Young architects and designers are invited to submit work to the annual Architectural League Prize Competition. Projects of all types, either theoretical or real, and executed in any medium, are welcome. Established in 1981 to recognize visionary work by young practitioners, the Architectural League Prize is an annual competition, lecture series, and exhibition organized by The Architectural League and its Young Architects + Designers Committee. This year’s theme will be “Authenticity.” Continue reading to learn more about the competition, prizes and the esteemed jury.
Following Moshe Safdie’s selection to be the next AIA Gold Medalist, the American Institute of Architects’ (AIA) and Association of Collegiate Schools of Architecture (ACSA) has announced Peter Eisenman, FAIA, as winner of the 2015 Topaz Medallion. Eisenman, known for a lifetime of scholarly work and his long associations with Princeton, Harvard, Cooper Union and Yale, will be honored for his global impact on architectural education after more than 60 years of teaching.
“There are probably very few schools of architecture where Peter is yet to have lectured,” wrote Marlon Blackwell, FAIA, in a recommendation letter.
UPDATE: OMA has released new images of the Norra Tornen project (previously named “Tors Torn”), as the close to 300 apartments planned for the residential towers have been put on the market. The ground-breaking of the Stockholm towers is currently set for May 2015.
OMA has won the design competition for Tors Torn in Stockholm, beating out four competing practices for the opportunity to build the third tallest twin skyscrapers in Sweden.
Existing urban guidelines call for a gateway to the new Hagastaden area of Stockholm, and OMA’s proposal accommodates a mixed-use program with a set of “rough-skinned” towers. The protrusions and inversions at different heights produce an alternating pattern of indoor living spaces and protruding outdoor spaces. OMA explains that their design “challenges the expected uniformity and homogenous façade treatment that is often assigned to tower structures. Instead, it extends the skin to expose the individuality of the separate living units in the two blocks – a true vertical, urban agglomeration.”
More on OMA’s winning proposal after the break…
The American Institute of Architects (AIA) has just announced that Moshe Safdie, FAIA, will be the 2015 AIA Gold Medal recipient. Honoring him for his “comprehensive and humane approach to designing public and cultural spaces across the world has touched millions of people and influenced generations of younger architects,” the AIA believes that Safdie’s work has had a lasting influence on the theory and practice of architecture.
“Moshe Safdie has continued to practice architecture in the purest and most complete sense of the word, without regard for fashion, with a hunger to follow ideals and ideas across the globe in his teaching, writing, practice and research,” stated Boston Society of Architects president Mike Davis in his nomination letter.
3XN and the International Olympic Committee (IOC) have released images of a new headquarters planned for a 24,000-square-meter site on banks of Lake Geneva in the Swiss city of Lausanne. Adjacent to the historic Château de Vidy, which has been the “iconic home” of the IOC, 3XN’s design is intended to respect both the château’s legacy and park setting, while making the transition from park to building as “soft” as possible.
Architects: Studio MK27 – Marcio Kogan + Carolina Castroviejo
Location: State of São Paulo, Brazil
Project Team : Carlos Costa, Fabiana Stucchi, Fernanda Palmieri, Laura Guedes, Mariana Simas, Oswaldo Pessano
Studio Team : Beatriz Meyer, Diana Radomysler, Eduardo Chalabi, Eduardo Glycerio, Eduardo Gurian, Elisa Friedmann, Gabriel Kogan, Lair Reis, Luciana Antunes, Marcio Tanaka, Maria Cristina Motta, Mariana Ruzante, Oswaldo Pessano, Renata Furlanetto , Samanta Cafardo, Suzana Glogowski
Area: 3305.0 sqm
Photographs: Pedro Vannucchi
Originally published by the European Commission as part of their “Digital Minds for a New Europe” series, this article is an edited transcript of a talk given by Rem Koolhaas at the High Level Group meeting on Smart Cities, Brussels, 24 September 2014.
I had a sinking feeling as I was listening to the talks by these prominent figures in the field of smart cities because the city used to be the domain of the architect, and now, frankly, they have made it their domain. This transfer of authority has been achieved in a clever way by calling their city smart – and by calling it smart, our city is condemned to being stupid. Here are some thoughts on the smart city, some of which are critical; but in the end, it is clear that those in the digital realm and architects will have to work together.
London-based Avanti Architects, along with Glasgow-based ERZ Landscape Architects and NORD Architects, have released the first image of their design to revitalize one of Scotland’s modern masterpieces: St Peter’s seminary. Designed by Gillespie, Kidd & Coia in 1966, and built on the former Kilmahew estate, the Category-A listed Brutalist structure was voted as the best modern building in Scotland by readers of Prospect Magazine in 2005. However, the building has been abandoned for the past 25 years, leaving it dilapidated and facing numerous problems.
Public art charity NVA is leading a £7.3 million initiative to rehabilitate the building and its surrounding landscape to create an art, heritage and educational site. The designs include a performing arts venue with a 600-person capacity, informal indoor and outdoor teaching spaces across the 144 acre site and over 4 kilometres of woodland paths. In addition, the site will contain a heritage exhibition and a locally-led productive garden.
Adolf Loos (December 10, 1870-August 23, 1933) was one of the most influential European architects of the late 19th century and is often noted for his literary discourse that foreshadowed the foundations of the entire modernist movement. As an architect, his influence is primarily limited to major works in his home country of Austria, but as a writer he had a major impact on the development of 20th century architecture, producing a series of controversial essays that elaborated on his own architectural style by decrying ornament and a range of social ills. Adolf Loos’s minimalist attitudes are reflected in the works of Le Corbusier, Mies van der Rohe, and many other modernists and led to a fundamental shift in the way architects perceived ornamentation.
Established in 2000, the 2016 Triennale will be the sixth of its kind. Following an open call for curators in September of this year, the Triennale invited four teams to interview: Rotterdam based Crimson Architectural Historians, London based Justin McGuirk, Canadian curator Dan Handel, and a team of five Spanish architects hailing from New York known as the After Belonging Agency. Lluis Alexandre Casanovas Blanco, Ignacio González Galán, Carlos Minguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero Verzier’s proposal was chosen unanimously by a jury which included Hege Maria Eriksson, Nina Berre, and Gro Bonesmo (among others).