I am a Bucharest-based architect with a keen interest in the programmatic complexity of the contemporary built environment, and I am passionate about architecture that enhances social capital and the quality of life. I see architectural space as a potential catalyst for social interaction, and I am inspired by the possibility of enabling human connections through design.
Recent years have prompted a rediscovery and a re-framing of some of the more controversial architectural phenomenons of the past century, with Brutalist architecture coagulating significant interest through its sheer scale, powerful expression and purist forms. Brutalist architecture across the former Eastern Bloc is inextricably associated with the totalitarian regimes that marked the history of this part of Europe during the last half of the 20th century. Following in line with the architecture of the Eastern Bloc, Poland’s urban landscape is dotted with large-scale prefab housing estates and stark brutalist public buildings constructed during the country’s Communist rule.
Remnants of the Socialist era, the large-scale architecture and urban spaces of the Eastern European Bloc still constitute a challenging legacy, at odds with contemporary urban environments and the values shaping cities today. This ideologically charged architecture is being reclaimed either through the reconciliation of the public opinion with this part of history, adaptive re-use, renovation, or through its re-contextualization as architectural heritage. By (re)introducing the human scale within these monumental architecture projects and public spaces, these entities are being restored to the urban and cultural life of cities.
Building in nature constitutes a contradiction, as architecture enables immersive access to the landscape, while at the same time, natural landmarks are being slowly engulfed by tourists. The human presence in natural landscapes is an interplay of scales, a juxtaposition of archetypal shelters against the vast sceneries, as well as a negotiation between access to the landscape and environmental conservation. Exploring a variety of attitudes and formal strategies, the following takes a look at what could be learned from the experiences and design philosophies of several architects and practices that have perfected ways of addressing architecture in the landscape.
Throughout history, drawing has been the essential medium of conveying architectural ideas, operating on multiple levels, from the practical application of serving the construction process to the more artistic quality of expressing a vision and providing an impression of what the architecture will be like. The book Architecture – Drawn, From the Middle Ages to the Present, authored by University of Stuttgart Prof. Dr. Phil. Klaus Jan Philipp, recounts the historical development of architectural drawings, exploring all the different inventions, revolutions and continuities spanning eight centuries of architectural representation.
In their newly released architectural film, photographer Laurian Ghinitoiu and filmmaker Arata Mori take viewers on a visually compelling tour of OMA’s MEETT Exhibition and Convention Centre, Toulouse’s new mega-scale parc des expositions. Exploring the design’s multiple facets, from the monumental to the mundane, the film constructs a detailed vision of the project sitting at the intersection of architecture, infrastructure, masterplan and public space.
Urban acupuncture is a design tactic promoting urban regeneration at a local level, supporting the idea that interventions in public space don’t need to be ample and expensive to have a transformative impact. An alternative to conventional development processes, urban acupuncture represents an adaptable framework for urban renewal, where highly focused and targeted initiatives help regenerate neglected spaces, incrementally deploy urban strategies, or consolidate the social infrastructure of a city.
An emerging design trend is filling the gap between furniture and architecture by shaping space through objects at the intersection of the two, creating a dynamic and highly adaptable environment. Either a consequence of the increased demand for flexibility in small spaces or the architectural expression of a device-oriented society, elements in between architecture and furniture open the door towards an increased versatility of space. Neither architecture nor furniture (or perhaps both), these objects operate at the convergence of the two scales of human interaction, carving a new design approach for interior living spaces.
With the recent completion of several new stations and tunnels, the Athens underground metro expansion and the development of the ThessalonikiMetro system are on a set course to completion in Greece. The construction of a direct connection between the Athens airport and the Piraeus harbour, as well as the development of Thessaloniki’s first metro line, are underway, and images by photographer Pygmalion Karatzas show the new underground infrastructure coming together in the two Greek cities.
In all cities around the world, there are some forms of residual space, forgotten pieces of the urban fabric, remnants of overlapping layers of past development. This land whose conditions make it unsuitable for most types of conventional construction might be a fertile ground for architectural invention. Assigning a new value to vacant corner lots, dead-end alleys and strangely shaped plots opens up a new field of opportunities for inward urban development, expanding available living space and increasing amenities in densely populated cities. The following explores the potential for experiment and urban activation held by urban leftover space.
With society's needs and aspirations shifting, spatial typologies and architectural programs are continually being questioned, and this re-evaluation creates the premises for innovation. The following is an exploration of how architecture is metabolizing society's fundamental changes throughout several aspects of everyday life, challenging the existing assumptions regarding program and space.
Videos
Osaka, Japan. Image Courtesy of Norihito Nakatani Seminar
Created by Japanese architectural historian Norihito Nakatani, the film "A City of Columns" explores the distinctive dwelling culture of nagaya, a housing typology that flourished in the Japanese early modern period. The video depicts one of the few remaining nagaya neighbourhoods in Osaka, revealing the standardization embedded in all aspects of this form of housing and documenting how architectural elements transition between different spatial configurations.
The inertia of politics and governance in a time when major societal changes occur at an increasingly faster pace and the dissatisfaction with the decision process makes room for bottom-up actions, activism and bold endeavours. In the light of so many examples of social activism, do architects have the tools to make their own stand? Does architecture have the power to disrupt the status quo?
Charles Correa Foundation has recently released several snippets of ‘You & Your Neighbourhood’, Charles Correa’s 1955 Master Thesis at MIT, an animation film for which the architect was scriptwriter, animator, photographer and director. The thesis put forward the idea of a participatory process for the betterment of neighbourhoods, with a strong emphasis on creating a framework for improving urban conditions in a bottom-up approach.
Denise Scott Brown once said: “Architecture can’t force people to connect; it can only plan the crossing points, remove barriers, and make the meeting places useful and attractive.” Although it cannot control the outcome, architecture holds the potential to set the stage for chance encounters and social interactions, thus nurturing community building and influencing the fabric of our social culture. The following explores how architecture can improve the social capital of its surroundings through design strategies and thoughtful programming, creating the fertile ground for social interaction among different groups of people.
Videos
Peter Eisenman, Patrik Schumacher, and Alisa Andrasek among the speakers that participated at Digital Futures. Image Courtesy of Digital Futures
Like most functions in recent months, this year’s Digital FUTURES, which is held annually since 2011 at Tongji University in Shanghai, had to move online due to the pandemic. The organizers took this as an opportunity to give the event a global dimension, turning the festival into what they rightfully call the most significant worldwide event for architectural education ever staged, with a 24/7 display of workshops, lectures and panel discussions involving some of the most prominent architects and educators. Here is an overview of the festival, together with a selection of lectures from Digital FUTURES World.
Videos
Screenshot from the On Reflection teaser. Image Courtesy of Morris+Company
As lockdown provided architects with the opportunity to reflect on their design processes, it prompted Morris + Company founder, Joe Morris, to create On reflection, a series of short films discussing the fundamentals of the practice, centring the conversation around model making as a critical element of design thinking and a wide-ranging architectural tool.
Making material recycling commonplace within the architectural field would require a top-down approach in adapting the industry’s processes and standards to create a suitable framework for the task. However, individual endeavours are bringing about change within the profession, pushing for a reconsideration of architecture’s relationship to waste. This article looks at some of the initiatives that are spearheading the transition towards a common practice of material recycling.
The concept of Design for Disassembly (DfD for short) gained increasing traction in recent years, as it addresses the growing concern around the high consumption of resources and low recycling rate within the construction industry. The following article details on the method and features guidelines for a design process that facilitates the dismantlement of future buildings, with the scope of providing a better understanding of this principle within the broader framework of the current practice and circular economy.
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