by the site’s industrial past and covered in a ‘cloud-like’ sculptural skin.

The towers, rising over 80 stories each, will house condos, a new OCADU campus, and a gallery space to house the Mirvish's collection of modern art.

More renderings after the break...

OMA, BIG and their partnering developers have until later today to decide whether they want to alter their plans for the Miami Beach Convention Center or walk away from the competition entirely.

More than 300 projects from almost 50 countries have been shortlisted for the World Architecture Festival 2013 - the world's biggest architectural awards programme - taking place between October 2 - 4 at the Marina Bay Sands, Singapore.

The WAF is the world's largest, live, inclusive and interactive global architecture event. Projects designed by global architects such as Zaha Hadid, Tadao Ando, and Robert A.M. Stern will compete with smaller, local practices across 29 individual award categories.

Paul Finch, WAF Programme Director, said: ‘Following such strong competition at last year’s awards, expectations were understandably high for the WAF Awards 2013, and the entries did not disappoint. From the subtle to the spectacular, from a four room house to an 80 storey tower, the sheer quality and diversity reflected in the array of projects shortlisted today demonstrates the increasingly global nature of the event. All eyes are now on the festival's venue, the Marina Bay Sands in Singapore, where the architects will battle to win their individual categories, with the victorious projects competing for the coveted World Building of the Year award.”

You can see the complete shortlist after the break. For more information, please visit WAF's official website.

The Council on Tall Buildings and Urban Habitat (CTBUH) has named _ distinctive towers from Canada, China, the UK and UAE as the best tall buildings in the world for 2013. Each selected project, judged by a panel of industry executives, have been selected for their “extraordinary contribution in the advancement of tall buildings and the urban environment, as well as for achieving sustainability at the broadest level.”

“The winners and finalists include some of the most striking buildings on the global landscape,” said Jeanne Gang, awards jury chair and principal of Studio Gang Architects. “They represent resolutions to a huge range of contemporary issues, from energy consumption to integration with the urban realm on the ground.” 

The 2013 winners are...

A version of this essay was originally published in Thresholds 40: “Socio-” (2012)

Few architects working today attract as much public acclaim and disciplinary head-scratching as Bjarke Ingels. Having recently arrived in New York, this self-proclaimed futurist is undertaking his own form of Manifest Destiny, reminding American architects how to act in their own country.

While his practice is often branded by the architectural establishment as naïve and opportunistic, such criticism is too quick to conflate Ingels’s outwardly optimistic persona with the brash formal agenda it enables. In the current economic climate, there are any number of gifted purveyors of form languishing in New York City. Despite this, Ingels has somehow managed to get away with proposing a pyramidal perimeter block in midtown New York, a looped pier in St. Petersburg Florida, and an art center in Park City, Utah massed as torqued log cabin while maintaining a straight face. Why, then, is his mode of operation considered unsophisticated by so many within the discipline?

Clearly, Ingels has figured something out about harnessing and transforming “the social” that American architects would do well to identify. So, in the manner of any good conspiracy theorist in search for the hidden method, let’s go to the chalkboard, or rather, the diagram...

Part of the answer may lie with Ingels’s brand of populism, which is as much about being social as it is about the social.

Opening Friday, June 28, the Zaha Hadid - World Architecture exhibition will be the first solo show in Copenhagen, which runs until September 29. Iraqi-British architect and Pritzker Architecture Prize winner Zaha Hadid is one of the most sought after, admired and discussed architects in the world, and has developed this extraordinary experience in collaboration with the Danish Architecture Centre. The pre-opening talk begins on opening day at 5:00pm with Patrik Schumacher (director and senior designer at Zaha Hadid Architects), and Kent Martinussen (CEO - Danish Architecture Centre). For more information, please visit here.

It’s hard to imagine an entire category of architecture slipping off history’s grid, and yet that seems to be the case with India’s incomparable stepwells. Never heard of ‘em? Don’t fret, you’re not alone: millions of tourists – and any number of locals - lured to the subcontinent’s palaces, forts, tombs, and temples are oblivious to these centuries-old water-structures that can even be found hiding-in-plain-sight close to thronged destinations like Humayun’s Tomb in Delhi or Agra’s Taj Mahal.

But now, India’s burgeoning water crisis might lead to redemption for at least some of these subterranean edifices, which are being re-evaluated for their ability to collect and store water. With any luck, tourist itineraries will also start incorporating what are otherwise an “endangered species” of the architecture world.

Learn more about these stepwells' curious histories, after the break...

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Derived from 40 years of research by architect, professor and author Jan Gehl, The Human Scale takes a critical look at the way we build and use our cities. Assumptions about modernity are questioned, as director Andreas M. Dalsgaard urges the viewer to imagine what would happen when we put “people into the center of our equations”.