The European design team integrated by architectural firms JDS Architects, Coldefy, Carlo Ratti Associati, NL Architects, and Ensamble Studio has been announced as the winner of the international design competition for the renewal of the Paul-Henri SPAAK Building, the European Parliament plenary building in Brussels, Belgium.
Commercial building refurbishment projects present architects with design challenges. Transforming 18th century Bodmin Jail into a modern hotel meant an acknowledgement of restrictions in relation to the building’s infrastructure. Listed buildings often have construction regulations to preserve historic and architectural interests, impacting thermal comfort and how daylight is introduced to transform building spaces.
These design challenges can make architectural planning appear more complex, particularly when a building is being repurposed. Common challenges include sourcing materials to replicate or meet existing infrastructures. The adaption of floor plans, consideration of user comfort and introduction of technology in planning phases, also influence contemporary design. The Bodmin Jail Hotel required skylight installations that could work within an existing and iconic sloping roof.
Architecture has been increasingly focusing on adaptive reuse, taking advantage of the opportunity to redesign existing spaces to provide new purposes while also reducing damage to the environment. In this context, recycling warehouses is quite usual and is becoming more popular every day because these spaces often have large open plans which allow many different layouts.
Diller Scofidio + Renfro (DS + R) and Stefano Boeri Architetti have won the international architectural competition for the renovation of Pirelli 39 in Milan. Launched on 25 November 2019, the contest organized by COIMA SGR and the municipality of Milan, gathered 70 submissions made up of 359 studios from 15 countries.
Chinese courtyard houses are one of the most common housing typologies spanning all the way from the northern capital of Beijing to the poetic southern cities Hangzhou and back to the picturesque regions of Yunnan. Typically referred as heyuan, these courtyards homes are simply a “yard enclosed on four sides."
It's easy to feel overwhelmed by the massive production of architecture today. Scroll through ArchDaily for more than a minute and even we'd forgive you for losing track of it all. But what seems like an endless scroll of architectural production doesn't quite fit with the popular movements surrounding resource sharing and community.
Hidden among the mass production that has defined architecture in the last century is a germ - one that seems to be marching to the forefront of practice today. More and more designers seem to be taking on locally-focused and/or adaptive reuse works. Award shortlists today highlight not icons by recognizable names, but sensitive international works that are notable for their process as much as their product.
The common image of the architect may be of one obsessed with ego and newness, but practice today doesn't bear that out as much as it used to. This week's news touched on issues of reduction, reuse, and a radical rethink what architecture is in the 21st century.
In a recent film published by Metropolis Magazine, New York-based architect Robert A M Stern explains why we should care about Philip Johnson’s controversial AT&T building. As landmark designation hearings to protect the buildings external facade continue, demolition of the lobby of this iconic Postmodern New York City skyscraper has already completed.
The designs by Snøhetta for the renovation of the building at 550 Madison Avenue have launched the building to the forefront of the debate about the preservation of Postmodern heritage. The plans include replacing the stone facade with undulating glass in order to transform the building's street presence. Should plans progress, the once prominent arched entry will sit behind fritted glass and stone covered columns will be unwrapped to create a hovering datum.
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While the exterior of Philip Johnson’s iconic AT&T awaits its fate in an upcoming New York City landmarks designation hearing, demolition of its granite-clad interior lobby has already begun.
Citing the fact that the lobby had already been altered in the 1990s – including the removal of the “Golden Boy” statue – when the building switched tenants from AT&T to the Sony Corporation, the Landmarks Preservation Commission decided last month that the interiors were not deserving of landmark status.
Facing plans for a major renovation that would significantly alter the street presence of the building, Philip Johnson’s Postmodern icon, 550 Madison (formerly AT&T Building) has now cleared the first stage in the process of becoming a designated New York City landmark.
Today, an application to schedule a hearing to landmark the building was approved unanimously by the city’s Landmarks and Preservation Commission (LPC). In a few months time, the LPC will hold a public forum for the building, followed by a deliberation on whether or not the tower deserves official landmark status.
Both Le Corbusier and Frank Lloyd Wright can be found on a lengthy list of architects who have tried to build in Venice and lost their battle to conservationists. However, OMA has broke through this barrier, as the practice was recently approved - after five years pending - to go forth with a renovation project of a 16th century palazzo for the fashion retailer Benetton near the Rialto Bridge on the Grand Canal.
More details and statements from the architect after the break...
.jpg?1517237056 "Micro-Yuan’er / ZAO/standardarchitecture. Image © Mingming Zhang")
