Architectural photographer Rod Edwards specializes in 360º virtual reality imagery and virtual tours of iconic buildings. Having spent the last decade producing this type of media, Edwards was recently commissioned by Visit Britain to shoot his “More London” project as part of the global campaign for the 2015 James Bond film “Spectre.”
Read on to see “More London” and more projects by Edwards.
Intimidating to design a Design Museum for designers? No, because what you're doing is working with the challenges of the existing space.
In this new video from NOWNESS, the audience is treated to a viewing of the new Design Museum in London, courtesy of its interior architect John Pawson. Part interview and part guided tour, NOWNESS uses the unorthodox technique of giving the building's designer his own camera, making parts of the video an intriguing insight into how Pawson sees his own work.
Designed in collaboration with OMA and Allies and Morrison, the project is a thorough renovation of the former Commonwealth Institute building, a 1962 structure by Robert Matthew, a founding partner of RMJM. Pawson dwells on the experience of working with their dramatic hyperbolic paraboloid roof, the materials used in the design, and the challenges of working on such a sensitive project.
Adjaye Associates, alongside development manager Alchemi Group, have submitted a planning application for 5 Strand, a mixed-use scheme adjacent to London's iconic Trafalgar Square. Inspired and informed by the surrounding historic buildings, the new 5 Strand will include 62,000 square feet (5,760 square meters) of office space, 26 apartments, and two ground-level retail units.
In celebration of their 10-year anniversary, Article 25, the world's largest architectural charity, will hold this year's "10x10 Drawing the City London" event on November 29 at the Royal Institute of British Architects. Each year, representatives from UK's top architecture studios and property and design industries gather to raise funds for Article 25's work in developing countries. The event features an auction of artwork by 100 prominent rising artists, designers, and architects; this year's participants include Kengo Kuma, Richard Meier, Antony Gormley, Zaha Hadid Design, and David Adjaye.
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The Government of the United Kingdom and competition organizer Malcolm Reading Consultants have announced the ten architect teams selected to envision designs for the new National Memorial to the Holocaust, to be located next to the UK Parliament. Designs will encompass a “striking” new National Memorial in Victoria Gardens, as well as a possible below ground Learning Center.
The 10 shortlisted teams were selected from nearly 100 entries from teams across the globe by a jury made up of notable figures in British culture, religion and architecture, including Director of Stanton Williams Architects, Paul Williams; former Serpentine Galleries Director Dame Julia Peyton-Jones; and National September 11 Memorial and Museum Director, Alice M Greenwald.
This month London's Design Museum will officially open its new home on Kensington High Street. The project, which has been redeveloped and designed in collaboration with Rotterdam-based practice OMA and London-based studio Allies & Morrison, has seen a Grade II* Listed Modernist monument sensitively restored into contemporary galleries. For John Pawson—who has been commissioned to create "a series of calm, atmospheric spaces" ordered around a large, oak-lined atrium—this scheme marks his first major public work.
This edition of Section D, Monocle 24's weekly review of design, architecture and craft, explores London's new Design Museum – a significant expansion for the institution at an entirely new location in West London. The interior spaces of the former Commonwealth Institute Building in Kensington, which is Grade II-listed, have been renovated by John Pawson. Alongside the museum’s Deputy Director, Alice Black, the Monocle team investigate the thinking behind the relaunch and how the spaces are designed to accommodate a shifting audience.
Swedish mega-retailer IKEA is taking action to combat the destitute living conditions faced by Syrian refugees.
Partnering with the Norwegian Red Cross and advertising agency POL, IKEA has installed a replica of a refugee house in Damascus, Syria at their store in Slependen, Norway.
UK transport minister John Hayes has declared war on Brutalist architecture, The Independent reports. Citing public distaste for the functional, modern designs characterized by exposed concrete and brick masonry, Hayes warned against a revival of the style, referring to it as "aesthetically worthless, simply because it is ugly." Meanwhile, Hayes named Boris Johnson's New Routemaster and the redeveloped St. Pancras, Blackfriars, and King's Cross stations as specimens of exemplary design. At the heart of this ire is a push to rebuild a Doric arch outside Euston station, which was demolished in 1962.
Serie Architects has released its proposal for the Royal College of Art’s (RCA) campus in Battersea, London. Designed for the campus’ competition—which was won by Herzog & de Meuron—the 15,000-square-meter project would house the schools of architecture, material, and fine art, as well as specialist research centers and entrepreneurial incubators.
In an effort to create a spatial model that encourages collaboration across academic disciplines, the proposal centers on the idea of stacked planes, or “tables,” each of which defines a particular space, but which is not enclosed. The resulting space, through the overlapping of tables and double- and triple-height ceilings, creates an open and highly visible environment.
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The Royal College of Art (RCA) has announced that Herzog & de Meuron has been selected as the winner of a competition to design a strategic approach for the center at its new £108m Battersea South campus.
Beating out runner-up practices Christian Kerez (Switzerland), Diller Scofidio + Renfro (US), Lacaton & Vassal (France), Robbrecht en Daem architecten (Belgium), Serie Architects (UK/Singapore) and Studio Gang (US), the winning proposal was lauded for its “strong engagement with the existing College buildings and wider surroundings in Battersea.”
