Placing second, behind Sou Fujimoto Architects’ winning proposal, the Austrian practice soma proposed a new tower typology, titled Fibrous Tower of Multiple Natures, for the Taiwan Tower International Competition in Taichung, Taiwan. The conceptual drive for this tower comes from the desire to create a cultural landmark whose associations are multiple and dynamic, adapting with changing ideas about the nature of a skyscraper in an urban environment. Soma writes, “the tower should not state a fixed message, but trigger people to invent their own interpretations of the tower’s meaning”. How does soma accomplish this? Read on to find out.
The world-renowned architect, engineer and artist, Santiago Calatrava was recently commissioned by Yuan Ze University in Taiwan to design an ambitious new building complex for its campus. The ambitious project, which will consist of a Performing Arts Center, a new Art and Design School and the Y.Z. Hsu Memorial Hall, which is dedicated to the university’s founder, Mr. Yu-Ziang Hsu, will mark Mr. Calatrava’s architectural debut in the country. More project description after the break.
Nearly two years after OMA was announced winner of a two-stage international competition, the construction of the new Taipei Performing Arts Center has commenced. This ambitious project, led by OMA partners Rem Koolhaas and David Gianotten, generated a lot of debate among architects when it was announced back in 2009 due to its particular form. Morphed by a series of programatic operations, the form intersects three types of theater in order to accommodate a variety of performances.
The main theater, which seats 1,500, is expressed on the exterior as a large sphere while the two smaller theaters, each capable of seating 800, are represented as peripheric cubes. All the stage accommodations are brought together within the central cube, allowing for more flexibility as theaters can be used independently or combined, thus expanding the possibilities for experimental performances – an art which is very strong inTaiwan. At the same time, and in a similar way as OMA’s CCTV building in Beijing, China, a “public loop” channels circulation through the building, exposing the spaces that make the TPAC work, areas typically hidden from the public but are as revealing as the performances themselves.
In this aspect, the building is like a machine at work with its engine exposed, somehow reminding me of OMA’s Prada Transformer – a machine-like building (the anti-blob) that changed its configuration to host different types of events.
The 180 million dollar project is set to be completed in 2015. More details, including sections and updated renders, after the break:
Architect: Marco Casagrande
Location: Taipei City, Taiwan
Project Managers: Delphine, Peng Hsiao-Ting / JUT Group, Nikita Wu / C-LAB
Casagrande Laboratory for Cicada: Frank Chen, Yu-Chen Chiu, Shreya Nagrath, Arijit Sen
Measures: 34 m long, 12 m wide, 8 m high
Interior space: 270 sqm
Project Year: 2011
Anemone is an art/architectural installation by Oyler Wu Collaborative aimed at weaving together aesthetic experience and tactile engagement, a combination generally considered off limits within the world of contemporary art. All too often, art installations are considered precious, almost sacred objects; while they are meant to be appreciated for their aesthetic beauty, they offer little in terms of human interaction. In other words, they are meant to be seen, not felt. Recognizing that human engagement is one of the key factors in creating a rich experience, Anemone has been designed with the idea of interaction as one of its key design objectives. More images and project description after the break.
10 Design architects has recently been awarded a 93 ha Masterplan for a CBD in Pingtan, a New Cross-Strait District for China and It’s Trading Partner, Taiwan. Pingtan is planned as a new commercial hub to drive communication and commercial trade between China and Taiwan. Part of the competition included the design of a new Cross Straits Forum including theatre, convention, exhibition and auxiliary commercial and cultural facilities. More images and project description after the break.
Jean-loup BALDACCI & Atelier BORONSKI shared with us their first prize winning proposal for the New Taipei Museum of Art competition. Their aim was to create a field of dreams; a building for the people. Its existence actually extends the park and because it merges street and park it invites a high degree of participation. It is completely accessible for people to walk and even ride bicycles all over. The public can easily ‘take possession’ of this building, even just to come and sit on the grass and enjoy the view as they picnic on these huge pieces of ‘ground’ floating in the sky. But through various openings and glazed apertures the interiors beckon. More images and architects’ description after the break.
Federico Soriano Pelaez shared with us their third prize winning proposal for the New Taipei City Museum of Art. Their aim was to design a museum which contains all museums. A museum which is the entirety of all the museums in the world. They collected 100 of the most important museums of art from around the world. It is architecture as a refined abstraction of a historic landscape. It is a recollection of generic fragments from the plans of the museums from around the world which will be inserted into the Taipei City Museum of Art. More images and project description after the break.
The New Taipei City Museum of Art proposal by Volkan Alkanoglu | DESIGN seeks to educate and motivate lifestyles through art and culture; thus promoting artistic creations as a moment in a time greater than none. The design incorporates a well planned program distribution emphasizing the important relationship of art as lifestyle and lifestyle as art. More images and architects’ description after the break.
Recently announced were the winners of the New Taipei City Museum of Art competition. The main objective of this competition was to build a world-class museum of art through a conceptual design. It was to be creative and its visionary schemes are sought in order to give the New Taipei City Museum of Art a fresh look and versatile art exhibition space. The design teams from all over the world were invited to challenge their imagination, pursue new possibilities for modern art museums and help New Taipei City create an artistic icon for the new century! The team of Peter Boronski and Jean-Loup Baldacci was named the first prize winners while Kengo Kuma & Associatesand Federico Soriano Pelaez followed with the second and third place awards. More information on the award winning designs after the break.
The Taiwan Tower, designed by STL Architects, will act as a monumental building that will frame the new center and provide the entire city with a renewed and iconic identity, such as Eiffel Tower in Paris or The Sydney Opera House. Iconography achieved by challenging the forces of nature, designing an urban symbol, to strengthen people’s feeling of identity towards their city. Twisting the conventional idea of a tower and tilting the complex structure to contextualize the building in a technological era. The importance of symbols to civilization and architecture for people to feel identified with a place by means of an icon. More images and architects’ description after the break.
The New Taipei City Museum of Art (NCArt) should propose a new paradigm for celebrating art in Taipei, one that brings lifestyle, art, recreation and education together to celebrate the vibrant cultural identity of the community. The fusion of art with all aspects of one’s daily experience is driven by ideas about the intrinsic relationship between art and life relevant in Taiwan’s popular contemporary culture. The new museum seeks to embody these ideas and provide an iconic venue for the spontaneous unfolding of contemporary life.
Here’s the proposal Zerafa Architecture Studio presented for this project.
PA (Process-based Architecture) Studio shared with us their proposal for New Taipei City Museum of Art, which won an honorable mention. Their design includes a huge cube on an urban plaza. The interior space of this suspended cube is integrated and has not been divided to specified floors as the usual buildings. It consists of several moving galleries where the exterior walls are also good places for displaying the art works. More images and architects’ description after the break.
BNKR Arquitectura started this proposal with a simple but relevant question: How to conceive an icon landmark for Taichung? Their research explored a wide range of conceptual references in order to find an artistic expression that was coherent with the Taiwanese culture and society. Their main goal of this multifunctional landmark is to blend with the city, not in aesthetic terms but in the ideas of appropriation and belonging. More images and architects’ description after the break.
The New Taipei City Museum of Art conceptual design proposal by Yi-Hsiang Chao Architects and Infinite Studio was initiated from a basic question: How does a museum allow the public to experience a seamless fusion between life and art? A museum is usually located at a specific place and carries certain cultural tasks. Corresponding to the competition’s objectivities, is it a dilemma or a contradiction to expect a museum to allow lives happen seamlessly with the architecture? More images and architects’ description after the break.
This proposal for the New Taipei City Museum of Art by DCPP Arquitectos is an open and welcoming design that erases the barrier of exclusivity normally surrounding the world of art, patrons, and experts. As such, the architecture is one that embodies this idea of erasure through eliminating the traditional borders between exhibition space and circulation, as well as exterior and interior. Every part of the museum is represented by a space without limits that can hold any type of expression. More images and architects’ description after the break.