Designed for a laneway inside the Little Portugal neighborhood of Toronto, Flipping Properties tests the boundaries between architecture and furniture. The exhibition, created by Jiminez Lai and his team, Bureau Spectacular, unravels the traditional pentagonal shape of a house to create ‘super-furniture.’ Super-furniture is defined by Lai as “too big to be furniture and too small to be architecture.” The large installation pieces are meant to encourage dialogue on unused urban spaces in Toronto, while creating a novel way to interact with those spaces. Despite their size, the pieces can be rearranged within the laneway, allowing for a variety of assemblages to be created. Flipping Properties opened July 11th, and will be in place until September 14th in the laneway between Sheridan Avenue and Gordon Street in Toronto. Admission is free to the public. See the full gallery of exhibition photos, after the break.
Details have been leaked of a major new development on the Southern edge of downtown Toronto, just East of Union Station. The scheme, uncovered by UrbanToronto and its inquisitive users, involves the connection of sites on both sides of the railway tracks, and will include three towers and a pedestrian bridge featuring a park and retail space. It is understood that Wilkinson Eyre are the architects, after BD confirmed last week that they have recently won a major competition in Toronto.
Read on for more details of the project
Frank Gehry and Developer David Mirvish have revealed the latest design iteration in their embattled plan to build a set of mixed-use skyscrapers in Toronto. The new design reduces the number of towers, from three to two, however the remaining towers are taller than before, with one at 82 stories and one at 92.
The buildings will house apartments, a new art gallery and space for OCAD University as previously planned, but the decision to use two towers instead of three means that three of the five existing buildings can be retained – including the Princess of Wales Theatre, and two designated heritage warehouses – sidestepping some of the criticisms of the previous scheme.
Read on after the break for Frank Gehry’s take on the design
Green, or living, walls have begun popping up and growing across commercial interiors everywhere over the last decade. To understand how a living wall functions, and how to design one, we went straight to a pioneer in the profession: Ms. Birgit Siber of Diamond Schmitt Architects in Toronto. The synthesis of natural systems and building systems had been in her mind since her days as a student, but the major break came in 2000, when her team constructed a massive living wall for The University of Guelph-Humbar. To understand how architects are closing the gap between interior and exterior via the living wall, read the full interview after the break.
Architecture for Humanity Toronto Launches Lecture Series: “Incremental Strategies for Vertical Neighborhoods”
According to the most recent national census in Canada, almost half of Toronto residents are immigrants, one-third of whom arrived in the past ten years. To allow the city to adapt to this surging flow of immigrants, Architecture for Humanity Toronto (AFHTO) has called upon students and professionals from various backgrounds to rethink Toronto’s urban fabric – and, in particular, its high-rise developments – by establishing a series of lectures and workshops entitled “Incremental Strategies for Vertical Neighborhoods.”
At the inaugural event a few weeks ago, Filipe Balestra of Urban Nouveau* was invited to speak about his work and contribute to a design charrette inspired by the City of Toronto’s Tower Renewal program. For more on Balestra and the event, keep reading after the break.
The Museum of Contemporary Canadian Art (MOCCA) is calling for submissions that respond to the thematic of an upcoming exhibition, entitled TBD, that will be on view September 5 to October 25, 2014 in Toronto, Canada.
The exhibition proposes that the definition of a museum is not fixed but rather “to be determined.” By asking, “what is a contem- porary art gallery?” the exhibition questions our fundamental assumptions concerning the role and importance of museums in so- ciety and their associated architectural forms. MOCCA’s galleries will become a place of inquiry and discussion featuring artworks and activities that destroy existing paradigms and offer projections about the shape of museums in the future. This is a particularly timely topic given the proliferation of museum architecture in Canada and abroad and the current juncture in MOCCA’s existence which sees the institution searching for a new and permanent venue.
First an Emerging Voices recipient, now a laureate of the Royal Architectural Institute of Canada’s (RAIC) Emerging Architectural Practice Award; Toronto’s Williamson Chong Architects has proved themselves to be one of Northern America’s most promising firms. Founded just three short years ago, the seven-person practice has been chosen to be the RAIC’s second Emerging Practice Award recipient for “consistently producing innovating projects that contain quality detailing and craftsmanship.”