Yad Le’Banim Building Competition Entry – Cultural and Memorial Center / Irad Shomroni and Josef Shushan
Designed by Irad Shomroni and Josef Shushan, the proposal for the Yad Le’Banim Building – Cultural and Memorial Center seeks to emphasize the duality between everyday life activities and commemoration. In a center that houses both cultural communal facilities that open daily and annual memorial ceremonies for casualties of war, the center is designed as a linear path. It gradually rises from Ramat Yishay’s main street, hovers above its surrounding garden, and eventually reaches a viewpoint towards the historical buildings of Ramat Yishay. More images and architects’ description after the break.
Breaking news from Tel Aviv: The Wolf Foundation has announced that Pritzker Prize laureate Eduardo Souto de Moura will be honored with Israel’s prestigious Wolf Prize. The Portuguese architect was named “to reward his advancement of the craft and ideas of architecture.”
Since 1978, Wolf recipients have been annually award to honor those who have advanced the fields of art and science. Often, they are considered to be strong contenders for Nobel prizes, as about one out of every three laureates in chemistry, physics and medicine have gone to receive the Nobel.
Learn more after the break…
Proposed by Talmon Biran Architecture Studio, the Yad Le’Banim building is located within an existing grove at the local council of Ramat Yishay, Israel, which provides a unique opportunity to integrate landscape with the architectural design. This setting doesn’t only add a visual values for the building, but also adds and symbolic aspect – the trees which are seen from all the building’s façades create an image that expresses the relation between life and death, between growth and loss. This relation is inherent in the definition of the Yad Le’Banim buildings as cultural and educational centers on the one hand, and as a memorials on the other hand. More images and architects’ description after the break.
The ZEZEZE Architecture Gallery recently launched their open design competition for the design of a day care center for adults with developmental intellectual disabilities, to be established in the city of Beer Sheba. Held on behalf of the Beer Sheba municipality and the Shalem Fund, while managed by ZEZEZE Architecture Gallery, the winner of the two-stage competition will have the unique experience of entering into agreement with the city of Beer Sheba for the design of the center. The deadline for submissions is February 3rd, with the second stage following shorty after. To register and for more information, please visit here.
Designed by architect Eli Gotman, the proposal for the “Yad Labanim” (“A Memorial to the Sons”) is dedicated to commemorating the fallen soldiers in Israel’s wars and helping the bereaved families. The Yad Labanim building in Ramat Yishay, is in itself a monument, which begins with the wall buried in the ground carrying the names of the fallen perforated in it, continues to emerge out of the ground as a building, and ending as an illuminated library hovering over the square. More images and Gotman’s description after the break.
Architects: Jacobs-Yaniv Architects
Location: Tel Aviv, Israel
Developers: Leora Ganor, Irit Kesselman-Millet, Yariv Millet
Project Management: Oren Sadot
Branding & Graphic Design: Studio Michal Suday
Lighting Design: MK Lighting Design
Building Contractor: P.A.B
Electric Engineer: Oren Sinai
Sanitary Engineering: George Chalapathi
Structural Engineer: Aaron Daniel
Photographs: Amit Geron
SCI-Arc graduate Harris Silver has shared his experience passing through the Kalandia Checkpoint during his quest for “an uncanny truth” that would lead him to develop an architecture project in the city of Jerusalem.
The Kalandia Checkpoint is an opening in what Israel calls “The Security Fence” and what Palestinians call “The Apartheid Wall”. Regardless of what you call the separation infrastructure, the checkpoint acts a modern gate to the city of Jerusalem.
After experiencing Kalendia first hand, I came away realizing that until I personally walked through the checkpoint, I was ignorant of the mechanism and tactics employed to humiliate and dehumanize everyone who passes through it. Which means I was not fully capable of participating in the Israeli-Palestinian discourse.
Continue reading for the full Op-Ed.
The Israeli pavilion at the 13th Venice Architecture Biennale, titled Aircraft Carrier, deals with the dramatic changes in Israeli architecture since 1973, and the American influences that made them possible.
Curators Erez Ella, Milana Gitzin-Adiram and Dan Handel defined four major architectural phenomena that demonstrate these changes – Signals, Emporiums, Allies and Flotillas – and invited five leading Israeli and international artists and architecture photographers to reflect on them. Participants include Portuguese photographer Fernando Guerra (Check out an interview with Guerra here!), along with Assaf Evron, Florian Holzherr, Nira Pereg and Jan Tichy. Continue after the break for more.
On view in the Israel Museum’s Billy Rose Art Garden through September 5, the 720° installation, designed by internationally renowned Israeli artist, architect, and designer Ron Arad, is of monumental proportions. Composed of 5,600 silicon rods suspended from a height of eight meters to form a perfect circle 25 meters in diameter, the silicon cords serve as an empty digital canvas on which works by prominent video artists from Israel and around the world – among them Mat Collishaw, Ori Gersht, Christian Marclay, and David Shrigley – are being screened each evening. Above is a time lapse video of the installation courtesy of Ram Matz, Jerusalem Season of Culture. For more information, please visit here.