Former Head of Content. Prior to assuming her role at ArchDaily, Becky worked as an editor for leading architecture firms OMA/AMO, BIG (Bjarke Ingels Group) and Reiser + Umemoto. She also worked as an editor for Princeton University School of Architecture and Harvard University's Graduate School of Design. She holds degrees from Princeton University, Harvard University and the School of Visual Arts.
Dutch architect Rem Koolhaas will design a new project for the Hermitage Museum in St. Petersburg. RIA Novosti and The Calvert Journal report that the new building will be “located in the museum's storage facility in Staraya Derevnya in the north of the city” and that it “will house the Hermitage Library, the Costume Museum, the gallery's publishing arm, and a public event space.” This projects marks Koolhaas’ continued presence in Russia; he has been collaborating and teaching at the Strelka Institute and is currently working on the Garage Centre for Contemporary Culture in Moscow's Gorky Park.
Sam Jacob and his firm, FAT, challenge what we conceive as architecture. Using both history and contemporary theory, his practice channels ideas to networks of people with similar interests—seemingly infiltrating all corners of the architecture profession (and beyond). Taking pride in the expression of architecture outside its traditional means, Jacob says, “Lack of success in terms of square meters you build, as fast as possible, is no problem at all. We’ve had opportunities to think, opportunities to invent our own ways of making architecture.”
At last year’s Venice Biennale, we asked Sam Jacob about his Museum of Copying—an interesting subject since architecture is, in essence, an unending series of iterations (check out the interview here). As a writer/critic/architect, he teaches at the AA, blogs at Strange Harvest and Dezeen, tweets @_SamJacob, and oversees architecture, art and installation projects at FAT.
FAT was founded in London in the 1990s and is led by Sean Griffiths, Charles Holland and Sam Jacob, each of whom are committed to developing architectural culture both through practice and through design research at institutions including Yale and the Architectural Association.
Read the transcript of our interview with Sam Jacob after the break….
Last year, we published a post (one of our most popular of all time) on the4 Apps that every architect should have — 4 Apps that make your architectural life all the easier.But when it comes to everyday inspiration, perhaps there's no greater App than Instagram — the perfect way to instantly capture and share the architectural forms and details that surround us.
We've scoured the web and tracked down the 25 Instagrammers who will be sure to inspire - from international architecture photographers like Iwan Baan to famous architects like Michel Rojkindto our very ownArchDaily editors. If you're new to Instagram — or just want to bulk up the architectural inspiration on your feed - these are the 25 feeds to follow now!
See the 25 best architecture instagrammers, after the break...
Since we’re in Denver for the AIA National Convention, we seized upon the opportunity to interview Mickey Jacob, FAIA, managing principal at Urban Studio Architects and the President of the AIA for 2013. We sat down with Jacob to get his opinion on some important issues facing the architecture profession today.
Rogers Stirk Harbour & Partners’ Leadenhall Building became the tallest building in the City of London when it topped out on June 18th. The 50 story tower opposite Lloyd’s of London rises to a height of 224.5 meters 802 feet), its slender form creating its own distinctive profile within an emerging cluster London. The building’s tapering profile is prompted by a requirement to respect views of St Paul’s Cathedral, in particular from Fleet Street. The building comprises a number of distinct architectural elements that provide clarity to the composition both as a whole and as a legible expression of its constituent parts. These elements include the primary stability structure, the ladder frame, the office floor plates, the northern support core, the external envelope and the public realm.
More images and video of The Leadenhall Building after the break...
Y Design Office has released a proposal for the new headquarters of the Huishang Bank, located in the new financial district of Hefei, Anhui. The site is at the cross-section of two major roads, Yun Gu and the Luzhou Road. Yun Gu Road is the new financial street which connects directly to the new city center. Luzhou Road connects the site to the older city centers.
1st Place "MINICITY Detroit” by Davide Marchetti and Erin Pellegrino
Rock Ventures LLC and Bedrock Real Estate Services has announced the winners of Opportunity Detroit’s international design competition which solicited ideas for a potential signature project on the former Hudson’s Department Store site in downtown Detroit. The three winning design ideas came from Rome, Italy; Kalamazoo, Michigan; and Southfield, Michigan. More images and information on the winning entries after the break.
Vanity Fair reports that Developer Robbie Antonio’s OMA-designed “Stealth,” a $15 million private residence/art gallery in Manila will be completed by the end of the month. The home is a series of stacked, irregular boxes with rooftop pool and waterfall.
Canterbury Cathedral is delighted to announce a design competition to find an outstanding team to revitalise the landscape immediately in front of the main Cathedral entrance. The competition is an opportunity for designers to reconsider the way visitors first encounter England’s leading Cathedral and Mother Church.
Videos
Courtesy of Reiser + Umemoto, RUR Architecture PC
Reiser + Umemoto, RUR Architecture PC's Taipei Pop Music Center breaks ground today at the center’s site on the edge of Taipei, Taiwan. Challenging the limitations of traditional performances spaces, the center consists of several mixed-use spaces woven together into a dynamic, multi-purpose venue that reflects and supports the evolving culture of pop music. Three monumental elements—the Main Hall, Hall of Fame, and Industry Shell—symbolize the principal uses and attractions of the complex, making it a powerful representation of Taiwan’s pop music industry worldwide.
More on the new Taipei Pop Music Center after the break…
Amid fears that an initial proposal for a DePaul University stadium wouldn’t adequately fit in its residential context, The Metropolitan Pier and Exposition Authority (MPEA) seeks architects without experience in sports design to propose alternative designs. The MPEA hopes to draw top architects to the project, who, with their fresh-eyed approach, will then collaborate with specialized stadium designers later in the process. A similar approach to solicit proposals for a revamp of Navy Pier was used in 2011.
Over the last few months, OMA and BIG have been vying for the opportunity to redevelop the 52-acre site home to the convention center in the heart of Miami Beach. With two award-winning, international firms at the center of the showdown, the media frenzy has been intense and the public’s imagination activated. It only remains to be seen if the results, which promise to be visionary, surpass expectation. With so much on the line, we decided to sit down with both OMA and BIG and discuss how their proposals differ.
Courtesy of C.F. Møller Architects with DinellJohansson
For HSB Stockholm's architectural competition 2023, three teams of architects have produced innovative proposals for private residences of the future at three different locations in the centre of Stockholm. Berg | C.F. Møller's proposed design is a 34-storey skyscraper made of wood.
Berg | C.F. Møller Architects are working in partnership with architects Dinell Johansson and consultants Tyréns on their entry. The team has chosen to build upwards, and has designed a 34-storey residential building, which will be seen for miles. The building will be built over a wooden construction with a concrete core, and it is intended to give the people of Stockholm a new and characteristic beacon and meeting place in their city.
Sou Fujimoto's 2013 Serpentine Pavilion, now complete and standing on the front lawn of London’s Serpentine Gallery, has opened to the press and we are now able to see Iwan Baan's photographs of the temporary pavilion. Fujimoto will be lecturing to a sold out crowd this coming Saturday (June 8th) when the pavilion opens to the general public. The semi-transparent, multi-purpose social space will be on view until October 20th.
Fujimoto (age 41) is the youngest architect to accept the Serpentine Gallery’s invitation, joining the ranks of Herzog & de Meuron and Ai Weiwei (2012), Peter Zumthor (2011), Jean Nouvel (2010), SANAA (2009), and more. He described his Serpentine project as "...an architectural landscape: a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of Kensington Gardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two."
The Guardian has posted both print and video reviews by Oliver Wainwright.
OMA announced today that they have been appointed as the masterplanners and lead architects of a mixed-use development in London. Morden Wharf, a 19 acre regeneration site on Greenwich Peninsula, will become a 2 million square foot “premier entertainment zone.”
Reinier de Graaf, the partner who will be leading the project with Ellen van Loon, said, "Our Vision for Morden Wharf adds value to an already impressive site through regeneration of existing buildings and infrastructure which will attract visitors and residents to the sites cultural, residential, leisure, and commercial offerings. We look forward to the development of an innovative proposal which will enhance Morden Wharf's exceptional character."
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