Earlier this week Sir Nicholas Serota, director of the Tate Modern, announced that Herzog & de Meuron's extension will officially open on Friday 17th June 2016. The gallery, which originally opened in 2000 housed within a former power station in London's Bankside, dramatically transformed the UK's relationship with modern and contemporary art. Since then, the Tate Modern has become a bastion of trend-setting and high-profile exhibitions, and has grown to be one of London's most visited cultural venues.

Foster + Partners, Rogers Stirk Harbour + Partners (RSHP) and UNStudio have been shortlisted in a competition to expand the Taoyuan International Airport - Taiwan's largest airport, formally known as Chiang Kai-shek International Airport. Each team will now be given £126,000 to develop their proposals for a new 640,000-square-meter Terminal 3 building which, as the Architect's Journal reports, is expected to host 45 million passengers each year.

The full shortlist includes: 

Blank Space has announced the winners of its “Dear Architecture” competition, which called designers and architects from around the world to address architecture, as a concept, in a letter of no more than 500 words and one image.

The contest was reviewed by a 17-person jury, including Fernando Romero, Diana Balmori, and ArchDaily’s co-founder David Basulto and executive editor Becky Quintal. The work of the three winners, who were awarded a total of $3,000, as well as 12 honorable mentions will be published in Blank Space’s third book, also called Dear Architecture.

Read on to see the three winners.

Empathetic historicism and romanticising older buildings has become an ever-common sentiment in modern Britain. In an article for the British daily The Telegraph, Stephen Bayley tackles this trend by questioning whether Victorian-era architecture is actually all worth saving? Victorian architecture, so called because it was implemented under the reign of Queen Victoria, was stylistically preoccupied by Gothic Revival — an attempt by architects and commissioners to impose a 'pure', chivalrous unifying aesthetic designed to instill a sense of civic importance and reaffirm a social hierarchy. Yet "their architecture," according to Bayley, "has an inclination to ugliness that defies explanation by the shifting tides of tastes."

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Jony Ive, Apple's Chief Design Officer, has celebrated the opening of his first store in Brussels, Belgium. Like The Verge reports, at first glance the store's design seems somewhat predictable - large panes of glass, a simplistic and open feel. However, under Ive's guidance, the new store (and future stores) now feature a grove of potted trees and a heightened focus on natural materials, in particular wood. Read on to take a closer look.

David Chipperfield Architects has unveiled a scaled down proposal for Stockholm's Nobel Center. A response to concerns regarding the competition-winning scheme's proposed location along the city's historic Blasieholmen, the modified design hopes to "better" integrate itself into its context and establish a "lively interaction" with the people of Stockholm.

"While the fundamental concept of the ‘Nobelhuset’ remains the same, the building has been reduced significantly in size," says Chipperfield. "It now has a clearer division into a base, middle and top floor that relates to the surrounding structures on the Blasieholmen peninsula."

New York City is replacing one of its 40 salt sheds on the Gansevoort Peninsula with a new, origami-like structure by Dattner Architects at Canal St/West St, along the Hudson River. Once completed, the shed will rise almost 70 feet tall and hold over 4,000 tons of salt in its six-foot thick concrete walls. In response to the complaints leveled against the Sanitation Garage across Spring Street from the new salt shed, Dattner Architects deliberately created a monolithic, crystalline form to contrast the scrim-like façade of its neighbour.

Uncountable hours, and piles of failed sketches and models to go with them – much of the architecture process is left unseen, held behind locked doors, but Harvard Graduate School of Design (GSD)’s Pavilion for Design Miami exposes this process for the first time. After a school-wide competition involving over 100 students in 32 teams, a judging panel of GSD faculty and representatives of Design Miami selected “UNBUILT” to represent the school at this year’s fair.

HMMD Competitions has announced the winners of its Triple Bridge Waterfront design competition, which called for designs to transform the Liepaja Canal coastline into a leisure avenue in Liepaja, Latvia.

Divided into four individually functioning zones, the site in question connects the famous Fontaine Palace, Great Amer symphony concert hall, Libava Hotel, the former railway bridge, and the newly proposed park in Zirgu Sala. In their submissions, designers thus had to include a “restaurant/café, nightclub/bar, exhibition space/conference hall, and an unprescribed tourist attraction.”

Entrants were additionally asked to consider the relationship between modern and historic developments and influences, as well as sustainable growth.

“Successful entries to the competition were refined, yet nimble to accommodate a vast site flanked by historic building and exposure to a canal.”

The winners of the competition are:

First-year architecture and urban planning students at the Estonian Academy of Arts have designed and created READER, a shelter based on the concept of removal from daily life, and focusing on oneself. Passers-by are invited to enter the shelter and “escape from the real world of problems into the fictional world of books.” And for those who don’t have a book on hand, the structure is meant to evoke the pages of a book through its ribbed wooden structure.

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From interlocking 3D printed bricks to SOM's "All Aboard Florida" train station in West Palm Beach Fast Company has named 13 winners for their 2015 "Innovation By Design Awards." Each winner was selected from over 1,500 projects worldwide for being "big ideas" with "meticulously though out details" and a "clear viewpoint about how we live now—and how it could be better."

This year's winners include...

Just two weeks after the Japan Sport Council launched a second call for New National Stadium proposals, Zaha Hadid Architects and partner Nikken Sekkei have withdrawn from the competition. Although the duo promised to develop a "cost-effective" design that strictly adhered to the new competition's scaled down brief, they were unable to secure a contractor and therefore were forced to step down from the competition.

"It is disappointing that the two years of work and investment in the existing design for a new National Stadium for Japan cannot be further developed to meet the new brief through the new design competition," said ZHA in a press release.

Today citizens, artists and activists are "reclaiming their city" by transforming hundreds of metered parking spaces worldwide into temporary public parks and installations in an effort to call attention to the need for more open space. The yearly occurrence, known as PARK(ing) Day, has become an international phenomenon since its establishment in 2005 by the San Francisco art and design studio Rebar. Check out the official PARK(ing) Day Map to see if there are any pop-up parks happening in your area.

Harvard University’s Graduate School of Design (GSD) and John A. Paulson School of Engineering and Applied Sciences (SEAS) have announced a new, collaborative program: the Master in Design Engineering (MDE) degree. Beginning in Fall 2016, the program, lasting for four terms over two years, will offer students the resources of both GSD and SEAS, combining skills and knowledge across fields to solve multi-scale, complex, open-ended problems.

The Linda Pace Foundation has unveiled plans for a new building designed by Adjaye Associates. Planned to open in San Antonio, Texas in 2018, "Ruby City" will house the Foundation's growing collection of contemporary art. The two-story structure, clad in "crimson-hued panels of precast concrete with glass aggregate," will be distinct with its "dramatic rooftop of sloping angles and skylights that rise to varying heights and echo cut-away spaces at the building’s base."

One year after scrapping Norman Foster's controversial redesign, the New York Public Library has commissioned Mecanoo to oversee the planned $300 million overhaul of its Mid-Manhattan branch and flagship Stephen A. Schwarzman Building on Fifth Avenue. The Dutch practice, who is also renovating Mies van der Rohe's Martin Luther King Jr. Memorial Library in Washington DC, will work with the preservation experts of Beyer Blinder Belle - the project's architect of record.

"The building should be about the journey of learning," Mecanoo's founding partner and creative director Francine Houben told the New York Times. "Maybe you come in for a book but also take lessons in English."

Images of Moshe Safdie's first New York project has been released. Planned to rise on a Manhattan site at West 30th Street, between Broadway and 5th Avenue, the 64-story mixed-use tower will feature a limestone base that compliments and serves its historic neighbor: the Marble Collegiate Church, one of the Collegiate Churches’ five ministries.

The building "will be distinguished by its vertical massing, which breaks down the scale of the tower into a series of three-story-high, offset projections," says Safdie Architects. "The offset projections also provide energy efficiency by self-shading the tower’s facade, further enhanced by additional sun shading at the south facade."

US Secretary of Agriculture Tom Vilsack, in partnership with the Softwood Lumber Board and the Binational Softwood Lumber Council, has announced the winners of the US Tall Wood Building Prize Competition. The two winning projects—Framework, by Framework, LLC, and 475 West 18th, by 130-134 Holdings LLC—will each receive $1.5 million in funding for their development in Portland and New York, respectively.

Each of the projects took a unique perspective on wood building systems, fulfilling the competition’s call “to showcase the safe application, practicality, and sustainability of a minimum 80-foot structure that uses mass timber, composite wood technologies, and innovative building techniques.”

Dominique Perrault, David Chipperfield, OMA, Shigeru Ban, Sou Fujimoto, and Jacques Ferrier are among 75 teams that have been selected to move onto Phase 3 of the highly anticipated "Reinventing Paris" competition. The first of its kind, the competition is calling on architects and designers to envision innovative projects to solve some of Paris' most pressing problems over 23 sites, from abandoned electricity substations to open spaces in the heart of urban areas.

Rogers Stirk Harbour + Partners' Leadenhall Building has been deemed the City of London's "Building of the Year 2015." The inaugural award, organized by the Worshipful Company of Chartered Architects (WCCA), aims to "recognize the extraordinary examples of contemporary architecture across the London cityscape."

The award's jury, chaired by World Architecture Festival director Paul Finch, selected the Leadenhall Building over 15 other publicly nominated buildings. It was lauded for providing a "world-class working environment" and having a positive impact on the city street.

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Solar energy is considered by many to be the future of electricity worldwide. Cities from Houston to Mumbai are embracing massive rooftop and rural solar infrastructure, a largely standardized system of fixed panels positioned to optimize sun intake at peak times. Only the most sophisticated adjustable panels which track the sun, however, are capable of absorbing the maximum amount of daylight allowed by the technology, meaning that the average immovable panel loses a significant amount of available energy.

Researchers at the University of Michigan sought to develop a solar energy system that could absorb the most daylight possible while reducing the carbon footprint from production of the panels themselves. The results are surprisingly beautiful: through the application of the ancient Japanese art of Kirigami, a variation of Origami, the researchers were able to capture up to 40 percent more sunlight than traditional panels.