Le Corbusier's fascination with the automobile is evident in the architect's various photographic records of him posing proudly next to a car in front of his architectural work. According to the Franco-Swiss architect, in addition to enabling more efficient and economical construction, the industrialization of architecture could form the basis of improved aesthetic results in the same way the modern car chassis supports the creative and modern design of the automobile body. Yet, while vehicles have experienced impressive changes since the 1930s, it can be said that architecture has been slower to adopt the advances of other industries.
But that has been changing little by little. Driven by concerns around sustainability, the use of non-renewable fossil resources, and efficiency, coupled with accelerating demand to build new buildings and more accessible infrastructure, the construction industry has been incorporating numerous new technologies, including those adopted from other industries. In addition, renewable materials such as wood have been identified as an ideal construction material—especially when incorporating innovative mass timber products such as CLT and glulam, design methods and processes like BIM and DfMA, tools for visualization such as VDC, and tools for manufacturing such as CNC. We know, these are a lot of acronyms, but we will try to clarify them throughout this article.
Tarot is often described as a mirror of the soul. Much like the spaces we inhabit, we can look at the symbols housed within the 72-card deck and see reflections of ourselves and our belief systems. The object and practice itself contain many architectural associations: It’s not uncommon for words like “structures,” “foundations,” and “home” to come up in a tarot reading. Traditional cards depict towers, castles, and churches. Sometimes the cards are described as keys, sometimes as gateways.
https://www.archdaily.com/959469/the-fantastic-architecture-of-niki-de-saint-phalleLeilah Stone
During this month we will discuss from a critical perspective the meaning of rendering for architecture. What are the models and what are the limits of rendering in the design process of a building?. And from this perspective ask ourselves what is a rendering? It is just an image to win competitions and prospects clients. Or is it an effective tool for the construction process?
A freestanding bathtub in an affordable price segment may not be usual, but, as Duravit impressively proves with the D-Neo line, it’s possible. Image Courtesy of Duravit
D-Neo, designer Bertrand Lejoly’s flexible new collection for Duravit, is evidence that premium design and affordability need not always be mutually exclusive.
The introduction of new techniques and materials, along with innovations in indoor plumbing systems, resulting from the industrial revolution, paved the way for vertical living. Investigating specifically a period of time where a flux of population was driven to cities, and social class divisions were being questioned, this article looks back at the evolution of the house plan in Europe between 1760 and 1939.
Tackling the transformation of the housing unit during the industrial revolution all the way to the interwar period, this feature highlights four prominent examples that rethought traditional layouts and responded to the challenges of their time. Still influential today, the mentioned models, restored for use, happen to be part of the 21st-century urban fabric. Located in London, Paris, Amsterdam, and Moscow, the plans showcase the ever-changing interior wellbeing standards, directly linked to a broader metamorphosis, equalizing and providing for growing urban populations. Discover the evolution of living units from the Back to Back Houses to the Garden Cities of England; the Haussmannien Block, a Vertical Living for a Modern Bourgeoisie; the Extension of Amsterdam, from Alcove Housing to Social Housing Blocks; and the Transition Type House in Russia.
Italian architect Vittorio Gregotti, author of The Territory of Architecture (1966), believed that architecture had its origin when mankind placed the first stone on the ground. Recognizing a place is the first step towards an architectural project, whether intentionally or not. Understanding the project's location and its context is the basis for many design choices and is, therefore, a key aspect in the field of architecture.
More than a year into this worldwide experiment of working from home, we have not yet landed on the perfect formula for the workforce being once again in the workspace. Furthermore, not only has the Working From Home (WFH) situation lasted longer than anticipated, it has embedded itself into the way we will work forevermore. As vaccines are rolled out, leaders of all types of organizations must now seriously consider how to handle the return of their employees to the physical office space.
Solar radiation is one of the most important criteria in architectural projects, as it impacts several decisions ranging from the orientation of the building on the site to the choice of windows and doors. Therefore, to ensure the quality of lighting and visual comfort in building interiors, it is crucial to study the sun path and the quantity of sunlight in each given space.
Case Study House 22. Image via Flickr user: mbtrama Licensed under CC BY 2.0
Between 1945 and 1966, the Case Study Houses program, following the Weißenhof-siedlung exposition, commissioned a study of economic, easy-to-build houses. The study included the creation of 36 prototypes that were to be built leading up to post-war residential development. The initiative by John Entenza, editor of Arts & Architecture magazine, brought a team to Los Angeles that featured some of the biggest names in architecture at the time, including Richard Neutra, Charles & Ray Eames, Pierre Koenig, and Eero Saarinen, among others.
The program's experiment not only defined the modern home and set it apart from its predecessors, but it also pioneered new construction materials and methods in residential development that continue to influence international architecture to this day. Take a detailed look at some of the program's most emblematic work together with recommendations for facing contemporary challenges.
The ongoing pandemic has been a disruption to the everyday routines of billions around the world, as due to being confined to their households, the separation between work and rest has become extremely blurry, with people forced to rethink and reconfigure the layout of their personal spaces. Conversations have abounded on how to create flexible working spaces in a home environment, and if offices themselves are an outdated model that we should leave behind. A missing part of that conversation, however, is the impact that the pandemic has had on children, specifically primary-school level children, on their education - as inequalities are emphasized, some children learning with slow internet connection speeds, or struggling to have the space required to adequately complete educational activities.
LEGOs are universal world-building units and a popular gateway into architecture. Of course, you can build almost anything with them, cars, spaceships, you name it, but buildings of all kinds — from police-stations to castles — are some of the most popular subjects. What makes LEGOs so appealing to young, and not-so-young architects? What, specifically, makes them a good analogy for the design of buildings? In this episode, Stewart purchases a box of LEGOs and uses it as a springboard to talk about what he’s learned from the toy block system. From lessons on modularity and proportion, to grammar and resolution, to compositional categories of additive and subtractive, the video breaks down how these fundamental concepts apply to both LEGOs and to the history and design of architecture.
If your profession involves going into the office every day, then you’re probably familiar with this age-old question- is the office too hot, or is it too cold? While some colleagues may claim that the workplace feels like a sauna, you might see others who survive the daily grind hidden away under a blanket with a personal space heater keeping them company. The never-ending debate about the perfect temperature might only scratch the surface of many questions that designers and engineers have aimed to solve about the workplace, and they’re probably the aspects that you don’t consider on a daily basis. What about lighting- has a meeting room ever felt too bright, or too dimly lit that you felt uncomfortable?
On March 9, what would have been Luis Barragán's 119th birthday, we commemorate Mexico's most celebrated architect and discuss his winning of the 1980 Pritzker Prize.
Fred Kent, the founder of the nonprofit organization Project for Public Spaces, once stated that “If you plan cities for cars and traffic, you get cars and traffic. If you plan for people and places, you get people and places." It may sound obvious, nevertheless, our cities today are indeed undergoing a rapid transformation from a car-oriented society to a pedestrian-friendly community.
As income inequality has widened in recent years, the role of philanthropy has been called into question. Is charitable giving by wealthy individuals and powerful corporations always a positive force, or is that connection to wealth and power an inevitable compromise? Whose agenda does philanthropic giving really benefit, the grantees or the granters? These are complicated questions. But truly enlightened giving is a transformative force. It can not only fund worthy causes but if properly timed can sow the seeds of social change.
The Media Architecture Biennale 20 (MAB20) will take place as an online event from June 28th to July 2nd, 2021. This edition will shift the focus on media architecture from the aesthetic spectacle to societal improvement. How can media architecture contribute to better cities, civic engagement and sustainable ecosystems? The event will close off with the MAB Awards, highlighting outstanding projects in this newly emerging field at the crossroads of architecture, urban planning, interaction design, art, and informatics.
Sagamihara, Japan. Drone photo by Rob Antill (@digitalanthill) and Ben Steensls (@randomoperator)
We live in a tangled web of flows – of capital, information, technology, images, structures, in constant momentum dominating all aspects of our lives. The large-scale road infrastructures shown here are products of this powerful desire for movement, which for many years was also synonymous with development, as portrayed by the famous Goethean character Faust in his endless quest for a (false) sense of progress.
From these tangles of concrete and steel, at multiple levels and in different directions, emerges a geometrically organized chaos that tears the urban fabrics in a relentless effort to prioritize the flows with the fewest obstacles and the highest capacity possible.
Frank Lloyd Wright’s Price Tower is the famous American architect’s only realized high-rise building and one of his only extant vertically-oriented designs. Located in the plains of Bartlesville, Oklahoma and commissioned by the local oil and chemical firm H. C. Price Company, the mixed-use tower is significant not only for its singularity within Wright’s oeuvre, but because of its unique materials and structural design. Some of Wright’s innovations, which were novel in the mid-twentieth century, remain useful even today.
https://www.archdaily.com/958989/the-tree-that-escaped-the-crowded-forest-lessons-from-frank-lloyd-wrights-price-towerLilly Cao
Focusing on the different typologies of houses, this week’s curated selection of Best Unbuilt Architecture highlights conceptual projects submitted by the ArchDaily Community. From urban developments to tiny homes, this article explores the topic of residential architecture and presents approaches from all over the world.
Featuring a cabin amidst the verdant forested region of northern Iran, a development in Georgia that offers an 80% recreational space to 20% housing ratio, and a project in Paris that re-questions our urban reality, and rethinks traditional forms of housing, this roundup tackles a multitude of scales. In addition, it underlines a collection of beach houses in Greece, Italy, Argentina, and Latvia each responding to a different landscape and topography. Other ideas underlined include the renovation of existing developments in Moscow, a residential-led transformation of a former factory in Manchester, and a family of blocks grouped around an elevated communal garden in the Netherlands.
Now recall the last time you meet a client. Preparing a whole bunch of presentation materials including renderings, diagrams, floor plans, elevation plans and section plans is simply not enough. The hard part starts when the client got stuck with one or two renderings and simply wouldn’t let go.
American 19th-century sanitation engineer George E. Waring, Jr. was a miasmaist. He believed in the miasma theory, which holds that toxic vapors traveled through damp soil, rotted vegetation, and pools of standing water. These toxic vapors were understood to emanate from the Earth and interact with the atmosphere and cause disease in American cities.
According to Catherine Seavitt Nordenson, ASLA, a professor of landscape architecture at the Bernard & Anne Spitzer School of Architecture at the City College of New York, Waring was a “marginal figure,” but he had interesting ideas about how to “modify the climate to improve health.” In a virtual lecture hosted by the Harvard Graduate School of Design, Seavitt Nordenson said Waring was incorrect about the mechanisms for spreading disease —he didn’t understand the concept of vectors, like mosquitoes— but his drainage and sanitation solutions were “surprisingly successful.” A year into the coronavirus pandemic, it’s worth revisiting Waring’s ideas about the connections between the Earth, atmosphere, disease — and the maintenance of public spaces.
https://www.archdaily.com/958954/the-miasma-theory-was-wrong-but-led-to-smart-sanitationJared Green
Warm Terracotta and elegant Ombra and Vento grey tiles bring shape to this bathroom. The 3D Slot Vento motif covers the walls of the shower and washbasin for added texture. Image Courtesy of FAP Ceramiche
Merging traditional, artisanal craftsmanship with versatile, modern materials, FAP Ceramiche presents a new nature-inspired porcelain-stoneware tile collection that channels the archetypal Italian summer.
https://www.archdaily.com/959036/merging-craftsmanship-and-modern-materials-new-tile-collection-by-fap-ceramicheArchDaily Team
Along with concerns about our environment, new movements, words, concepts, and terms related to these issues constantly emerge, which require us to always remain up to date. The word sustainability itself faced some resistance until it was incorporated into common vocabulary and used widely in the most diverse contexts. Currently, much discussion surrounds the terms circular economy, resilience, the 4 Rs, urban mining, and others. In addition, there are some sustainability-related movements that have been incorporated from activism in other fields, showing the fluidity of such issues. One such initiative is the 0 kilometer materials movement, which has been featured in manifestos and some projects, albeit timidly, in recent times.
When designing a space, architects across the board tout the importance, and even necessity, of incorporating natural light into interiors. This means taking measures to control the quantity of light being let in and its distribution throughout the space.
In the case of residential spaces, where privacy plays a larger role than in public spaces like offices, restaurants, and stores, opaque materials like screens, tinted glass, and other barriers are the go-tos for providing protection and privacy from the outside; however, the privacy that these methods provide often comes at the cost of the space's natural lighting, forcing designers to seek alternative materials that allow for both light and privacy.