Amsterdam is one of the most beautiful cities in Europe. Its origins lie in the 12th century when fishermen living along the banks of the River Amstel built a bridge across the waterway near the IJ, then a large saltwater inlet. Most of the city’s territory is below sea level and therefore it lies on land that has been reclaimed from the water.
Amsterdam is all about practical urban planning, amazing cycling infrastructure, tulip-lined canal bridges, and old merchant houses that tilt at impossible angles. I visited Amsterdam again last year and discovered some new places.
The city of Budapest, though Budapest Development Agency (BFK), launched an international design competition this autumn for the comprehensive renewal of the Budapest Nyugati Railway Station and its surroundings. The initiative seeks to expand the train station's capacity in order to reach Budapest's railway transport goals of doubling the number of trains on the suburban and metropolitan network. After an initial phase that attracted 36 participants, 12 practices were shortlisted for the second round of the competition, among which are Benthem Crouwel Architects, Grimshaw Architects, Zaha Hadid Architects, Foster + Partners, Kengo Kuma & Associates and Sweco.
The recently-completed Wanda Metropolitano in Madrid by Cruz y Ortiz Architects has been named as the best stadium in the world during the World Football Summit 2018. The stadium was opened in September 2017 and is set to host the 2019 UEFA Champions League final in May of this year.
In awarding the accolade, the jury praised the scheme’s aesthetics, operational program, flexibility to hold a wide range of events, use of technology, and “above all, a unique experience for the spectator in terms of comfort, services, and safety.”
https://www.archdaily.com/908825/cruz-y-ortiz-architects-wanda-metropolitano-declared-the-worlds-best-stadiumNiall Patrick Walsh
Hours before the start of the 2018 FIFA World Cup Russia's opening ceremony, the soccer organization will reveal if the Canada–Mexico–United States or Morocco will be selected to hold 2026 FIFA World Cup.
Ahead of the announcement, Morocco revealed the design of the stadium that would hold the final match if the North African country wins the bid--a new venue with capacity for 80,000 spectators. This stadium has been designed by Spanish architects Cruz y Ortiz Arquitectos, the firm that recently inaugurated the Wanda Metropolitano in Madrid. They are also currently working on the design of the Dalian Yifan Football Club stadium in China and another sports venue in Switzerland.
Offices and cultural buildings both offer the perfect opportunity to design the atrium of your dreams. These central spaces, designed to allow serendipitous meetings of users or to help with orientation in the building, are spacious and offer a lot of design freedom. Imposing scales, sculptural stairs, eccentric materials, and indoor vegetation are just some of the resources used to give life to these spaces. To help you with your design ideas, below we have gathered a selection of 15 notable atriums and their section drawings.
On Thursday, July 29th, the Estadio Wanda Metropolitano's roof was officially completed. This new stadium, a renovation of the old Peineta athletics stadium, is the new home ground of Spanish football club Atlético Madrid.
In this video, FCC Construcción captures the intense work on the roof which was designed and constructed by engineers Schlaich Bergermann Partner. The milestone marks four months of intense work since the installation of the first of the 96 PTFE radial panels at the north end of the stadium.
Amsterdam's Rijksmuseum, which was comprehensively restored and reimagined by Spanish practice Cruz y Ortizover the course of a decade, has been named as the 2015 European Museum of the Year (EMYA) by the European Museum Forum. Lauded by the jury as "a great museum, at the height of its powers, providing a rich experience to the public, and a socially aware outreach programme for visitors of all ages," its success has also been in the museum's "ambition to 'reach every child in the Netherlands by the age of twelve'" - an aspiration which has been praised as "notable, impressive and achievable." The coveted award has previously gone to Zaha Hadid Architects' Riverside Museum in Glasgow in 2013.
In honor of International Museum Day we’ve collected twenty compelling museum projects. In this round up you’ll find a truly global selection; from Wang Shu's Ningbo Historic Museum in China and Tod Williams + Billie Tsien's Barnes Foundationin Philadelphia to Monoblock's Contemporary Art Museumin Buenos Aires, see all of our editors’ favorites after the break!
https://www.archdaily.com/631994/archdaily-editors-select-20-more-amazing-21st-century-museumsAD Editorial Team
Cruz y Ortis, who famously spent ten years redesigning and renovating Amsterdam's Rijksmuseum, have recently completed a comprehensive restoration of the adjacent Philips Wing. As an addition to the extensive exhibition spaces of the Dutch national museum, which was brought to completion in 2013, the Philips Wing will be dedicated to showcasing high-profile exhibitions from its own collection and on loan from international and national collections. Cruz y Ortiz's work has consisted of reorienting the entrance, accommodating diverse new functions and preparing the exhibition rooms for the temporary expositions starting next month. Several twentieth century interventions have been set back and corrected, whilst other areas have been appropriated for a new destination.
See drawings and photographs of the new wing, including a description from the architects, after the break.
The Rijksmuseum, which reopened last year after a decade of restoration and remodelling, is a museum dedicated to “the Dutchness of Dutchness.” Pierre Cuypers, the building's original architect, began designing this neogothic cathedral to Dutch art in 1876; it opened in 1885 and has stood guard over Amsterdam'sMuseumplein ever since.
Over the centuries, the building suffered a series of poorly executed 'improvements': intricately frescoed walls and ceilings were whitewashed; precious mosaics broken; decorative surfaces plastered over; and false, parasitic ceilings hung from the walls. Speaking in his office overlooking the Rijksmuseum’s monumental south west façade, Director of Collections Taco Dibbits noted how the most appalling damage was incurred during the mid-20th century: “everything had been done to hide the original building […but] Cruz y Ortiz [who won the competition to redesign the Rijks in 2003] embraced the existing architecture by going back to the original volumes of the spaces as much as possible.”
For Seville-based Cruz y Ortiz, choosing what to retain and what to restore, what to remodel and what to ignore were, at times, difficult to balance. Cruz y Ortiz found their answer in the mantra: 'Continue with Cuypers'. They threw the original elements of the building into relief but did not act as aesthetes for the 'ruin'. In contrast to David Chipperfield and Julian Harrap's restoration of Berlin'sNeues Museum, for instance, Cruz y Ortiz rigorously implemented a clean visual approach that favoured clarity over confusion. What is original, what is restored, and what is new mingle together in a melting pot of solid, understated architectural elements. Sometimes this approach contradicted Cuyper's original intentions; however, more often than not it complements them in a contemporary way.
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