FABRICATE is a triennial international peer-reviewed conference with supporting publication on the theme of Digital Fabrication. The FABRICATE 2017 conference aims to instigate discussions on constructed projects and cutting-edge research in the context of computational design and digital fabrication between leading experts in academia and industry. The event will convene over April 6 - 8 2017 at the University of Stuttgart.
The Call for Work for FABRICATE 2017 received over 250 submissions from institutions and practices coming from 45 countries. These include The Bartlett School of Architecture UCL, Institute for Computational Design and Construction of the University of
The Best Of Design Awards is a unique project-based awards program that showcases great buildings and building elements. Entrants are invited to submit completed works in 26 categories.
The BoD jury will judge entries based on several criteria—strength of the presentation, evidence of innovation, creative use of new technology, sustainability, and, most importantly, good design. The Best Of Design Awards is open to U.S. and international architects, but projects submitted must be located within the United States.
Winners and Honorable Mentions will be published in a new booklet and will also be featured on our website, where they will reach national and
In this video, Ben Uyeda of HomeMade Modern demonstrates how to build a sleek, contemporary spiral staircase using just a standard schedule steel post, plywood and a CNC router (along with a healthy amount of wood and construction glue). To build the staircase, Uyeda uses the CNC to cut out 12 shapes of incremental size from a plywood sheet, which he then stacks and fits around the post to secure into place.
HomeMade Modern has also made the CAD files available for free, so handy woodworking types can attempt the construction themselves.
SCI-Arc’s “Close-up” exhibition is currently on display at the SCI-Arc gallery, featuring architectural details designed with the use of digital technology by top architects in the field. The exhibit, curated by Hernan Diaz Alonso and David Ruy, seeks to explore the impact of new computational tools not only on large-scale building analysis, but also on the “traditions of tectonic expression” associated with architectural detail.
“Out of the many critical shifts that the discipline has gone through in the last 25 years with the explosion of new technologies and digital means of production, the notion of the construction detail has been largely overlooked,” Diaz Alonso said. “This show attempts to shed light on the subject of tectonic details by employing a fluid and dynamic movement of zooming in and zooming out in the totality of the design.”
BEE / HOUSE / LAB, is an international design competition open to students and designers in the field of environmental design, architecture, landscape architecture, industrial design, and other related fields. The competition calls for a design of a bee house prototype that can be fabricated and deployed for field testing. Up to ten designs selected by the Design Jury will be fabricated (30 prototypes per design) and deployed (300 houses), to study their space-form-habitat performances.
Advances in computers and fabrication technology have allowed architects to create fantastic designs with relative ease that in years past would likely require the labor of countless master craftsmen. Architecture firms like Gramazio Kohler Architects are known for their innovative approach to digital fabrication, adapting technology from a variety of fields. To create this stunning new brick façade for Keller AG Ziegeleien, Gramazio Kohler used an innovative robotic manufacturing process called “ROBmade,” which uses a robot to position and glue the bricks together.
When one hears the term masonry architecture, digital fabrication and automated construction processes are probably not the first ideas to come to mind. By its very nature, the architecture produced with stone masonry is often heavy, massive, and incorporates less natural light than alternative methods. However, with their research proposal for "Smart Masonry," ZAarchitects are proposing to change masonry buildings as we know them and open opportunities for digital fabrication techniques in stone and other previously antiquated materials. Read on after the break to get a glimpse of what these new masonry buildings could look like and learn more about the process behind their construction.
Between 1945 and 1981 around 170 million prefabricated (prefab) residential units were constructed worldwide. Now, as part of a study undertaken by Pedro Alonso and Hugo Palmarola of the Pontificia Universidad Católica de Chile between 2012 and 2014, an exhibition at the Tel Aviv Museum of Art features 28 large concrete panel systems from between 1931 and 1981.In so doing, it explores a transnational circulation of these objects of construction, "weaving them into a historical collage of ambitions and short-lived enthusiasm for utopian dreams."
This show, curated by Meira Yagid-Haimovici, is an attempt to reveal "how architecture and urbanism was charged with historical, social, and political narratives, and how the modernist vision promoted the fusion of aesthetics and politics." The models, which are being exhibited as part of the Production Routes exhibition, seek to highlight the richness embodied in 'generic' architecture through the lens of prefab construction methods.
An upcoming conference at the University of Manchester will tackle the idea of Model Making In The Digital Age. Based on the premise that the world of architecture is dominated by digital tools today more than ever, from design and manufacturing to the ways in which we visualise complex spaces and structures physically and virtually, this symposium seeks to shed new light on the practice of model making and its uses.
The 5AXISMAKER is a desktop 5-axis multi-fabrication CNC machine that hopes to expand the possibilities of digital fabrication by making it cheap and more versatile. Should the project receive backing on Kickstarter before the 27th October 2014, the possibility of 5-axis milling will become an affordable reality for manufacturing complex design prototypes. The product in development "provides a large cutting volume for it’s size, therefore producing "generously sized objects." Developed by graduates of London's Architectural Association, they hope to "shake the manufacturing world with new ways of fabricating using industrial robots right at your desk."
Why do we make models? From sketch maquettes and detail tests to diagrammatic and presentation models, the discipline of physically crafting ideas to scale is fundamental to the architect's design process. For architect and educator Nick Dunn, architectural models ultimately "enable the designer to investigate, revise and further refine ideas in increasing detail until such a point that the project's design is sufficiently consolidated to be constructed." In Dunn's second edition of his practical guide and homage to the architectural model, the significance and versatility of this medium is expertly visualised and analysed in a collection of images, explanations, and case studies.
Named the 2014 Designer of The Year by Contract Magazine, Krista Ninivaggi of K & Co is an expert in material innovation. In the following interview, Susan S. Szenasy of Metropolis Magazine asks the young designer about her design process, the materials she uses and more.
The Brooklyn based firm The Principals are known for their interactive design, industrial design and installation work. The video above hi-lights their latest "bionic" installation, which actually responds and reacts to human movement thanks to myoelectric sensors that pick up voltage increases on the skin when a muscle contracts. To learn more head over to their website - and make sure to check out all of The Principals other installations featured on ArchDaily.
In this article, originally appearing on the Australian Design Review as "Tolerance and Customisation: a Question of Value", Michael Parsons argues that the complex forms made possible by digital fabrication may soon be victims of their own popularity, losing their intrinsic value as they become more common and the skill required to make them decreases.
The idea of tolerance in architecture has become a popular point of discussion due to the recent mainstreaming of digital fabrication. The improvements in digital fabrication methods are allowing for two major advancements: firstly, the idea of reducing the tolerance required in construction to a minimum (and ultimately zero) and secondly, mass customisation as a physical reality. Digital fabrication has made the broad-brushstroke approach to fabrication tolerance obsolete and now allows for unique elements and tolerance specific to each element. The accuracy that digital fabrication affords the designer, allows for the creation of more complex forms with greater ease and control. So far, this has had great and far reaching implications for design.
Read on to find out how this ease of form-making could diminish the success of complex forms.
Autodesk has launched the Autodesk Foundation, an organization which will "invest in and support the most impactful nonprofit organizations using the power of design to help solve epic challenges." In an effort to aid those tackling global issues such as "climate change, access to water, and healthcare," the foundation will provide select design-oriented grantees with software, training and financial support.
A total of 68 entries from across the globe representing 14 countries on 5 continents were narrowed down to 4 ﬁnalists and 4 honorable mentions in July by the First Round jury consisting of Phil Anzalone, Maria Mingallon, Gregg Pasquarelli, Randy Stratman, and Skylar Tibbits. The Second Round juried by James Carpenter, Neil Denari, Mic Patterson and William Zahner conferred and selected from the ﬁnalists 3xLP. All four ﬁnalists were exhibited at the ACADIA Adaptive Architecture Conference at the University of Waterloo in October, 2013.
http://www.archdaily.com/447193/3xlp-winner-of-skin-digital-fabrication-competitionJose Luis Gabriel Cruz
By now, we have all heard the mantra. In twenty years time, the world's cities will have grown from three to five billion people, forty percent of these urban dwellers will be living at or below the poverty line facing the constant threat of homelessness - scary statistics and even scarier implications.
ECOnnect, a Holland-based design firm, envisions a solution for these future housing shortages, one that could build a one-million-inhabitant city per week for the next twenty years for $10,000 per family. Peter Stoutjesdijk, architect at ECOnnect, created the concept after widespread devastation in Haiti caused by a massive earthquake left of hundreds of thousands of people homeless depending on tents for temporary relief.
http://www.archdaily.com/445418/puzzle-piece-homes-a-solution-for-rapidly-growing-populationsJose Luis Gabriel Cruz