Artfully dancing together to the beat of their own drum, the familiar look of the New York skyline has now been broken up by an eye-catching pair of skyscrapers on the banks of the East River. The dual copper-clad residential towers are reminiscent of a couple dancing, leaning back slightly and linked together by a bridge with a metallic reflecting finish half-way up the tower. The glass for the 100-meter-high skybridge for this extraordinary project was created by the Swiss specialists Glas Trösch which developed a complex, double-insulating glass with an internally laminated, metallic web to give a glossy finish.
Getting around a city of millions is a miracle of design, engineering and cooperation. In conversation, on foot, by bus, train, bike and ferry, Van Alen’s weeklong Spring Festival this June invites participants to experience and consider the present and future of urban mobility.
When we think of public housing architecture in the United States, we often think of boxes: big, brick buildings without much aesthetic character. But the implications of standardized, florescent-lit high-rises can be far more than aesthetic for the people who live there. Geographer Rashad Shabazz, for one, recalls in his book Spatializing Blackness how the housing project in Chicago where he grew up—replete with chain link fencing, video surveillance, and metal detectors—felt more like a prison than a home. Accounts of isolation, confinement, and poor maintenance are echoed by public housing residents nationwide.
Have you ever dreamed of crossing from Midtown Manhattan to Brooklyn in just a few leisurely steps? These lofty ambitions are made possible on the New York City Carpet from South African studio Shift Perspective. Not literally though, unfortunately.
Verizon Executive Education Center and Graduate Hotel / Snøhetta and James Corner Field Operations. Image via New York City Public Design Commission
The New York City Public Design Commission and Mayor Bill de Blasio have announced the 11 projects selected as winners of their 2018 Awards for Excellence in Design. Established in 1983, the award has been bestowed annually to projects from the city’s five boroughs that “exemplify how innovative and thoughtful design can provide New Yorkers with the best possible public spaces and services and engender a sense of civic pride.”
The 2018 awards recognized projects which responded to the de Blasio Administration’s commitment to providing an “equitable, resilient, and diverse city for all New Yorkers.” All five New York boroughs feature in the awards, with schemes encompassing education, culture, art, and recreation.
Studio Gang has released details of their proposed condominiumtower in Downtown Brooklyn, New York City. “11 Hoyt” has been designed with an emphasis on nature and community-building, responding to a lack of comfortable outdoor space in Brooklyn through the creation of an “outdoor-indoor environment."
The Studio Gang scheme, designed in collaboration with Hill West Architects, reclaims a former parking garage site in a rapidly-densifying area, where the population has increased by 40% in twenty years. 11 Hoyt is set to transform the site into an elevated green podium anchored by a 770,000-square-foot (71,000-square-meter) residential tower featuring a “scalloped” façade.
https://www.archdaily.com/892945/studio-gang-unveils-images-of-rippling-condominium-tower-in-brooklyn-new-yorkNiall Patrick Walsh
The development company Fisher Brothers' "Beyond the Centerline" competition was launched in October 2017 as an open call to "enliven and activate the medians for a new generation of New Yorkers." The competition addresses the Park Avenue commercial district, which sits between 46th and 57th Streets.
Out of nearly 150 submissions, an eight-person jury narrowed the field down to 17 finalists, details of which can be found here. Two designs have since been selected as winners, with "Park Park" by Maison winning the jury selection, and "Park River" by Local Architects winning the popular vote.