In an article for The New Yorker, Ben Mauk examines the rise of the private art 'museum.' In the centre of Berlin there sits a "heavy, grey, and shrapnel-pocked" bunker, designed by Nazi architect Karl Bonatz under the direction of Albert Speer which, in 2003, was transformed into a private gallery. Having been bought by Christian and Karen Boros in order to display a portion of their sizeable collection of contemporary art, the only way for a member of the public to gain admittance is by registering online for a group tour. For Mauk, however, this is not necessarily a bad thing. Read the article in full here.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for April 2015 shows widespread consistency in comparison to March, the workload index remaining around the same at +35 from +36 last month. The private housing sector remains strong, rising to +38, while the commercial sector forecast dropped slightly to +15. In addition, the public sector forecast saw a drop to +3 while the community sector forecast "experienced a significant decline" to -3 from +9 in March. However, workload forecast balance figures have remained high, and practices in London and the South of England are most confident about medium-term workloads. Small practices continue to be positive about the outlook for future workloads, while medium and large practices "continue to be even more optimistic about future growth."
Mark Wigley and Beatriz Colomina. Image Courtesy of Istanbul Foundation for Culture and Arts
The Istanbul Foundation for Culture and Arts have announced that internationally renowned architectural historian and theorist Beatriz Colomina and architectural historian, theorist, and critic Mark Wigley will curate the 3rd Istanbul Design Biennial to be held in the summer of 2016. Colomina, a Professor of Architecture at Princeton University and curator of the recent Radical Pedagogies: Architectural Education in a Time of Disciplinary Instability exhibition (Lisbon Triennale, 2013; Venice Biennale 2014) will join Wigley, Professor and Dean Emeritus of Columbia University's GSAPP and renowned writer and curator, in helping to cement the biennial's international reputation.
Amsterdam's Rijksmuseum, which was comprehensively restored and reimagined by Spanish practice Cruz y Ortizover the course of a decade, has been named as the 2015 European Museum of the Year (EMYA) by the European Museum Forum. Lauded by the jury as "a great museum, at the height of its powers, providing a rich experience to the public, and a socially aware outreach programme for visitors of all ages," its success has also been in the museum's "ambition to 'reach every child in the Netherlands by the age of twelve'" - an aspiration which has been praised as "notable, impressive and achievable." The coveted award has previously gone to Zaha Hadid Architects' Riverside Museum in Glasgow in 2013.
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Aerial view of the port and city of Rotterdam. Image via AA Visiting School Rotterdam
This year the Architectural Association (AA) Visiting School programme will extend its reach to the Dutch city of Rotterdam – a place which, "by some strange twist of geographical and historical fate, has the highest concentration of architects and architectural thinkers in the world." The workshop, which will run for two weeks in July, will explore issues of inhabitance, perception, and intensity through analysis and creative interpretation of Rotterdam’s 'core' "or, more likely, its multiple cores, invisible to the untrained eye." Based in the Shell Tower on Hofplein, students will be afforded the opportunity to observe and analyse the city from on-high.
In an article for the RA Magazine, Kieran Long (Senior Curator of Contemporary Architecture, Design and Digital at the V&A) and Stella Duffy (co-director of Fun Palaces, a national campaign for greater access for all to the arts), ask: are we're building too many museums? On the one hand, Duffy argues that "we should focus all of our efforts on opening up existing museums to a much wider public" while on the other, Long suggests that "new museums can bring positive change to the places in which they are built." Ultimately, Long argues that "museums have a sense of authenticity and institutional mission that is rare in public life" yet, for Duffy, this doesn't mean we need more; rather, "we need to utilise what we already have."
A new pool has just opened in the heart of London's King's Cross. In the centre of one of the city's largest mixed-use development projects Ooze Architects, in collaboration with artist Marjetica Potrc, have developed and realised "the UK's first man-made fresh water public bathing pond" as a piece of and art. The oblong pool is forty metres long, built two metres above ground level, and is surrounded by "pioneer plants, wild flowers grasses, and bushes so that the environment evolves as the seasons change." It will be purified through "a natural closed-loop process, using wetland and submerged water plants to filter and sustain clean and clear water."
Belfast-based Hall McKnight are set to open a pop-up pavilion in London's King's Cross as part of the 2015 London Festival of Architecture. Located in Cubitt Square, the project forms part of the New Horizon’s initiative, supported by the Irish Architecture Foundation and ID15 (the year of Irish Design 2015). The structure, built from a collection of cut boards, "explores how the phenomenon of the city is assembled from individual pieces." The interior spaces will feature an installation of bricks reclaimed from a street of row houses in Belfast.
In an article for The Observer, Rowan Moore dives into a set of newly recreated rooms in London's Soane's Museum, a gallery dedicated to Sir John Soane's collection of architectural curiosities set within his eccentric former home. The experience, according to Moore, "of an internal world of unknown boundaries" has just become more extensive. Visitors will now be afforded the opportunity to visit a series of private spaces that give "a view into Soane’s bizarre mind," following extensive restoration work led by Julian Harrap.
Stephen Gage: Winner - 2014 RIBA President’s Award for the Outstanding Master’s Degree Thesis. Image Courtesy of RIBA
The Royal Institute of British Architects (RIBA) have announced a call for entries for the 2015 President’s Awards for Research. For the first time this year will see the introduction of the President's Research Medal, which will be awarded to the best work judged from across all four categories of research. RIBA President, Stephen Hodder, has said that "this award will help to give recognition to the ever increasing importance of research to architecture and our industry."
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Airbnb's Floating House on the River Thames. Image Courtesy of Airbnb
Have you ever dreamed of dozing off as you sail along one of the UK's busiest water highways in an eclectic bright blue cottage replete with a lawn, wisteria over the door and an apple tree? For five days and nights, between the 18th and 23rd May, this dream will come to life in the shape of Nick and Steve Tidball's floating residence for Airbnb.
Waterlicht (or 'water light') is a new light installation which has temporarily transformed Amsterdam's Museumplein into a "dream landscape" expressing both the power, and the poetry, of water. The shifting shapes and liquid movement of the artwork also have a very real purpose: like a virtual flood, the level of the lights show how high the water could submerge Holland and parts of The Netherlands without constant human intervention. The installation highlights how innovation in engineering, something which is embedded "within the DNA of the Dutch landscape" of polders and dikes, has been "almost forgotten." The nation's vulnerability against the power of the oceans is pertinently expressed in this experiential urban intervention.
David Chipperfield Architects have revealed plans to connect the two Grade II*-listed London bases of London's Royal Academy of Arts - the 17th century Burlington House and the 19th century 6 Burlington Gardens - as part of a £50million ($80million) masterplan of "subtle interventions." According to the Architects' Journal, the two structures will be linked by a concrete bridge which will span fifteen metres across a service area and courtyard, and will see the creation of a number of new exhibition spaces, a lecture theatre, and a new space for the Royal Academy's world-renowned schools of art and architecture. A series of roof extensions and terraces will allow for new views over central London.
Yard House, London / Assemble. Image Courtesy of Assemble
Assemble, a collective of artists, designers and architects based in London, have been shortlisted for the Turner Prize - the UK's foremost annual award for British visual artists. Much to the delight and surprise of members of the profession, this young collaborative team are the first spatial designers to be recognised by this prize in its three decade history, leading Sam Jacob to assert that they "represent something different: a validation of the belief that there are other ways of doing things." The four nominees for the award also include London artist Bonnie Camplin and German-born Nicole Wermers.
In an article for The Guardian, Turner Prize winning ceramic artist Grayson Perry has written for the first time about his "plans for a Taj Mahal in Essex." The designs for the House for Essex, which have been realised over the last three years by FAT and led by Charles Holland, are of a "secular chapel" in the heart of the southern English countryside. The building was commissioned by the Living Architecture Project, which is headed by Alain de Botton and are the proprietors of property designed by the likes of Peter Zumthor, MVRDV, and David Kohn. This, their fifth foray into experimental collaborative architecture between architects and artists, is set to open its doors for holiday letting this year.
Milan-based photographer Delfino Sisto Legnani recently spent time in the compound of the 2015 Milan Expo twenty four hours prior to the inauguration of the event, which officially opened at the start of this month. This unique insight, captured through his lens and preserved for posterity, shows the state of the site and pavilions just before the Italian military began their final safety and security checks. Cables, garbage and hazard tape is strewn across the pavilion entrances and public spaces, while lorries and white vans unload the last of the interiors.
The medium of film has long been employed to visualise, document and narrate architectural and urban space. Since the advent of more accessible devices to capture and record these journeys and explorations it has been used more frequently by practices and students in an attempt to develop new ways of experiencing built designs. #donotsettle, a YouTube channel established by two architects and urban enthusiasts while studying at TUDelft in The Netherlands, seeks to reconcile the disparity between film as architectural representation and as an experiential medium. Although not high in production value, their films are exciting examples of how user-oriented architectural 'vlogging' can uncover an entirely new way of understanding the world around us, imbued with a refreshing level of enthusiasm and authenticity.
London's Victoria & Albert Museum have announced that David Bickle, formerly a partner at Hawkins\Brown, has been appointed as the new Director of Design, Exhibitions and FuturePlan. In this role Bickle will be responsible for the care and future development of the V&A’s buildings, as well as the presentation of all of the museum’s permanent collections and exhibitions. With the construction of Amanda Levete Architects' new addition on Exhibition Road underway - coupled with the V&A's plans for new exhibition spaces in Dundee, Scotland, and in East Stratford on the former site of the 2012 London Olympic Games - the museum is also in the process of helping to establishing a collection in Shenzhen.
