Learn how to make cinema-like video renderings with Lumion animation tools

As one of the first steps in the elaboration of an architectural project, the study of the current legislation on the ground is of paramount importance for the success of the proposal. Through calculations and restrictions, zoning laws present limits to be considered in projects that, consequently, instigate architects to think of intelligent solutions, dealing with such limitations in a practical and creative way.

These parameters are dictated by the government and aim to stop, maintain or accelerate urban growth in certain portions of cities. These are norms that establish guidelines for land occupation, delimiting the percentage of built-up area, setbacks, distances, permeability, among others.

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Fungi are almost everywhere - in the air you breathe, the soil you walk on, we eat them and yes, they do also live inside of us.

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Ennead Architects and Kahler Slater have unveiled the design of a new 200,000 square-foot museum building in Milwaukee, Wisconsin. Set on a 2.4 acre site in the Haymarket neighborhood, the design is based on four core principles: community, nature, education, and the preservation of the museum’s vast collections. The project is expected to break ground in late 2023 and open to the public in 2026.

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The New York City Senate and Assembly have passed the SIGH act, prohibiting the construction of new schools near major roadways. The act, named The Schools Impact by Gross Highways Act, aims to protect school-age children from air pollution. Under this law, the commissioner of education for the city will not be able to approve the plans for the construction of any new schoolhouse within 500 feet (150 meters) of a controlled-access highway unless the commissioner determines that space limitations are so severe that there is no other site to erect such new schoolhouse.

Earlier this year, I witnessed an intriguing situation. I followed, via an architect friend, the negotiation for the contracting of an architectural project for a single family home. The land owner, a public school teacher, sought professional help to build her dream home, estimated at about 60 square meters. It was a challenging terrain, with specific cutouts and a very steep topography that was compensated by the view of the city. The limited budget and the owner's history indicated that this would be the seaside version of the famous Vila Matilde House by Terra e Tuma.

Few other materials can convey architectural atmosphere as well as the glass. A to-go choice for the modernists, due to its transparent nature, glass still holds a solid place within the material palette for architects around the globe. Such unique element is the subject of Archiving Flux / Stasis, a photographic exhibition by Erieta Attali hosted by the Greek Ministry of Culture in Casa Romana, Kos Island, Greece, set to open its doors in July 21st.

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With all of the strange residential interior design trends that are making a comeback, conversation pits are probably one that you wouldn’t expect. This well-known 1970s design feature feels both very retro and modern, providing a comfortable place to lounge and a complete escape from the distractions of television and cinema. Instead of a design that supports and enhances a digital connection, having a large area to sit, and quite literally conversate, might be the space that we all need.

Following five years of construction, Portuguese architecture firm Aires Mateus has completed its awaited mudac: museum of Contemporary Design and Applied Arts in Lausanne, Switzerland. The sculptural building is part of a new cultural district and urban regeneration plan promoted by the Canton of Vaud, the City of Lausanne, and the CFF (Swiss Federal Railways), which features three art museums that translate the memory of the site, echoing its former industrial status with prismatic geometric forms, concrete surfaces, and sharp lines.

During his latest esplanade in Switzerland, architectural photographer Paul Clemence captured the newly inaugurated museum, highlighting its unique concrete geometry, play of shadow and light, and how the architecture complements its surroundings.

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Powerhouse Company, in collaboration with landscape architecture office DELVA, has unveiled the design for a new visitor center for the Koekamp, which will play an essential role as a gateway to the new Hollandse Duinen national park. This intervention will open part of Koekamp, a green expanse near The Hague’s Central Station, to the public. The visitor center, commissioned by the Dutch forestry commission, is expected to be completed in 2024.

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The threshold is a constructive element of the floor that serves to finish when there is a notable change in material or level. Much more prominent in the past, the piece today has a more discreet presence in architecture.

The thresholds and transition strips are applied directly to the floor and are responsible for making the transition when there is any change in the built space, whether it is in level, in the type of floor, or even when there is a door or passage.

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One of the central responsibilities of urban planners and designers is to create places within the city for gatherings, demonstrations, leisure, and relaxation. The following list of unbuilt public spaces presents projects that expand these spaces beyond the shores or riverfronts, return misused spaces back to the local communities and seek to optimize otherwise overlooked areas. These types of interventions are essential in improving the quality of life of the citizens and in making cities more enjoyable to live in.

This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community. Located near a UNESCO heritage site in Italy, on top of an illegal dumping site in Dallas, Texas, or in a medieval city in northern Spain, this round-up of unbuilt projects showcases how architects and urban planners recognize the potential of urban places.

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The use of earth-based materials appears in two practices throughout history: in the construction of buildings and – far less commonly known or conclusively understood – in certain dietary consumption patterns. To put it simply – soil, the most important nutrient collector on earth, can be used for both building and for eating. 

The 23rd Triennale Milano International Exhibition has officially opened its doors to the public today. Titled Unknown Unknowns. An Introduction to Mysteries, the Triennale is displaying a selection of artwork and installations designed by 400 international architects and designers, questioning "what we don’t know we don’t know". Celebrating 100 years since its foundation, this year's exhibition presents a new way of looking at the mysteries of the world, seeing it as an opportunity to investigate subjects such as the furthest universe to dark matter and the origin of our conscience.

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The Grimshaw Foundation is a charitable organization aiming to bring access to creative learning tools to a diverse range of young people. The organization was established by Sir Nicholas Grimshaw, in partnership with the partners of international architecture practice Grimshaw. The central purpose is to bring together a globally linked educational community of artists, architects, and designers to support and empower young people. It hopes to reach them at the stage of navigating their career options and help them discover the varied options and opportunities that the creative industry can offer. The Foundation officially launched on 6 July 2022 at the Royal Academy of Arts in London.

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An ancient Indian folktale narrates the story of a demigod, Hiranyakashipu, who was granted a boon of indestructibility. He wished for his death to never be brought about by any weapon, human or animal, not at day or night, and neither inside nor outside his residence. To cease his wrathful ways, Lord Vishnu took the form of a half-human-half-animal to slay the demigod at twilight at the threshold of his house.

Threshold architectural spaces have always held deep cultural meaning to the people of India. In-between spaces are found in the midst of daily activities as courtyards, stairways, and verandas. The entrance to the house is revered by Indians of all social backgrounds. Throughout the country’s varied landscape, transitional entry spaces are flanked by distinctive front verandas that merge the street with the house.

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This article was originally published on Common Edge.

Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.

The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.