To commemorate the first edition of “Silent Day,” a fabricated holiday by Sony Argentina that celebrated the release of new Sony headphones, the Planetario Galileo Galilei was given headphones in an effort to change the cold and solid appearance of the buildng into a fun, cartoonish personage. Designed by architect Enrique Jan in 1967, some would argue that one should not use these highlights of modernism for lousy advertising. Although, we all know that brands like to use the urban space as a canvas for their messages, so why not do it in a funny way? More images and information after the break.
Hosted by [AC-CA], the results were recently announced for their [BUENOS AIRES] New Contemporary Art Museum competition. With the aim of a design for a new art museum in the heart of the city, Shelby Ponce & Eduardo Ponce took the first place award, which successfully engages and establishes a cultural dialogue with the urban fabric surrounding it. As the capital of Argentina and located on the western shore of the estuary of the Río de la Plata, the city is an important economic center. Its architecture is a combination of different styles which gives it a unique architectural beauty. More images and information on the winning proposals after the break.
The [AC-CA]’s recent call for proposals for a new Contemporary Art Museum in the heart of Buenos Aires has been seductively synthesized by Houston architect Michael Arellanes II, principal and founder of M A 2 Architectural Design. The nature of the competition called for a building that reflects contemporary design tendencies, whilst simultaneously attending to the specific functions that are required of art museums and considering the impact upon the local milieu. Located within the Puerto Madero district, the museum will occupy a substantial plot of land along the riverbank of the Río de la Plata. While there are no plans for the Contemporary Art Museum to be built, the goal to generate progressive modern design ideas and dialogue surely succeeds with submissions of MA2’s caliber. More details and Arellanes’s description after the break.
Last week we presented one of Adamo-Faiden‘s latest housing projects and yesterday we featured Cristobal Palma‘s video for Cien House, home and workshop designed by and for Pezo von Ellrichshausen Architects. Cristobal has just now shared with us another collaboration with Sebastián Adamo and Marcelo Faiden, giving us a tour through Casa Martos in Buenos Aires.
You can check some more videos by Cristobal Palma at ArchDaily:
[AC-CA] recently announced their competition, [BUENOS AIRES] New Contemporary Art Museum, with the aim of a design for a new art museum in the heart of the city. As the capital of Argentina and located on the western shore of the estuary of the Río de la Plata, the city is an important economic center. Its architecture is a combination of different styles which gives it a unique architectural beauty. The deadline for submissions is July 5th. More information on the competition after the break.
Following Populous’ recent success with the redevelopment of the home of the British Formula One Grand Prix, Silverstone, the ground breaking ceremony for the next Populous Formula 1 project, the 4.7km Velociudad Speedcity circuit, recently took place in Buenos Aires, Argentina, on December 16th. More images and brief project description after the break.
Architects: Estudio BaBo
Location: Buenos Aires, Argentina
Project Team: Francisco Kocourek, Francesc Planas Penadés, Marit Haugen Stabell
Collaborators: Marcos Buceta, Marco Fumagalli
Construction: DAC S.A.
Structure: Ing. Carlos Calissano
Project Year: 2011
Project Area: 265 sqm
Photographs: Curro Palacios Taberner
ESTUDIO AISENSON + SMF shared with us their first prize winning proposal for the “National Contest of The Apple of the Lights and his Environment.” The construction of a set edilicio in the Apple of the Lights is one of the historical sites of major importance in Buenos Aires. They believe that a look that shoud leave a contemporary stamp in the Apple of the Lights, which has been consolidated across diverse centuries of our history, cannot but to be based in recognizing the preexistences, the patrimonial value of the set and each of his parts and in formalizing the simultaneous need to join to the set and to be outlined as intervention. More images and architects’ description after the break.