Organized under six categories: Open Category, Improving Energy Efficiency, Adequate, Safe & Affordable Housing, Participatory, Land-Use Efficient & Inclusive Planning, Access to Green & Public Space, and Utilizing Local Materials, the jurors picked a winner per section, yet were unable to identify an overall winner in the open category and chose instead to recognize six projects as Highly Commended, honoring in total 5 laureates and 15 commendations.
While walking through the city, have you ever felt afraid to be yourself? As strange as the question may sound to some, it is a reality for most LGBTQIA+ people, who at some point have been victims of hostility when they were noticed performing outside the "heteronormative standards" of public spaces. If violence comes from social layers that go beyond the designed space, this does not exempt the importance of thinking about projects that can integrate the physical sphere and insert a symbolic or representational factor to include and educate its citizens. This is the case of Homomonument, which for more than three decades, has become a platform for queer celebration and protest in the heart of Amsterdam.
The Age of Digitalization began nearly 40 years ago with the rise of information technology. With it came massive changes in the way humans interacted and industries operated — that is, with the exception of the education field. For the longest time, in spite of continuously evolving technologies around us, classroom learning remained the same. A teacher stood addressing students, imparting knowledge through conventional methods of reading, orating, and chalkboard drawing. This has also been true for architecture education so far. But times are changing. Today’s students have grown up with digital technologies around them and therefore can benefit from new learning methods, such as gamification, to challenge their intellects.
Heatherwick Studio, in collaboration with The Woolbeding Charity and the National Trust, have unveiled their latest project, a kinetic Glasshouse and Silk Route Garden set on the edge of Woolbeding Gardens, a historic estate in West Sussex. The unfolding structure serves as a focal point to a new garden that highlights how ancient Silk Route has influenced English gardens of today. The structure features ten steel ‘sepals’ with a glass and aluminum façade, which creates a 141 sqm space in the shape of a crown once it opens.
The City of Rotterdam has selected Powerhouse Company, Atelier Oslo, Lundhagem to renew and extend the city’s Central Library, a landmark building from the early 1980s designed by Van den Broek & Bakema. The new design adopts the concept of radical reuse in order to transform a 1980s building into a contemporary library, well-adapted to the necessities of modern users. The team combines the expertise of Powerhouse Company, Atelier Oslo, and Lundhagem, the latter two offices being awarded in 2021 with the Public Library of the Year Award for their design of Oslo!s Deichman library. Construction is expected to begin in 2025 and be completed by the end of 2028, the year marking the building!s 45th anniversary.
“Let me tell you what I think of the bicycle. It has done more to emancipate women than anything else in the world. It gives women a sense of freedom and self-confidence. I appreciate every time I see a woman cycling... an image of freedom”. Susan Anthony, one of the most important American suffragette leaders, said this at the beginning of the 20th century, praising the libertarian power represented by women and their bicycles at the time.
“Creating an equitable city implies that every citizen has their needs met”, states architect Wanda Dalla Costa at a time when metropolises were noticing change. Architects and the public have started to acknowledge the gender-driven design of public spaces. Across the world, urban areas have been a site of discrimination and danger to the LGBTQ+ community. Gender is demonstrated in public zones that promote visibility and interaction between people. An arduous challenge lays upon architects and planners to design fair environments and equitable spaces.
In the face of increasingly alarming predictions regarding the climate crisis, just increasing the efficiency of buildings is no longer enough. Zero energy buildings - or, better yet, energy positive buildings - make it possible to mitigate the negative impacts of the construction industry, which is responsible for 40% of all greenhouse gas emissions. These are buildings capable of producing more energy than they consume through the use of renewable sources. To reach this ambitious goal, it is necessary to follow three main steps:
Install a renewable power system to provide clean energy;
Include high efficiency systems, such as climatization equipment and low energy lighting.
Improve the construction envelope to conserve energy and reduce loads.
If one were asked to picture a Catholic Church, the first image to come to mind would probably resemble a medieval gothic cathedral with buttresses, pointed arches, and a spire pointing toward the sky. On second thought, many more styles could easily be identified as catholic architecture: the simple yet grandiose structures of the Romanesque or maybe the ornate styles of Baroque and Rococo. An image more difficult to associate with sacred architecture is that of Modernism. The Roman Catholic Church is a particularly conservative establishment. Modernism, on the other hand, is revolutionary; it is rational, functional, and technical; it rejects ornaments and embraces innovation. Surprisingly, in the years after the end of the Second World War, places of worship defied expectations. Blocks of concrete, raw materials, angular shapes, and exposed structures have all been employed to break from tradition and create churches that barely resemble a church. This article will explore Modernist mid-century Church architecture with the support of images from Jamie McGregor Smith.
Suburbs are one of the favorite fields of action for people who deal with social architecture in “first world” contexts. In 2020, a group of students from the Architecture for Humanity course at YAcademy– the renowned international school of architecture located in Bologna, Italy – had the opportunity to work with Michele De Lucchi in order to bring arts, beauty and quality into the drab suburbs of Milan.
Following two years of delays and cancellations, this year's Milan Design Week saw thousands of designers, artists, and craftsmen put their skills on display and present different solutions for the future of manufacturing, interior design, materials, and the environment. As every year, renowned architects also took part of the week-long event, using products, furniture pieces, and installations to share their professional angle and answer some of the biggest questions of the practice, showcasing how it can contribute to the betterment of the environment and society as a whole.
Focusing on sustainability and environmental awareness with respect to furniture production, this year's architectural contributions at Salone del Mobile saw innovative takes on “inclusive” design.
This year's architectural contributions, which were on display across the busy streets of Milan, Brera design district and botanical garden, Alcova, BASE, and other cultural venues, highlighted this year's Milan Design Week theme of sustainability and environmental awareness with respect to furniture production.
The School of Architecture, founded by Frank Lloyd Wright as the Taliesin Fellowship in 1932, is undergoing significant transformations. Two years after separating from the Frank Lloyd Wright Foundation, TSOA landed at Arcosanti, an experimental desert community in Arizona owned and operated by The Cosanti Foundation. In line with the school’s values, the program at Arcosanti seeks to provide students with a contemporary design education based on immersive, experimental, and experiential learning. The curriculum offers 2 and 3+ year NAAB-accredited Master of Architecture degrees and a 1.5-year Master of Science in Design-Build.
The design and functionality of public spaces in cities are always under scrutiny. Whether its accessibility to public parks and green spaces, the distance people live from public transportation, or the ways that spaces can be designed to make city life more safe and equitable. But now a new issue and one that lives at a smaller scale is starting to arise- where did all of the public seats go?
Known as the “fifth wall,” a ceiling is the interior overhead surface that covers the upper limit of a room. Unlike decor, wallpaper, furniture and other pieces that define indoor ambiance, it is not usually emphasized as a crucial design component, often resulting in the classic plain white shade that continues to be the norm in many, if not most, interior spaces. Nonetheless, ceilings can serve multiple purposes in any architectural project. For example, they provide comfort, act as protective surfaces for other building systems, conceal structural elements, and add layers of texture, movement and color. They also allow the enclosure or separation of spaces and contribute to sound diffusion, hence reducing noise transfer between rooms.
As gateways to knowledge and culture, libraries play a fundamental role in society. Foundational in creating opportunities for learning, as well as supporting literacy and education, the resources and services each library offers all work towards helping to shape new ideas that are central to building a creative and innovative society.
Álvaro Joaquim de Melo Siza Vieira, or simply Álvaro Siza, was born in Matosinhos, Portugal, on June 25, 1933. His first work – four houses in Matosinhos – was built in 1954, even before completing his studies at the School of Fine Arts from the University of Porto (current Faculty of Architecture of the University of Porto – FAUP), which happened a year later.
Seoul, similar to numerous large cities across the globe, are characterized by land scarcity, overpopulation, staggering real estate prices, and urban segregation. These living conditions forced architects and urban planners to pursue alternatives, (re)introducing new models of co-living, low-cost housing in suburban areas, and mixed-use developments. However, proximity to work, educational, commercial, health facilities, and public transportation, as well as optimized infrastructure and better governance have sustained living within compact city boundaries desirable. Tucked within the busy streets of Gangseo-gu, Five Story House by stpmj is a project that explores the relationship between single-family housing and dense urban contexts beyond investment value and contextual constraints.
BIG-Bjarke Ingels Group alongside the architect-of-record, African American-owned design firm, KAI Enterprises, have unveiled their design of a new Texas-based museum dedicated to preserving the history of Juneteenth and the legacy of freedom. Located in the historic southside of Fort Worth, Texas, one of the area's most underserved communities, the National Juneteenth Museum will serve as a focal point for education, preservation, and celebration of Juneteenth nationally and globally, hosting exhibitions and events about the significance of African American freedom. The new 50,00 sq.ft. building will include immersive galleries, a business incubator, food hall for local vendors, Black Box flex space, and a theater, and is expected to break ground in 2023.
A new traveling exhibition by Danish architecture studio Dorte Mandrup opens at Aedes Architecture Forum in Berlin on 8 July 2022. The exhibition entitled PLACE delves into the strong interrelation between place and architecture and explores the role of the context ties in the quest for sustainable solutions for the future. In September, the exhibition will move to Le Bicolore – Maison du Danemark in Paris.
A public program fulfills several functions that, in addition to improving the social dynamics of the surroundings, can be an important factor in increasing the feeling of belonging, the offer of jobs and services, and the quality of life in the area. Therefore, after presenting popular housing projects developed in Brazilian communities, we searched for cultural equipment that occupy rural and urban areas that are less privileged in terms of infrastructure.
Democracy’s essence is the people's self-government and autonomy based on their own rights, and its characteristics are demonstrated through equality and participation. If democracy means a more equitable way of public life in architecture, then, this way of life is dependent on the homogenization of the building's spatial structure, with open, transparent, and functionally diverse public spaces. It is also possible to argue that the birth, maintenance, and demise of democracy all occurred in public space.
The democratic regime of Athens began in the sixth century B.C. The square became a meeting place, a symbol of architecture's democratic politics. Although people's access to assembly has become more widespread and convenient as technology has advanced, the existence of public space in the city remains critical, representing the spatial demands of citizens' public rights beyond the basic conditions of survival and serving an important spiritual function of expressing democracy. So, how architecture be democratic? How can we realize the public nature of architecture?
Steven J. Orfield's firm, Orfield Laboratories (OL), has spent 50 years in architectural design, research, and testing, dedicated to the premise that what matters in design is the end user, because design in the absence of user comfort, preference, and satisfaction is a failure. In this process, the firm has developed building performance standards for most commercial building types, and has now added to those standards the requirements for half of the world: people who are perceptually and cognitively disabled (PCD). The expense in doing this has been significant, but it has been one of the most important quests in Orfield's life.
https://www.archdaily.com/984212/when-it-comes-to-design-for-the-disabled-let-the-science-lead-the-processSteven J. Orfield
The pandemic has transformed how we work around the world. Companies have quickly rethought traditional workflows to stay connected and focus on the employee experience. Reimagining their workplaces in a holistic way, designers at Louisville-based Humana are working on new workplace models that ensure employee safety and well-being while creating greater flexibility and diverse ways to collaborate.