New levels of competitiveness have arisen in the labor market in the field of Architecture, Engineering and Construction (AEC), where the development of soft-skills and formal business training is essential. Traditionally, education models in the field of architecture focus on developing technical and artistic skills, leaving a gap in business skills that prove to be key amid challenging economic times. Since 2011, IE School of Architecture & Design’s Master in Architectural Management & Design has trained professionals that wish to develop their business skills and apply them to the AEC field. The program’s alumni work around the globe from Azerbaijan to Switzerland, in diverse companies such as Arup, Foster & Partners, OMA and Gensler. To learn more about their professional outlook, click here to access the Career Report from IE’s Master in Architectural Management & Design.
Meet this year’s graduates in the video above.
If you don’t have access to an architecture library (and even if you do), sifting through shelves can take hours. Buying books can be even more painful — for your wallet, at least. Instead, why not browse this list of 25 books that are all free and easily accessible online? Some are well-known classics of architecture literature, but we hope you find a few surprises as well.
Professor Andy MacMillan, one of Scotland‘s most important post-war architects, died suddenly this weekend during this year’s Royal Incorporation of Architects in Scotland (RIAS) Andrew Doolan Awards visits. Macmillan was a professor at the Glasgow School of Art from 1973 to 1994, and a partner at Gillespie, Kidd & Coia in 1966. More on MacMillan’s legacy after the break.
Architects have always questioned what the cities of the future will look like. In the 1960s and 70s, one of the most prominent advocates of this field of “futurology” within architecture was historian and critic Michel Ragon. In an upcoming exhibition entitled City As A Vision, the FRAC Centre pays tribute to Ragon by presenting both historical and prospective urban concepts by architects throughout the last fifty years.
Consistently ranked as among some of the best digital tools available for architects and designers, the team behind the Morpholio Project today release Board 2.0., the second version of their moodboard and layout app for iOS. The app has been made possible by a number of collaborations with high profile interior designers in order to develop a ‘gallery’ of “significant design objects”, with contributions from the likes of Dyson, Herman Miller, and Knoll. For the past year Morpholio have ”assembled research groups and canvased design leaders worldwide” in order to better understand the power and potential of the ‘board’. The general consensus was that getting style, products, and sketching onto a single platform could “change the way designers access, build, and share ideas.”
As the tide of urban migration sweeps across the developing world, cities experience an overpowering pressure to provide basic services such as electricity and sewage treatment to an enormous amount of people building illegal shacks on city outskirts. When they fail, the slum is born – but is it possible for a city to expand without slums? In Hanoi, Vietnam, officials hope to answer this question, with a number of tactics that have led to a “culture of semi-legal construction.” Read this article in The Guardian to learn how Hanoi manages to curb slums and provide a basic standard of living to its poorest inhabitants.
Have you ever wondered what a thought might look like traveling through your brain? In a recent installation in Moscow‘s Nikola-Lenivets park, media design firm Radugadesign animated the inner workings of the human brain with an innovative video projection. Universal Mind, a sculptural installation by artist Nikolay Polissky, serves as the immobile backdrop for the elaborate video mapping project. Over the course of nearly eight minutes, Polissky’s brain-like sculpture explodes into a maelstrom of light and sound, with carefully curated streams of energetic colour interspersed with dark scenes of manufactured glimmering starlight.
The New Media Night Festival orchestrated the installation on July 5th with over five thousand in attendance across the three-day festival. Nikola-Lenivets park is home to 28 different public sculptural installations.
As a student of architecture, the formative years of study are a period of wild experimentation, bizarre use of materials, and most importantly, a time to make mistakes. Work from this period in the life of an architect rarely floats to the surface – unless you’re Zaha Hadid or Frank Gehry, that is. A treasure trove of early architectural drawings from the world’s leading architects has recently been unearthed from the private collection of former Architectural Association Chairman Alvin Boyarsky. The collection is slated to be shown at the Kemper Art Museum, Washington University, St. Louis, as a part of the exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association from September 12th to January 4th, 2015.
Take a look at the complete set of architects and drawings for the exhibition after the break.
“I feel a misfit in my own time,” says Rem Koolhaas, setting the tone. Seated in soon-to-be renovated Galeries Lafayette in Paris, Koolhaas bares all intellectually through the course of his lecture. As founder of Rotterdam-based OMA with a worldwide practice, candid conversations with Koolhaas are rare. The discussion provides a glimpse into the creative process of one of the world’s leading architects and current Curator of the Venice Biennale of Architecture. Koolhaas confides in the audience from the outset, admitting his discomfort with current architecture. “From the inside of my current condition, I feel profoundly out of step with the contemporary situation,” says Koolhaas, adding ”I’m very annoyed by the contemporary belief in comfort as the ultimate virtue.”
Read on after the break for more summary of the fascinating lecture
Koolhaas stands at the intersection of art and architecture, deliberating on the evolution of museum design. Using the Turbine Hall at Tate Modern by Herzog & de Meuron as an example, Koolhaas states: “In order to fill spaces like this, artists are forced into an apocalyptic mode as only very strong emotions register – this is not a space you can fill with delicacy.” Koolhaas’ solution to the apocalyptic problem can be found in his recent design for the renovation of Galeries Lafayette, a heritage protected building in Paris with zero tolerance for structural modification. The design calls for movable floors installed in a steel-framed courtyard – the only intervention available in the listed building. “The beauty of preservation is that it begins with acknowledging that another architecture is worth keeping,” concludes Koolhaas.
The Atelier of the Future competition asked entrants to design a “creative and artistic vision of an atelier.” Having been organised by FAKRO, in conjunction with A10 New European Architecture magazine, the proposals also were required to feature at least three FAKRO products (roof lights and windows) as part of a space which is functional, technologically astute, and able to “create the appropriate mood to stimulate creative visions.”
With sixty two entries in total, a third of which were from Poland and 90% of which were from within Europe, the jury deliberated entries that “stimulated [their] imaginations and provoked a set of reflections about the possible futures of architecture and its fields for action.” Divided among themes which ranged from projects associated with Industry, to Nature, to Water, entrants proposed solutions for “underwater resorts, skylofts, subterranean spaces, derelict areas, wheels of fortune and metabolist towers.”
See the winning entries after the break.