Architects: APOLLO Architects & Associates
Location: Tokyo, Japan
Architect In Charge: Satoshi Kurosaki
Area: 129 sqm
Photographs: Masao Nishikawa
Brooks + Scarpa has won a competition to design a new park-and-ride plaza for the future Angle Lake light rail station in Seattle. As part of the 1.6-mile South 200th Link Extension, which will connect Angle Lake to the airport and downtown area by 2016, the $30 million complex will provide the station’s anticipated 5,400 passengers with a pedestrianized plaza, drop-off and retail area, as well as a 1,050-stall parking garage and 35,000 square feet of reserved space for future transit-oriented development. Read on for more…
The Architecture Lobby has released a seventy-question survey that seeks to gather a broad range of data about architectural work–from firm standards and policies to worker satisfaction–which will provide open-source information about the realities of architectural labor in the US. We will publish the results in the coming months; in the meantime you can aid in the project by taking The Architecture Lobby survey here (open through April).
The following article by Priscilla Frank originally appeared in The Huffington Post as “Artist Designs Surreal Futuristic Forts That Can Withstand Natural Disaster.”
Dauphin Island, located off the coast of Alabama in the Gulf of Mexico, is known for experiencing perpetual and catastrophic hurricanes. When a storm hits the small island of around 1,200 people, it often washes away much of the coastline with it, leaving residents to rebuild their homes again and again following every big storm.
Artist Dionisio González became fascinated by this society’s ability to endure creation and destruction in such rapid succession, willingly succumbing to the whims of nature’s cycles time and time again. The artist, who has always held an interest in architecture, embarked on a mission to design surreal structures that would better suit the fraught island’s populous, fusing fantasy with the inhabitants’ inevitable reality.
More on González’s surreal architectural images, after the break…
ArchDaily has teamed up with Portugal’s Canal 180 to bring you their series I LIKE. Check out episode 6, I LIKE Yellow, which features João Luís Carrilho da Graça‘s School Of Music In Lisbon, Manuelle Gautrand Architecture‘s Cite Des Affaires in Saint-Etienne, Ecosistema Urbano‘s Ecopolis Plaza, Tham & Videgård Arkitekter‘s Tellus Nursery School and a project by Höweler + Yoon.
I LIKE is an original series on architecture and spatial intervention, developed in a collaboration between Canal 180 and LIKEarchitects atelier. Diogo Aguiar and Teresa Otto have created a chromatic experiment and spatial exercise—organized by color—that reveals some of the most amazing architectural interventions in the world.
Next week ArchDaily will premier the seventh installment of I LIKE. Stay tuned!
Previous episodes in the I LIKE series:
Architect Raymond Moriyama, founder of Toronto-based Moriyama and Teshima Architects, has collaborated with the Royal Architectural Institute of Canada (RAIC) to launch an international CAD $100,000 prize open to architects with “outstanding” work or non-architects who have had an “exceptional contribution to architecture.”
With an aim to raise the stature of the RAIC and “inspire all Canadians and Canadian architects to aspire higher,” as Moriyama stated, the biennial Moriyama RAIC International Prize has the potential to rival the Pritzker as one of the world’s largest, and expectantly most “prestigious” cash prizes in architecture.
However, based on the ideals of “Moriyama’s passion for humanistic architecture that transforms society through an emphasis on values such as social justice, equality and inclusivity,” the Prize is expected to set itself apart from Pritzker’s focus on lifetime achievement.
London’s Royal Academy of Arts (RA) is selling off parts of their blockbuster architectural exhibition, Sensing Spaces. The Great Architecture Fair will see the seven practices behind the enormous installations select objects and materials from the exhibition to be repurposed as beautiful, unique items available to buy. In addition to these, the RA are offering members of the public the chance to experience the spaces out-of-hours “to give you your own exclusive moment in the exhibition.”
Ranging from a top step from Chilean architects Mauricio Pezo and Sofia von Ellrichshausen’s gargantuan installation for £450, to a bag of pebbles (plus certificate) from Li Xiaodong’s Zen Garden for £10, slices of one of the world’s most accessible architecture exhibitions in recent years are up for grabs.
Developers Forest City Ratner Companies (FCRC) and Greenland Group have decided to realize SHoP Architects’ original plan to top Brooklyn’s Barclays Center with a 130,000 square foot green roof. Though the design was first disregarded due to budget cuts, the developers have deemed it necessary to enhance the marketability the Atlantic Yards’ three residential towers – the first is currently underway – and dampen the noise from loud concerts. Little details have been released about the green roof’s design, however rumor has it that it might not be open to the public as it was originally intended.
Architects: Architecture Paradigm
Location: Mysore, Karnataka, India
Design Team: Manoj Ladhad, Vimal Jain, Sandeep J, Prajwal M Krishna, Supriya A G
Area: 45000.0 ft2
Photographs: Anand Jaju
The editors of PROJECT invite you to celebrate the release of Issue Three at common room, 465 Grand St., New York, NY, this Wednesday, April 9 from 7pm to 9pm. PROJECT investigates the possibilities for developing a a critical position in contemporary architecture. Publishing both visual and written work, the goal of PROJECT is to provide a platform for disseminating ideas.
Interiors is an online film and architecture journal, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily that analyzes and diagrams films in terms of space. Their Official Store will carry exclusive prints from these posts.
The first season of Nic Pizzolatto’s True Detective, the product of creator/writer Nic Pizzolatto and director Cary Fukunaga, focuses on Detective Rustin Cohle (Matthew McConaughey) and Detective Martin Hart (Woody Harrelson) as they search for clues on a grisly murder case. The series takes place in Louisiana in three distinct time periods; 1995, 2002 and 2012. Each time period has a distinct look, as characters and their surroundings change and evolve over time.
Cary Fukunaga, who comes from feature films such as Sin Nombre (2009) and Jane Eyre (2011), has always employed a distinct visual style in his work. In The Guardian, he discussed his approach to the direction of the show, noting that “one of my priorities as director was to defend craft despite the constraints on my time and budget.” In addition, he notes that he looked for specific moments in which he would treat the visual side of the medium with the same importance as the dialogue.
In the fourth episode, “Who Goes There,” he does just that, as he employs a lengthy, complex shot that brings the audience closer to the characters’ experience. This edition of INTERIORS will spatially break down that shot, revealing just how complex it was.