The Architectural League of New York and the New York Transit Museum recently announced the winners of a competition to select sketches by contemporary architects for a new Grand Central Terminal sketchbook produced in collaboration with Moleskine. The sketchbook features historical images from the Transit Museum’s collections, along with twenty drawings and sketches by contemporary architects and designers who were invited to “submit a sketch or drawing that captures and/or re-imagines Grand Central, representing or evoking what this iconic building means to you.” More images and information after the break.
After months of an “arduous” public reviewing process, BIG’s eye-catching West 57th apartment building in Manhattan has been approved by the City Planning Commission. The atypical design quickly gained international attention with its abruptly sloped, tetrahedral shape that rises from three stories to thirty-eight stories on an awkwardly sized single block site. Cleverly titled W57, the unique project was “born of logic”, as New York Magazine’s Justin Davidson would describe. It features a massive, football-sized courtyard with stunning Hudson River views and outdoor terraces for all 753 residents, along with a vibrant street life and close proximity to the Hudson River Park.
“Our approval will facilitate development of a significant new building with a distinctive pyramid-like shaped design and thoughtful site plan that integrates the full block site into the evolving residential, institutional, and commercial neighborhood surrounding it,” stated City Planning Commissioner Amanda Burden before voting in favor of the project.
Find out what it took to get W57 passed, after the break…
Including well-known speakers such as Peter Eisenman, Reinhold Martin, Joan Ockman, and Bernard Tschumi, the “Ruins of Modernity: The Failure of Revolutionary Architecture in the 20th Century” event will be taking place in New York City February 7th from 7:00pm-10:00pm. Free and open to the public, the event is part of a larger series of panels and events centered around the theme of the death of art that will take place during the month of February 2013 in NYC. The modernists’ project consisted in giving shape to an inseparable duality, wherein the role of architecture was deduced as simultaneously a reflection of modern society as well as an attempt to transform it. The event highlights and debates the thoughts proposed by architectural theorists such as Victor Hugo, Colin Rowe, and Reyner Banham while looking at how the the last century influences architecture today. For more information, please visit here.
Shining in the heart of New York City at 57th Street and Fifth Avenue, the UNICEF Snowflake is a special symbol for the world’s most vulnerable children. It hangs as a reminder of UNICEF’s commitment to reach a day when zero children die from preventable causes. Hanging at its location in the big city, throughout the winter season, the largest outdoor chandelier of its kind is designed by German lighting and industrial designer Ingo Maurer, along with leading French crystal manufacturers Baccarat. The iconic UNICEF Snowflake has 12 double-sided branches adorned with 16,000 dazzling crystal prisms handcrafted in the small village of Baccarat, France. Names can be engraved upon the New York City landmark while helping children around the world in need. For more information, and to find out how you can donate, please visit here. A video of the symbol of a beacon of hope for children can be viewed after the break.
In an effort to alleviate some of the stress and frustration associated with New York’s continued housing crisis, Jaye Moon, a Brooklyn-based street artist, decided to leave new buildings made of Legos cradled in the limbs of trees, or wrapped around their trunks. Carefully designed, the blocked geometry of her architectural construction is considered to allow for the expansion of tree limbs and to avoid damage. Catching the eye of local New Yorkers and captivating anyone who may pass by her creations, Moon says she chose Legos as a medium because they are ready-made objects that mimic industrial, mechanical uses and because they summon a certain childlike innocence and sense of play. More images and information after the break.
The New York Public Library (NYPL) has unveiled the details of their controversial plan to renovate the 20th century, Carrère and Hastings “masterpiece” on 5th Avenue. Designed Foster + Partners, the $300 million dollar proposal is a response to the cultural shift from traditional stacks to online resources, as the library has experienced a 41% decrease in the use of collections over the last 15 years.
Sensitive to concerned critics, the renovation promises to preserve the building’s legacy as it integrates a new, state-of-the-art Circulating Library into its flagship Stephen A. Schwarzman Building on 42nd Street. Foster’s “library within a library” will transform seven floors of stacks, currently occupying the back of the building, into an aesthetically, technologically and environmentally advanced public space that meets the needs of our 21st century society.
“We need to be respectful of the beloved, iconic building and to create a new inspiring space,” Anthony W. Marx, the library’s president, said in an interview with the New York Times. “At a time when people wonder about the future of libraries, we’re going to create the greatest library the world has ever seen.”
Learn all the details and see the renderings after the break…
The New York Public Library has a plan to save millions of dollars, improve efficiency, and reverse the cutbacks that have been plaguing it. How? By sending little-used resources off-site (after all, most people use the library for its online resources these days), the Library will consolidate three libraries into one Mid-Manhattan branch, renovating the building with a streamlined, efficient design – courtesy of Foster + Partners - to create “the largest combined research and circulating library in the country.”
It sounds like a wonderful, modern solution. Ms. Ada Louise Huxtable would beg to differ.
The former New York Times architecture critic and current critic for the Wall Street Journal has come out swinging against the plan. First, she builds on the critique that others have made, that by moving volumes off-site (to New Jersey, or “Siberia, as she puts it) to make room for more modern amenities, the library will devalue its primary purpose (making resources readily accessible). To put it another way, as Scott Sherman did in his article for The Nation, it would turn the library into “a glorified internet café.” Then, Huxtable makes her own argument: that removing the current, intricate system of stacks would be an enormously complex, expensive, and hopelessly misguided structural challenge.
But, ultimately Ms. Huxtable’s argument comes down to the intrinsic architectural and cultural value of this Beaux Arts Masterpiece: “You don’t “update” a masterpiece.”
More on the Ms. Huxtable incendiary critique of The New York Public Library’s Central Plan, after the break…
Storefront for Art and Architecture, jointly with the New Museum and Architizer, recently launched the StreetFest Competition – IDEAS CITY 2013. As the world’s resources continue to be endangered, depleted, and destroyed, we all need to imagine new solutions and develop innovative approaches and practices. Created to explore the future city and to effect change, the biennial festival will take place in downtown New York from May 1-4, 2013 with the theme, ‘Untapped Capital’. On May 4, one winning entry will occupy a designated outdoor space along the Bowery near the New Museum. The deadline for submissions is February 9. To register and for more information, please visit here.
The American Institute of Architects New York Chapter and the Hong Kong Economic & Trade Office are opening the “Hong Kong at 15: Redefining the Public Realm” exhibition this Monday, December 10th at 7:00pm and will be on exhibit until January 23rd. Taking place at the Center for Architecture in New York, the exhibit features architectural projects built in Hong Kong designed by New York architects, and highlights the 15 year milestone of Hong Kong’s transfer of sovereignty and highlights the contribution of New York architects to the design of Hong Kong. Fueled by a famously free economy, and reputation as a gateway to China, Hong Kong has continued to grow over the past 15 years with the city’s architects and engineers producing highly sophisticated solutions to the challenged faced in the city. For more information about the event, please visit here.
The Architectural League and Socrates Sculpture Park is currently inviting architects to submit proposals for the 2013 Folly Competition, a design/build studio residency, and chance to build an installation at Socrates Sculpture Park, a unique urban waterfront park in Queens, NY. Socrates and the League welcome proposals from all emerging architects and designers for large-scale projects and installations that explore contemporary interpretations of the architectural folly. The deadline for submissions is January 7. For more information, please visit here.
Forest City Ratner Companies (FCRC) just announced that they will be partnering with Skanska, one of the world’s largest construction and development groups, for the B2 project. This project is making headlines because it will be the first residential tower that is part of the Atlantic Yards Development in Brooklyn using modular construction. FCRC plans to break ground on the 32-story building on December 18th and anticipates that the building will open in 2014. While high-rise modular technology has been initially developed for use at Atlantic Yards, this new industry has the potential to create modular components for construction projects across New York City and worldwide, becoming the first major manufacturing expansion in New York City since manufacturing began its decline over a generation ago. More information after the break.
About a decade’s passed since Foster+Partners won the competition to re-design Avery Fisher Hall (as part of Lincoln Center’s campus-wide re-haul, designed by Diller Scofidio + Renfro), and the famous music hall is finally ready to go through with it – just not necessarily with Foster+Partners.
After Lincoln Center and the New York Philharmonic failed to raise the $300 million they needed to cover construction costs, and due to concerns that displacing the orchestra would jeopardize potential revenue, Foster+Partners’ plans languished. However, the Philharmonic is now under new leadership, and its young directors are anxious to transform the conventional music hall, hence why they’ve decided to solicit new proposals for the building.
As the Orchestra’s new executive eirector, Matthew VanBesien, told the New York Times: “If you’re not thinking about the way in which our art form and music and audiences are evolving, you’re not serving the art form long term. You really want to build this next great hall in a new way, to do the kinds of things you maybe are doing but want to do in a more compelling way or maybe can’t even imagine yet.”
More info about the proposal for the new Avery Fisher Hall, after the break…
Architects: Roger Ferris + Partners
Location: Sag Harbor, NY, USA
Design Team: Roger Ferris, AIA, RIBA, Robert Marx, AIA, Myron Mirgorodsky, AIA, Tiziano Fabrizio
Structural Engineer: Robert Silman Associates
Mechanical: D’Antonio Consulting Engineers
Area: 6,400 sq ft
Photographs: Arch Photo Inc, New York
Kohn Pedersen Fox Associates were recently selected to design a giant office building the landlord hopes to build next to Grand Central Terminal. Selected by SL Green Realty Corp., the architects’ design would be one of the largest Midtown towers on the East Side in a generation. While building in New York is a challenge, SL Green is moving ahead full steam with planning. The company is in discussions with the Metropolitan Transportation Authority to obtain additional development rights by building pedestrian improvements including underground connectors to Grand Central, according to executives informed of the planning. More information after the break.
Mathews Nielsen Landscape Architects shared with us their design for the streetscape masterplan for Hudson Square in Manhattan, New York. Designed to transform the district’s public realm into a socially, economically, and environmentally sustainable neighborhood, the project will serve area workers and, eventually, residents. The masterplan creates a pedestrian-focused district accessible from all directions and adjacent neighborhoods—including SoHo, TriBeCa, and Greenwich Village—that coordinates the needs of the Holland Tunnel, a regional transportation facility, with those of the re-imagined neighborhood. More images and architects’ description after the break.
Architects: Steven Holl Architects
Location: 218th Street, New York
Architect In Charge: Steven Holl, Chris McVoy
Design Team: Marcus Carter, Christiane Deptolla, Peter Englaender, Runar Halldorsson, Jackie Luk, Filipe Taboada, Dimitra Tsachrelia, Ebbie Wisecarver
Associate In Charge: Olaf Schmidt
Area: 4,459 sqm
Photographs: Chris McVoy, Andy Ryan
Hosted by the Architectural League and co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union, Steven Holl will lecture in the Great Hall at The Cooper Union on November 28 at 7:00pm. Holl’s architecture and writing has undergone a shift in emphasis, from his earlier concern with typology to his current interest in phenomenology. This “Time Light” lecture is dedicated to Lebbeus Woods and will show both early and recent works by Steven Holl Architects. Following the lecture, Steven Holl will be joined in conversation by Sanford Kwinter. For more information on the event, please visit here.
Designed by Jae K. Kim of Co-De:CounterDesign, the Form of Public Control project is aimed at being the 20th century’s notion of a skyscraper in Manhattan. As a symbolic individual in the city, it should be redefined due to the reinterpretation of the grid to accommodate more public amenities and facilitate the cultural contexts of Manhattan. Currently, the project is exhibited for the collateral event of the Venice Architecture Biennale, at Palazzo Bembo, which was invited from the Global Art Affairs Foundation. More images and architect’s description after the break.