Cladding systems have important functions in buildings. They can confer thermal insulation, protect internal spaces from the weather and–just as important–give the building a "face", improving its appearance and clearly identifying the element of design. "Cladding" refers to the components that are linked to the structure of a building to form non-structural external surfaces. While in the past wooden cladding was the only option, there are currently multiple possibilities of materials, colors, weights, textures, anchoring systems, and many other variables available. Below, we outline some of the main materials used for façade cladding, and the projects that use them in a remarkable way:
Drawings and visualizations are architecture in their own right. As means to reconsider what we see or what could be, drawing styles are as diverse as the mediums through which they are produced. For transparent drawings, observation and imagination go hand in hand. Not only does this unique style require critical examination, but also an ability to conceptualize new possibilities.
Technical precision combined with environmental concern and exploratory and investigative character make Carla Juaçaba one of the great representatives of Latin American architecture today. Carioca, born in 1976, Carla Juaçaba attended the University of Santa Úrsula and attributes much of her experimental and interdisciplinary style to this educational institution. It is not by chance that during her academic training her great inspiring masters were the architect Sergio Bernardes and the visual artist Lygia Pape, insinuating her interest in the multiple disciplinary branches that can compose architecture. In this sense, while still at graduation, Carla worked together with architect Gisela Magalhães, from Oscar Niemeyer’s generation, in scenography and expography projects.
As the world of Architecture finds itself on the edge over the recent Metaverse and NFT hype, Zaha Hadid Architects is at the forefront of innovation showing us exactly how to utilize Web 3 and its socio-economic opportunities for architects, globally.
The topic has become especially relevant at the beginning of this year, with more and more platforms publishing about it. All the recent hype forces us to evaluate our role as architects and whether or not we want to consider servicing the digital realm.
After my recent interview with Gensler’s Director Harry Ibbs on Leveraging Technological Advancements to Bring Workers Back to Office I decided to cover the topic of a post-covid practice workplace culture from a completely different angle. In search of a more intimate approach, I looked into AL_A, a RIBA 2009 Stirling Prize-winning studio founded by Amanda Levete with directors Ho-Yin Ng, Alice Dietsch and Maximiliano Arrocet. The diversity of the leadership team and their 30+ person workforce brings a richness of thinking and possibility that’s played out in their culture, practice and through their designs.
Coffee shops have always been popular gathering spaces among coffee lovers, but with the rise of remote working, especially post-pandemic, they have become a hotspot for remote workers and students as well. One of the many reasons why they are such a popular hangout spot, other than the fact that they serve one of the most globally-adored drinks, is because of their well-designed interior spaces that promote comfort, relaxation, and productivity simultaneously. After all, it's always been said that architects and coffee go hand in hand. In this interior focus, we explore how different design elements shape the user experience of a coffee shop, and look at how architects have employed them through 17 examples.
Nottingham City Hub. Image Courtesy of Ares Landscape Architects Ltd.
The noticeable shift from 2D CAD in landscape architecture is in part due to external pressures, such as the UK’s requirement for BIM level 2 framework on government-procured projects. Even where there’s no BIM mandate, there’s inherent pressure to deliver BIM files when working with consultants who’ve already matured their workflows with BIM.
What would a project be like if user emotions were part of the program? Planning environments that can accommodate different sensations is, according to Pinterest Predicts 2022, one of the decoration trends for the coming years. More and more people have been looking for ways to set up rooms that provide the apotheosis of their feelings, no matter if the goal is to be more calm, express their anger, listen to music or a leisure activity, the focus of the so-called "emotional decor" is on make emotions flow freely and safely.
Iconic, technological, ecological: mudra opens a new chapter in the history of the shell chair. A poetic chair that explores new boundaries while resting completely in itself. Image Courtesy of Brunner
Certain chairs make such a strong first impression that they immediately take a place in our consciousness. Some are powerful, solid and deliberately down-to-earth. Others because of their playful lightness and elegance. mudra, the new universal chair by Brunner and Diez Office, definitely belongs to the latter category. The sculptural chair acts like an inviting gesture that brings the formal and ecological possibilities of shaped wood technology into the present.
Cortesia de S'Winter Station - Ryerson University – Department of Architectural Science
The construction industry has experienced severe changes in recent decades. Historically, it counted on abundant labor and a false notion that natural resources were infinite, but nowadays the sector has struggled to find innovations that will allow it to become more sustainable, especially considering its enormous impact and importance in the world. In addition, the recent Covid-19 pandemic changed several factors and dynamics, demanding creativity from designers to overcome challenges. In some cases, the design process itself became subject to changes. The S'Winter Station project, developed by students and teachers of Ryerson University's Department of Architectural Science, is one of these examples which relied on existing visualization and manufacturing technology for its completion.
Since the beginning of the 20th century, automobiles have been shaping cities and architecture, demanding specific spaces to move and be stored.Cars and motorcycles dictated the organization of spaces and the consequent urban and rural landscape of entire countries. However, with the climate crisis and the recognition of the problems that this development model brings to cities and to the planet, every day more initiatives are perceived that seek to eliminate individual and motorized cars powered by fossil fuels, while at the same time we also perceive the need to give new meanings to spaces that were previously dedicated to cars. In addition to the streets and public spaces, this transformation is also felt in the houses and residential buildings that are beginning to see garages as a more dynamic space.
The stage is set in one of the most iconic “end of the world” movie scenes: Citizens of New York City are scrambling on top of taxis, quickly attempting to escape the slow-moving giant tsunami heading their way. In the rear-view mirror of a bus, a giant wave can be seen rushing up the narrow city grid. Searching for higher ground, the main characters, Sam and Laura, run up the famed stairs into the famed New York Public Library, and just as the revolving doors shut behind them, the pressure of the water smashes the windows, and water begins to rise. Without seeing it, we know that New York City and its iconic architecture will soon be destroyed.
At a time when biophilia is highly valued in architecture, natural pools become another element capable of increasing the connection with nature, enabling the creation of a recreational and contemplative space at the same time. Also known as ecological or biological pools, they reproduce an ecosystem composed of plants, rocks and even some species of fish.
Map design and the significance of built environments continue to be inherently integral to gameplay within the realm of virtual worlds and video games, specifically in the genre of first-person shooters, and Riot Games’ VALORANT is no exception to this. Defying former expectations of its predecessors within the tactical shooter genre, Riot continually endeavors to make fundamental changes to decades of old formulas that have been implemented in practice all these years.
It’s a ubiquitous architectural form. An architectural typology that spans centuries and borders, a staple across cultures. The tent. In its simplest form – it’s a shelter, with material draped over a frame of poles. It’s an architectural language that is intrinsically linked to nomadic living. Yurts, for instance, functions as an easily portable dwelling for the Kazakh and Kyrgyz peoples. At the same time, tents have proved a popular stylistic precedent for architects, the lightweight structures of German architect Frei Paul Otto being a case in point. The tent is a complicated architectural language – one that straddles the line between temporary and permanent, and one that also functions as a symbol of wealth and a symbol of scarcity.
In 1940, American nutritionist Victor Lindlahr wrote the book 'You are what you eat', consolidating thinking towards the idea that what we put into our body directly impacts our mental and physical health. In more recent times, popular chefs have taken over the campaign and prompted the overhaul of educational and clinical catering, nudging us towards universal acceptance of the powerful correlation between wellbeing and food, and an understanding that learning, behaviour and recovery can all be improved with the right diet.
It is nearly impossible nowadays not to present accompanying renders when proposing a new project. No matter the method, software or style that is used, it is a valuable reference that bares more practical weight than one might think. Not only can it be one of the closest possible representations of the architect's vision, if approved, it can also become a promise to clients, investors, and the general public.
When it comes to works from renowned architects, the render becomes a critical reference to the project participants and to the expectant community. A lot of details can be developed and considered when creating the images. In most cases, special attention is brought to the lighting, materials, and context in order to make the most accurate representation possible.
The Chrysler Building interior, Manhatten, New York . Image Courtesy of Dorff / Wikicommons CC BY-SA 3.0
Art Deco or Arts Décoratifs originated in the 1920's, following the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris (1925). However, it wasn’t until the 1930’s that the movement gained momentum across both Europe and the US, broadening Art Deco to cover all elements of decorative art including furniture, interior design, jewelry and architecture. Its popularity stems from its unique origins. Rather than a design movement driven by political or philosophical forces, it was created for the desire of glamorous and alluring change, a reflection of the golden age in Hollywood and a widespread economic boom.
Characterized by its decadence, rich application of color, and geometrical shapes, the movement is dramatically influenced by the discovery of the artifacts of ancient civilizations, and the introduction and admiration of the automobile. A movement heavily influenced by aspects in vogue it sought to create a form of luxury modernism, a step away from a more traditional architecture. It put an emphasis on handcrafted and individually designed elements, rarely to be mass produced.
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