Every year, citizens of Catalonia commemorate the events of September 11th 1714, a key date in the War of the Spanish Succession that has come to symbolize what Voltaire called "the Barcelonans' extreme love of freedom." With this year marking the 300th anniversary of these events, Barcelona Cultura enlisted the Fundació Enric Miralles to curate 7 public installations around the city as part of its Tricentenari BCN program.
The result is BCN RE.SET, organized by Benedetta Tagliabue of the Fundació Enric Miralles and stage director Àlex Ollé, which invited guest architects from countries all over the world to colloborate with local universities and create installations symbolizing 6 political and ideological concepts: identity, freedom, Europe, diversity, democracy and memory. These installations will be in place until September 11th. Read on after the break for descriptions of all 6 installations.
Given a cavernous gallery space at the Museu de Arte Contemporânea da Universidade in São Paulo, artist Henrique Oliveira has created Transarquitetônica, a breathtaking installation from plywood, which fills the room with twisted tree roots large enough for gallery visitors to walk inside.
Read on after the break for more images of the installation, including photos of its construction
Just as the 2014 winners of the Young Architects Program (YAP) in Chile and Korea were announced this week, the architecture collective of Orizzontalewas crowned victorious for the program’s MAXXI edition in Rome.
The winning scheme, dubbed “8 1/2,” will be a translucent wall of recycled beer kegs and an inhabitable timber podium that will be used as a stage for summer events within the confines of the MAXXI piazza. Shaded during the day and illuminated at night, the glass wall is intended to inspire people to rest, play, watch and listen.
The Museum of Modern Art and MoMA PS1 has announced a partnership with the National Museum of Modern and Contemporary Art (MMCA) in Seoul that has expanded the international Young Architects Program (YAP) to South Korea. Just as YAP presents opportunities for emerging architects to design and build temporary installations in New York, Chile, Rome and Istanbul, YAP Korea will offer the MMCA’s outdoor Museum Plaza as the summer installation site.
Already, a winner has been chosen from 26 submissions to serve as the inaugural YAPKorea installation. With completion planned for July 8, winning team Moon Ji Bang (Threshold) is amidst the final preparations for mystical, mythology-inspired installation that will transcend visitors from the daily hustle into a cloud-like landscape of air balloon structures.
The Brooklyn based firm The Principals are known for their interactive design, industrial design and installation work. The video above hi-lights their latest "bionic" installation, which actually responds and reacts to human movement thanks to myoelectric sensors that pick up voltage increases on the skin when a muscle contracts. To learn more head over to their website - and make sure to check out all of The Principals other installations featured on ArchDaily.
Celebrating the 65th anniversary of Philip Johnson's iconic Glass House, artist Fujiko Nakaya has created the building's first ever site-specific art installation. The installation, titled "Veil", will shroud the glass house in fog for 10 minutes every hour, creating a dialogue with Johnson's design intentions by breaking the visual connection between inside and out, and covering the building's sharp, clean lines with misty indeterminacy. At the same time it will make literal Johnson's ideal of an architecture that vanishes.
Read after the break for more information and images
American Artist Janet Echelman is to premiere her latest, and largest, sculpture in Vancouver. Widely known for her artistic ability to reshape urban airspace, Echelman's sophisticated mixture of ancient craft and modern technology has led to collaborations with aeronautical and mechanical engineers, architects, lighting designers, landscape architects, and fabricators to "transform urban environments world wide with her net sculptures." Using a light weight fibre to elevate her monumental "breathing" forms above the streets of urban centres, Echelman's new sculpture will be of a size and scale never before attempted.
Daniel Libeskind has unveiled a permanent sculpture at the Cosentino Group world headquarters in Almeria: “Beyond the Wall.” Inspired by the “infinite possibilities of the spiral,” the installation is intended to exhibit how the company’s ultra-compact, innovative surfacing material, Dekton® can be used to clad contemporary facades.
The Olympics are in full swing and, although the "Coastal Cluster" of stadiums has attracted a considerable amount of attention, there is one installation demanding interaction from every spectator. Built at the entrance of Sochi's Olympic Park isAsif Khan Studio's "MegaFaces," a pavilion that "contorts itself to recreate 3D images of the faces of visitors relayed via digital face scans made in photo booths installed within the building."
Comprised of 11,000 actuators sitting underneath the cube's stretchy fabric membrane, the installation allows for three, eight meter tall faces to emerge from the wall at a time (the faces that emerge from the side of the pavilion are enlarged by 3500%). According to the designers, this feature of the building "has been likened to a giant pin screen and a digital, architectural Mount Rushmore."
As part of the Shenzhen Architecture Biennale, Finnish practice Lassila Hirvilammi Architects entered into a collaboration with Chinese architect Gigi Leung to explore the themes of copying, authenticity and knowledge transfer between cultures. Working with master craftsmen, they created two versions of the same space (each influenced by their respective cultures), intentionally blurring the line between copying and taking inspiration.
Read on for more on this lesson in sharing differing architectural understandings
Orproject, a London-based architecture practice, completed a room-sized, nature-inspired canopy titled, 'Vana,' for the India Design Forum exhibited in The Brick House in New Delhi.
Read what the architects' had to say after the break...
Akaran Architects, in collaboration with IRANBON, have been selected as one of four finalist for their proposal 'My Iran,' a pavilion representing the Islamic Republic of Iran in the Milan Expo 2015. The team will now join the other finalists to refine their ideas into a single proposal. The rectangular site (20 by 100 meters) is a 'resonant landscape,' aiming to showcase the central theme: feeding the planet, energy for life.
https://www.archdaily.com/463316/competition-entry-my-iran-expo-milan-2015-akaran-architects-and-iranbonJose Luis Gabriel Cruz
Hehas made his debut in the MAXXI piazza. As the winner of the Young Architects Program (YAP) in Rome, Turin-based studio Bam! Bottega di Architettura metropolitan has transformed the concrete facade of the Zaha Hadid-designed museum into a visual spectacular with the installation of a yellow, translucent and aerostatic prism.
Khao Mo, which translates as Mythical Escapism, is a reflective sculptural work by Sanitas Studio currently being exhibited at the Bangkok Art & Cultural Centre. The concept behind the work is based on city dwellers' desire for a moment of escape from everyday life, along with the concept of the Chinese garden: a scaled replicated universe expressed through nature in order to create a sense of tranquility. According to the artist, "the smell of earth, the moisture and vapour that evaporate from the earth, the ordinariness and the emptiness allow the audience time to imagine."
It’s been two year’s since the construction of the 42-story Museum Tower in Dallas. As many of you may recall, the luxury condo has been in dispute with the neighboring Nasher Sculpture Center over an intense “hot spot” caused by the tower’s highly reflective skin. Although Nasher has demanded that the Museum Tower cover its southwestern facade with an external louver system, thus blocking the glare from penetrating Nasher’s Renzo Piano-designed cast aluminum sunscreen, the developers have refused to oblige due to a fear of jeopardizing the project's profitability.
Negotiations have turned to squabbles and proposals have fallen on deaf ears. However, a team lead by REX and Front has been commissioned by the Dallas Police and Fire Pension Fund (DPFPF) - the Museum Tower’s developer - to explore a "third option," one that would not require changing the construction of either Museum Tower or the Nasher.