Vladimir Belogolovsky

Founder of the New York-based non-profit Curatorial Project. Trained as an architect at Cooper Union in New York, Belogolovsky has written nine books, including New York: Architectural Guide (DOM, 2019), and Conversations with Architects in the Age of Celebrity (DOM, 2015).


“We Produce Nothing; We Package a Dream": In Conversation with Totan Kuzembaev

Vladimir Belogolovsky speaks with Russian architect Totan Kuzembaev about flexibility in buildings, the freedom in design, and that even after leading a successful practice for almost twenty years, he still keeps searching for how to make architecture.

House K / Totan Kuzembaev. Image © Ilya IvanovHouse of Totan Kuzembaev near Moscow / Totan Kuzembaev. Image © Ilya IvanovManor Klaugu-Muizha / Totan Kuzembaev. Image © Ilya IvanovManor Klaugu-Muizha / Totan Kuzembaev. Image © Ilya Ivanov+ 15

“Most Importantly, I Can Stimulate Processes": In conversation with Christoph Hesse

Vladimir Belogolovsky speaks with Christoph Hesse over Skype between New York and his office in Korbach, Germany to discuss his pioneering projects and why working in the countryside is relevant.

The Thompson Center: A Building Facing Demolition Threat in Chicago

Every city has its odd building. Paris has Centre Pompidou. London –Lloyd’s of London. New York –the Guggenheim. Naturally, Chicago, the architectural capital of the world, has one too. Here it is –James R. Thompson Center, named so in honor of four-term Illinois Republican Governor (1977-91) who was brave enough to get it built in 1985. Home to offices of the Illinois state government the building is unlike anything you have ever seen before.

“You Open Your Dwelling’s Door and You See the Mountains”: In conversation with Li Xinggang of Atelier Li Xinggang

Vladimir Belogolovsky speaks with Chinese architect LI Xinggang of Beijing-based office Atelier Li Xinggang about the particularities of working within a design institute, the architect’s philosophy referred to as “poetic scenery and integrated geometry,” and his role in the design of the Bird’s Nest and why he thinks it is the most important piece of contemporary architecture in China.;

“Limitations are as Important as Possibilities”: In conversation with Atelier Alter's Yingfan Zhang and Xiaojun Bu

Vladimir Belogolovsky speaks with architects Yingfan Zhang and Xiaojun Bu, co-founders of Atelier Alter, about architecture in motion, their faith in tabula rasa, and the widespread rapid urbanization process in China.

Museum for Qujing Culture Center / Hordor Design Group + Atelier Alter. Image © Atelier AlterBIT Sports Center / Atelier Alter Architects. Image © Weiqi JinYingliang Stone Archive / Atelier Alter Architects. Image © Atelier AlterWuliEpoch Culture Center / Atelier Alter Architects. Image © Highlite Images+ 18

"The Truth is in The Tension of Possibilities”: In conversation with Eric Owen Moss

Even though Eric Owen Moss’ buildings are easy to spot it is hard to categorize them. They constitute a clash of forms and surfaces that collide, break, contort, superimpose onto themselves, bend, split, melt, and explode seemingly out of control –all to avoid being subscribed to anything that may even remotely evoke a design methodology of any kind.

Beehive / Eric Owen Moss Architects. Image © EOMASamitaur Tower / Eric Owen Moss Architects. Image © EOMAUmbrella / Eric Owen Moss Architects. Image © EOMAWaffle / Eric Owen Moss Architects. Image © EOMA+ 27

“A Vase May Give a Shape to a Room”: In conversation with John Wardle

John Wardle (b. 1956) founded John Wardle Architects in Melbourne, Australia, in 1986. His early interest in architecture started with encountering objects and precious bits and pieces of demolished buildings at the demolition yard owned by his father’s friend.

Wardle studied architecture at RMIT, acquiring his bachelor’s degree in 1981. Wardle returned to his alma mater to acquire his master’s almost 20 years later, when he was already a seasoned practitioner, leading his own successful office. He now heads a large practice of over 90 employees with studios in Melbourne and Sydney.

“Every Generation Has a Responsibility to Design a Better Life”: In Conversation with Wang Hui of URBANUS

After studying architecture at Tsinghua University in Beijing and Miami University in Oxford, Ohio Beijing-born and based architect Wang Hui (b. 1967) co-founded URBANUS in 1999 in Shenzhen with his partners Liu Xiaodu and Meng Yan. After his graduation in 1997, Wang Hui worked in New York until 2002, while also moonlighting for URBANUS remotely. The architect heads the company’s Beijing office, which he set up in 2003, overseeing projects in the Beijing-Tianjin-Tangshan triangle, the Yangtze River Delta region, and other parts of China.

“Architecture Making Depends on Good Communication”: Interview with Tong Ming

Tong Ming (b. 1968, Nanjing, China) received his bachelor’s (1990) and master’s (1993) degrees in architecture from Southeast University in Nanjing. In 1995, Tong moved to Shanghai to pursue his PhD in Urban Planning at Tongji University, which he obtained in 1999. He then worked at Suzhou Design Institute until establishing his own independent University-based practice, TM Studio in 2004. He also maintains another studio UNO, Urban Network Office space in West Bund specializing in organizing seminars, workshops, exhibitions, and lectures.

“In Architecture You Can Make a Better Version of the World”: In conversation with Zhang Lei of AZL Architects 

Nanjing-based architect Zhang Lei (b. 1964, Jiangsu, China) does not believe in history, only time. He is convinced that history is something that is taking place in our own time, being shaped by particular circumstances, current programmatic demands, latest building techniques, and contemporary sensibilities.

Brick House (2007), designed by AZL Architects and built in Nanjing, China. Image © Iwan BaanCIPEA No.4 House (2011), designed by AZL Architects and built in Nanjing, China. Image © Yao LiWanjing Garden Chapel (2014), designed by AZL Architects and built in Nanjing, China. Image © Yao LiSong House (2019), designed by AZL Architects and built in Nansong, China. Image © Yao Li+ 17

“A Building Should Be Nurturing and Protect People Within”: In conversation with Douglas Cardinal

Douglas Cardinal (b. 1934) is a visionary indigenous Canadian architect based in Ottawa, Ontario. He grew up in Red Deer, Alberta. His mother, who was of German origins, loved painting and music, and both became his passions as well during his years at a Catholic boarding school. In 1953, he started studying architecture at the University of British Columbia in Vancouver, but was forced to leave two years later due to his outspoken opposition to follow rigid geometry of the Bauhaus and International Style models, championed by his professors. He wanted to create buildings that would respond to nature and the organic rhythm of life, drawing from his childhood experience of being intimate with nature.

Canadian Museum of History / Douglas Cardinal Architect. Image Courtesy of Douglas Cardinal ArchitectCardinal Residence / Douglas Cardinal Architect. Image Courtesy of Douglas Cardinal ArchitectCardinal Residence / Douglas Cardinal Architect. Image Courtesy of Douglas Cardinal ArchitectSt. Mary’s Parish / Douglas Cardinal Architect. Image Courtesy of Douglas Cardinal Architect+ 16

“How Can a Building Play a Pedagogical Role?”: In conversation with Crossboundaries

Interdisciplinary architecture and urban design firm, Crossboundaries was founded in 2005 in Beijing by Binke Lenhardt (b. 1971, Mannheim, Germany) and Hao Dong (b. 1973, Shanxi province, China). The two met in New York in 1999, while pursuing Master of Architecture degrees at Pratt Institute. Dong had earned his bachelor’s from the Beijing Institute of Civil Engineering and Architecture and Lenhardt had received a Diploma in Architecture from the University of Applied Sciences in Dortmund, Germany. Prior to coming to the US, Lenhardt worked in Holland and Germany where she is a registered architect. After graduating from Pratt in 2000, the two architects worked at various firms in New York before moving to Beijing in 2002, at the time when the city was already preparing for the 2008 Summer Olympics. They started working at the Beijing Institute of Architectural Design (BIAD) after Lenhardt studied Chinese at a local university and became proficient in Mandarin. The architects worked their way up at BIAD.

© WU Qingshan. Jinlong Prefab School Shenzhen, 2020, Shenzhen, China© WU Qingshan. Beisha Kindergarten, Jiangsu, 2018, Beisha Village, Fu’ning County, Jiangsu, China© Xia Zhi. Family Box – Qingdao, 2015, Shandong Lu, Shinan District, Qingdao, China© WANG Ziling. Chaoyang Future School, 2017, Beijing, China+ 39

“Our Architecture is for People”: In Conversation with Ralph Johnson of Perkins + Will

Ralph Johnson (b. 1948) is a global design director at Chicago-based Perkins and Will. The architect joined the company in 1977 and has been heading its design ideology since 1985. Johnson is the architect behind the firm’s most iconic buildings, including Rush University Transformation Project (2012), O’Hare International Airport (1993), and Boeing International Headquarters (1990) – all in Chicago, the United States Coast Guard Headquarters (2015) in Washington DC, Tinkham Veale University Center at the Case Western Reserve University (2015) in Cleveland, and Shanghai Natural History Museum (2015). The architect’s monographs have been published regularly since mid-1990s under his own name. He has been a visiting critic at the Illinois Institute of Technology and the University of Illinois, his alma mater, from which he received his Bachelor of Architecture in 1971. He acquired his Master of Architecture from Harvard’s GSD in 1973.

Rush University Medical Center. Image © James SteinkampRush University Medical Center. Image © James SteinkampTinkham Veale University Center at Case Western. Image © James SteinkampNorthwestern University, Patrick G. and Shirley W. Ryan Fieldhouse and Mark and Kimbra Walter Athletics Center. Image © James Steinkamp+ 22

“My Buildings Are Rides”: In Conversation with Antoine Predock

Architect Antoine Predock (b.1936 in Lebanon, Missouri) started his pursuit of an engineering degree at the University of New Mexico College of Engineering. A chance encounter with architecture professor Don Schlegel sparked a life-long passion in architecture. After switching to architecture school – first at the University of New Mexico and then, at the advice of Schlegel, transferring to Columbia University, Predock obtained a Bachelor of Architecture in 1962. After traveling throughout Europe on a Columbia University Traveling Fellowship with a focus on work in Spain, he began his internship in San Francisco with Gerald McCue, a future Dean at Harvard’s Graduate School of Design. In 1966, Predock went back to New Mexico, the place he considers his spiritual home, to establish what since has become a world-renowned practice. In 1985, he was awarded the Rome Prize with residency and study at the American Academy in Rome.

Center for Journalism and Communication. Image Courtesy of Antoine Predock ArchitectGateway Alumni Center, University of Minnesota, Minneapolis, MN. Image © Tim HursleyCanadian Museum for Human Rights, Winnipeg, Manitoba, Canada. Image © Michael PrattCanadian Museum for Human Rights, Winnipeg, Manitoba, Canada. Image © Alex Fradkin+ 36

“In The 1990s, We All Became Free”: In Conversation with Jiakun Liu of Jiakun Architects

Jiakun Liu was born in 1956 in Chengdu, China. Architecture was not his first choice to pursue at school, as he originally wanted to be an artist. He heard that architecture had something to do with drawing, so he applied to Chongqing Institute of Architecture and Engineering, not fully understanding what his role as an architect would be. After his graduation in 1982, Liu worked at the Chengdu Architectural Design Academy for two years, the experience he did not enjoy. So, he set out on a self-searching journey that lasted for over a decade, spending time in Tibet and Xinjiang in West China where he practiced meditation, painting, and writing, producing several works of fiction, while officially working at the Literature Academy as a writer. 

Luyeyuan Stone Sculpture Art Museum. Image © Jiakun ArchitectsLuyeyuan Stone Sculpture Art Museum. Image © Jiakun ArchitectsNovartis Shanghai Campus - Block C6. Image © Arch-ExistWest Village. Image © Chin Hyosook+ 72

“We Want to Build Our Own Utopia”: In Conversation with Dimitri Shapakidze of Laboratory of Architecture #3

Founded in 2006, by three partners – Dimitri Shapakidze, Irakli Abashidze, and Otar Nemsadze in Tbilisi, Georgia, Laboratory of Architecture #3 is known for such enigmatic projects as the Grove Design Hotel (2017), Mediatheque (2017), both in Tbilisi, and Visitor Center for Architectural Miniatures Park (2016) in Shekvetili, Georgia. Nemsadze left the partnership in 2011, to pursue his studies in the Netherlands to advance his independent career. In 2018, he co-founded Tbilisi Architecture Biannual and is currently undertaking his PhD at Tbilisi State University. The practice attracted attention from the very beginning. The partners’ first project was a private villa for a local entrepreneur and their hotel on Leselidze Street in Tbilisi was a result of a competition that they won in their inaugural year. After just six years since its inception, Laboratory of Architecture #3 was named the 2012 Best Architect of the year in Georgia. The current two partners, Shapakidze (b. 1983, Tbilisi) and Abashidze (b. 1984, Tbilisi) know each other since their childhood. They were neighbors and then studied at the Georgian Technical University in Tbilisi one year apart. They both worked for local architects while studying at the university and started their office right after graduation. The following interview with Dimitri Shapakidze took place over lunch at the Grove Design Hotel.

Mediatheque. Image Courtesy of Laboratory of Architecture #3Visitor Center for Architectural Miniatures Park. Image Courtesy of Laboratory of Architecture #3Contemporary Art Center. Image Courtesy of Laboratory of Architecture #3Grove Design Hotel. Image Courtesy of Laboratory of Architecture #3+ 25

“I See My Work as Autobiographical”: In Conversation with Li Hua of TAO

Architect Li Hua was born in 1972 in China. He studied architecture at China’s leading school, Tsinghua University, from which he received his bachelor’s (1994) and master’s (1997) degrees. He continued his studies at Yale University, graduating with his second Master of Architecture in 1999. Hua then stayed in the US, practicing in New York at Herbert Beckhard Frank Richlan & Associates. The firm’s founders used to be partners at Marcel Breuer office before starting their own practice in the early 1980s. This experience introduced Hua to dealing with masonry and precast concrete, while working on cultural and educational projects in the New York area. Returning to Beijing in 2003, Hua established Universal Architecture Studio (UAS) with his former classmate at Tsinghua. Parallel to that, he started his teaching career – first at the Central Academy of Fine Arts, CAFA and then at his Alma Mater. In 2009, Hua left the partnership and established his own practice, Trace Architecture Office, TAO. His studio currently numbers about twenty architects. TAO’s most prominent built projects include Huandao Middle School in Hainan province (2018), Xinzhai Coffee Manor in Yunnan (2018), Wuyishan Bamboo Raft Factory in Fujian (2013), and Museum of Handcraft Paper in Yunnan (2010). The architect won many prestigious honors and was shortlisted for the 2013 Aga Kahn Award. The following interview was conducted at the architect’s office in Caochangdi Village, a thriving arts and culture hub on the outskirts of Beijing.

© Chen Hao. Xinzhai Coffee Manor© Su Shengliang. Xinzhai Coffee Manor© Schran Images. Huandao Middle School© Chen Hao. Xinzhai Coffee Manor+ 41

“The Goal is to Harness Qualities That Are Spontaneous and Genuine": In Conversation With Wang Shuo of META-PROJECT

Architect Wang Shuo was born in 1981 in Beijing. He grew up in the family of neuroscientists and was particularly good in math, wining the national math Olympics in high school. But instead of going into computer science, as did many of his classmates, he decided to study architecture. The decision was entirely intuitive. He earned his Bachelor of Architecture from Tsinghua University in Beijing in 2004. The Master’s degree was acquired from Rice University in Houston in 2006. His thesis was called Wild Beijing, in which he focused on the emergence of spontaneous urbanism in Beijing. After completing his training, Wang worked for one year at Peter Gluck’s firm GLUCK+ in New York. The office is known for specializing in hands-on design-built projects and acting as general contractor, which gives the architects a lot of control over quality of construction. Following Wang’s time in America, he relocated to Europe for two years, working at OMA in Rotterdam where he interacted with Rem Koolhaas, working particularly on projectsб in which various layers of social, cultural, and everyday life were overlapped to create active, truly contemporary spaces. 

© Su Chen, Chun Fang. Beach Exhibit Center, Huludao, Liaoning© Su Chen, Chun Fang. Water Toer Reovation, Shen Yang© Su Shengliang. Stage of Forest, Ji Lin© Song Yu Ming, Hiromatsu Misae/Ruijing Photography. House T, Aranya, Qinghuangdao, China+ 26