Anemone is an art/architectural installation by Oyler Wu Collaborative aimed at weaving together aesthetic experience and tactile engagement, a combination generally considered off limits within the world of contemporary art. All too often, art installations are considered precious, almost sacred objects; while they are meant to be appreciated for their aesthetic beauty, they offer little in terms of human interaction. In other words, they are meant to be seen, not felt. Recognizing that human engagement is one of the key factors in creating a rich experience, Anemone has been designed with the idea of interaction as one of its key design objectives. More images and project description after the break.
10 Design architects has recently been awarded a 93 ha Masterplan for a CBD in Pingtan, a New Cross-Strait District for China and It’s Trading Partner, Taiwan. Pingtan is planned as a new commercial hub to drive communication and commercial trade between China and Taiwan. Part of the competition included the design of a new Cross Straits Forum including theatre, convention, exhibition and auxiliary commercial and cultural facilities. More images and project description after the break.
Jean-loup BALDACCI & Atelier BORONSKI shared with us their first prize winning proposal for the New Taipei Museum of Art competition. Their aim was to create a field of dreams; a building for the people. Its existence actually extends the park and because it merges street and park it invites a high degree of participation. It is completely accessible for people to walk and even ride bicycles all over. The public can easily ‘take possession’ of this building, even just to come and sit on the grass and enjoy the view as they picnic on these huge pieces of ‘ground’ floating in the sky. But through various openings and glazed apertures the interiors beckon. More images and architects’ description after the break.
Federico Soriano Pelaez shared with us their third prize winning proposal for the New Taipei City Museum of Art. Their aim was to design a museum which contains all museums. A museum which is the entirety of all the museums in the world. They collected 100 of the most important museums of art from around the world. It is architecture as a refined abstraction of a historic landscape. It is a recollection of generic fragments from the plans of the museums from around the world which will be inserted into the Taipei City Museum of Art. More images and project description after the break.
The New Taipei City Museum of Art proposal by Volkan Alkanoglu | DESIGN seeks to educate and motivate lifestyles through art and culture; thus promoting artistic creations as a moment in a time greater than none. The design incorporates a well planned program distribution emphasizing the important relationship of art as lifestyle and lifestyle as art. More images and architects’ description after the break.
Recently announced were the winners of the New Taipei City Museum of Art competition. The main objective of this competition was to build a world-class museum of art through a conceptual design. It was to be creative and its visionary schemes are sought in order to give the New Taipei City Museum of Art a fresh look and versatile art exhibition space. The design teams from all over the world were invited to challenge their imagination, pursue new possibilities for modern art museums and help New Taipei City create an artistic icon for the new century! The team of Peter Boronski and Jean-Loup Baldacci was named the first prize winners while Kengo Kuma & Associatesand Federico Soriano Pelaez followed with the second and third place awards. More information on the award winning designs after the break.
The Taiwan Tower, designed by STL Architects, will act as a monumental building that will frame the new center and provide the entire city with a renewed and iconic identity, such as Eiffel Tower in Paris or The Sydney Opera House. Iconography achieved by challenging the forces of nature, designing an urban symbol, to strengthen people’s feeling of identity towards their city. Twisting the conventional idea of a tower and tilting the complex structure to contextualize the building in a technological era. The importance of symbols to civilization and architecture for people to feel identified with a place by means of an icon. More images and architects’ description after the break.
The New Taipei City Museum of Art (NCArt) should propose a new paradigm for celebrating art in Taipei, one that brings lifestyle, art, recreation and education together to celebrate the vibrant cultural identity of the community. The fusion of art with all aspects of one’s daily experience is driven by ideas about the intrinsic relationship between art and life relevant in Taiwan’s popular contemporary culture. The new museum seeks to embody these ideas and provide an iconic venue for the spontaneous unfolding of contemporary life.
Here’s the proposal Zerafa Architecture Studio presented for this project.
PA (Process-based Architecture) Studio shared with us their proposal for New Taipei City Museum of Art, which won an honorable mention. Their design includes a huge cube on an urban plaza. The interior space of this suspended cube is integrated and has not been divided to specified floors as the usual buildings. It consists of several moving galleries where the exterior walls are also good places for displaying the art works. More images and architects’ description after the break.
BNKR Arquitectura started this proposal with a simple but relevant question: How to conceive an icon landmark for Taichung? Their research explored a wide range of conceptual references in order to find an artistic expression that was coherent with the Taiwanese culture and society. Their main goal of this multifunctional landmark is to blend with the city, not in aesthetic terms but in the ideas of appropriation and belonging. More images and architects’ description after the break.
The New Taipei City Museum of Art conceptual design proposal by Yi-Hsiang Chao Architects and Infinite Studio was initiated from a basic question: How does a museum allow the public to experience a seamless fusion between life and art? A museum is usually located at a specific place and carries certain cultural tasks. Corresponding to the competition’s objectivities, is it a dilemma or a contradiction to expect a museum to allow lives happen seamlessly with the architecture? More images and architects’ description after the break.
This proposal for the New Taipei City Museum of Art by DCPP Arquitectos is an open and welcoming design that erases the barrier of exclusivity normally surrounding the world of art, patrons, and experts. As such, the architecture is one that embodies this idea of erasure through eliminating the traditional borders between exhibition space and circulation, as well as exterior and interior. Every part of the museum is represented by a space without limits that can hold any type of expression. More images and architects’ description after the break.
The new museum proposed by Lyons has been designed in response to its context – to the park, river, city and the surrounding mountains. The concept connects the building and its spaces with the unique features of the site and its surroundings. Its form, spaces and circulation patterns have also been designed to provide a rich and scenic experience for museum visitors and to offer maximum flexibility in the display and presentation of artworks and multimedia. More images and architects’ description after the break.
An art museum is a building or space for the exhibition of art. The idea behind this proposal by James Law Cybertecture, which was awarded a merit of honorary mention, is to create an architecture that becomes an art piece itself. To create spaces that are unique and flexible. The fluidity and formless spaces is designed to promote movement and interaction. More images and architects’ description after the break.
On May 22nd, 2011, framed by green bamboo vaults, Taiwanese President Ma Ying-jeou stood at a podium inside Forest Pavilion to inaugurate the Masadi Art Festival. Facing a crowd of celebrators, designers, and protesters, President Ma delivered his administration’s vision for a low carbon future.
nARCHITECTS’ Forest Pavilion - completed in May 2011 – serves as a shaded meeting and performance space for visitors to the Da Nong Da Fu Forest and Eco-park in Hualien province, Taiwan. The project was conceived within the context of an art festival curated by Huichen Wu of Artfield, Taipei for Taiwan’s Forestry Bureau with the object of raising public awareness of a new growth forest that is being threatened by development. The pavilion is comprised of eleven vaults built with freshly cut green bamboo, a material first used by nARCHITECTS in the internationally acclaimed 2004 Canopy for MoMA P.S.1. As an extension of techniques developed in 2004’s Canopy for MoMA/P.S.1, the 60’ diameter and 22’ tall pavilion is built with green bamboo. Forest Pavilion was chosen to host the opening and closing ceremonies of the art festival, becoming a focal point for the park.
When the Taiwan Tower competition in Taichung asked participants for an iconic skyscraper, Visiondivision responded with a cluster of over 100 slender towers that challenges the expected experiences within and aesthetics of a 21st century tower. Tower Town, a result of examining the traditional skyscraper and questioning its spatial offerings, creates a dense urban environment with its fragmented massing.
More about the project after the break.