In a brilliant article for Der Spiegel, “The New Monuments to Digital Domination,” writer Thomas Schulz not only rounds up our reigning tech giants’ oddly-shaped offices – from Apple’s “spaceship” to Amazon’s “biodomes” – but also pinpoints what they have in common: horizontality. And why? Because an “open creative playground” without boundaries (like floors or walls) is “the perfect ideas factory: the ideal spatial environment for optimally productive digital workers who continuously churn out world-changing innovations.” And while this means that privacy has gone out these workspaces’ proverbial windows, Schulz isn’t too surprised – after all, “people have no right to a private life in the digital age.” Check out this must-read article here.
Formlessfinder, the New York-based architects, designers and outside-the-box thinkers won this year’s commission to build the entrance to Design Miami/. Tent Pile is a balancing act of aluminium and sand, the latter is often seen as an obstacle to overcome in architecture rather than the solution. But that’s the way these guys roll.
Since the initiation of its architectural curriculum in 1867, the University of Illinois at Urbana-Champaign has consistently broken new ground in the education of architects. Like the School’s founder Nathan Ricker, we look beyond current fashion, striving to leverage technical virtuosity in the service of performative design, aesthetic expression, and service to society.
More after the break.
In this article for Fast Company, Boyd Cohen counts down the top 8 smart cities in Latin America. Using publicly available data and his own comprehensive framework to evaluate how smart a city is, he has generated a list which even he admits features a couple of surprises in the top spots. To see the list and discover what each city has achieved to deserve its ranking, you can read the full article here.
In this article, which originally appeared on Australian Design Review as “Reframing Concrete in Nepal,“ Aleksandr Bierig describes how New York-based MOS Architects, a firm better known for its experimental work, is designing an orphanage for a small community in Nepal.
Strangely enough it has become almost unremarkable that an office such as New York-based MOS Architects would find itself designing an orphanage for a small community in Nepal. Now under construction in Jorpati, eight kilometres north-east of the capital, Kathmandu, is the Lali Gurans Orphanage and Learning Centre, which finds itself at the intersection of any number of tangential trends: the rise of international aid and non-governmental organisations, the seeming annihilation of space by global communications networks and the latent desire of architects to use their designs to effect appreciable social change. Emphasizing simple construction techniques and sustainable design features, the building hopes to serve as a model for the surrounding communities, as an educational and environmental hub, the provider of social services for Nepalese women and as a home for some 50 children.
MOS Architects, founded in 2003 by US architects Michael Meredith and Hilary Sample, is not a practice known for its involvement in humanitarian projects. Its work is often experimental and, at times, willfully strange. Alongside its architecture, MOS makes films, teaches studios, designs furniture and gives lectures on its work. It was after one lecture in Denver, Colorado in 2009 that Christopher Gish approached Meredith and Sample to ask if they would be interested in designing an orphanage.
For Peter Aspden’s first encounter with the architect of the Guggenheim in Bilbao and the Walt Disney Concert Hall in LA, Frank Gehry did not “exude sweetness.” “You are not going to call me a [...] ‘star-chitect’? I hate that.” In a candid interview with the Financial Times, Gehry discusses the problem of being branded for beginning the Bilbao Effect in spite of the fact that he insists that “you can’t escape your signature.” Gehry talks at length about Facebook’s latest headquarters and, in particular, his relationship with his client, Mark Zuckerberg. Read the full interview here.
Poland-based GowinSiuta Studio has won “Changing the Face 2013 Rotunda Warsaw,” an annual design competition (now in its 13th year) to revamp the “sawtooth-topped Rotunda, a favorite landmark and meeting spot in central Warsaw.” Alongside being awarded the $15,500 prize money, the practice also plans to see their proposal realized by 2015. The studio’s proposal, entitled Modern Urban Oasis / Warsaw City Lounge, transforms the Rotunda into an integral part of a public square.
Had Hansel and Gretel stumbled across one of these sugary structures, they may have taken off in the opposite direction. Dark, gloomy, and foreboding, the confectionary architecture would have made quite the impression on Jack Skellington, however. The project, by food artist Caitlin Levin and photographer Henry Hargreaves, is clearly indebted to the gothic mise-en-scène of the latter’s expressionistic underworld, a dreary, but whimsical land where one might half expect to find a twisted (gumball) doppelganger of the Tate Modern or Zaha Hadid’s MAXXI.
Find out more about the process behind this sweet project after the break
Still rebuilding after the catastrophic tsunami of 2011, Toyo Ito, Kazuyo Sejima, and other notable Japanese architects, have teamed up on the “Home for All” project to provide community-focused housing to disaster-stricken communities. While the architect-driven initiative seems to be a success, Edwin Heathcote of the Financial Times asks in this exquisitely well-written article: are a set of “starchitects” the right team for the job? (Spoiler: Yes)
This competition is a call for methods and forms that inspire hope and dreams through new technology, creative logic, and aesthetic intuition. Its purpose is to encourage the development of new design methods for better architecture and better cities (and, broadly,…
DOCOMOMO US invites submissions for the first annual Modernism in America Awards. The awards celebrate the documentation, preservation and re-use of modern buildings, structures and landscapes built in the United States or on U.S. territory. The Awards… recognize those building