As societies evolve, educational facilities also undergo continuous transformation processes to keep up. In terms of their design strategies, they must embrace modern approaches that respond to the changing needs of students and teachers. Including flexible, inclusive, and engaging spaces that seamlessly integrate technological advances, contemporary educational design aims to enhance learning and collaborative work, as well as comfort and wellbeing.
Kalwall focuses on developing forward-thinking solutions for human-centered design that address these evolving needs, while responding to a tight budget. Through a collaborative strategy with architecture and engineering projects, they focus on four ways to design optimal learning environments, including daylight design, energy efficiency, safety, and cost savings through renovation and installation.
One of the primary functions of architecture is to provide shelter, fulfilling the physiological and safety needs at the base of Abraham Maslow's hierarchy of human motivation. Throughout history, the need for shelter has been evident in our ancestors’ behavior, who sought refuge in caves to protect themselves from weather conditions and predators. As societies shifted from a nomadic to a sedentary lifestyle and basic needs were easily met, shelters became more advanced, evolving into purpose-built spaces. These early shelters withstood the elements of their time and laid the foundation for modern architecture as we know it today.
Today, extreme weather conditions due to climate change are testing cities, buildings and materials. Venice is flooding, and the Svalbard Global Seed Vault is experiencing melting ice. Without action, conditions will continue to worsen, increasing the need for efficient strategies that allow us to coexist with the environment and to develop more resistant materials for our buildings. An example of these materials of the future is NATURCLAD-B, a high-quality, maintenance-free wood panel system designed for architecture, interior design and construction.
https://www.archdaily.com/1000043/climate-proof-architecture-supertextured-cladding-for-extreme-conditionsEnrique Tovar
Verticality in architecture conveys aesthetic, symbolic and cultural meanings, representing concepts such as elegance, sophistication, modernity, progress and technological advancement. In religious buildings, for example, it symbolizes greatness and a connection with the divine. These strategies are very common in Gothic architecture, as well as Art déco buildings or even the skyscrapers of Mies van der Rohe. But these elements need not be restricted to grandiose constructions. Even in single-family homes, working with elements that refer to verticality can be just as useful, playing with volumes and facades or working with openings, such as windows and doors.
With a high proportion of white mixed with a small amount of colorful pigments, pastel colors provide a range of pale, subdued tones. Related to soothing and calming environments, these colors have a timeless quality and can be seen throughout different architectural styles, such as rococo, art déco or the mid-century modern years. Applied in exteriors, interiors, or both, pastel tones make rooms feel more light, airy and spacious.
From subtle accents to taking the spotlight in a project’s overall strategy, pastel colors are a versatile alternative that can be used in multiple ways and varying degrees. Following Ricardo Bofill’s color proposals, Paulo Mendes da Rocha’s interiors and Michael Graves’ buildings, contemporary architecture plays with soft colors for aesthetic and functional purposes, as well as providing a sensory experience. Analyzing different examples of their application in architecture and design, we showcase how four prevailing colors –mint green, pale pink, lemon yellow and light blue– are currently taking the stage.
When a country becomes known for its most famous export, the two together can become synonymous with quality. Combinations such as French wine, Italian marble and German engineering are examples of the hallmark of excellence provided simply by a product’s geographic birthplace. While Portugal’s most famous and most passionate exports could equally be cork, football, or egg-based sweet treats, there’s far more to the Portuguese culture and economy than preening soccer players and custard tarts.
While Portuguese culture’s relationship with ceramics is known for the distinctively patterned plates, bowls, and jugs millions of tourists attempt to keep intact on the journey home, few are paying the extra baggage charge for 50 sqm of ceramic tiles. The country’s agreeable climate, however, along with a history of craftsmanship and the natural strength, durability, and pigment of Portuguese clay, means high-quality ceramic facades are an identifiable feature of Portuguese architecture. And the material is exported all over the world for both exterior and interior surfaces.
Not all projects seek a constant connection with the outside, at least not in their front façade. Despite not being a usual appearance, there are several reasons for creating an opaque façade: privacy, security, reduced energy consumption, and protection against inclement weather. More common in government, cultural or religious buildings, this solution is also found in some residential cases.
Sustainability needs to go further beyond inspiring speeches and promises, with visible, concrete actions. In order to see this change, it is essential for individuals, companies and governments to take responsibility and act in a sustainable manner in their daily lives and practices. By taking into account the environmental and social impacts of their decisions and seeking more conscious and responsible alternatives, they can take steps to ensure a sustainable future for the next generations. In the construction industry this is even more urgent. Responsible for a large amount of solid waste and greenhouse gas emissions, it is essential for this industry to adopt sustainable practices, such as recycling, to minimize environmental impacts.
However, even though product recycling processes have significantly advanced in recent years, there are still certain challenges associated with the use of recycled materials. This is due to a variety of factors, such as performance and durability, or even due to the difficulty of obtaining suitable raw materials. But there are also successful examples that show the possibilities of recycled materials.
Inherited from ancestral techniques, dealing with natural stone as a building material is, historically, linked more to the structure of a building than to the finishing stage. With the development of construction, natural stones as a structure were replaced by more efficient and cheaper systems, such as reinforced concrete or even metallic structures and structural masonry, opening space for the use of stones as finishes and coatings.
Versatility is the main characteristic of wire mesh. They can be used indoors, as ceilings and walls, but also outdoors, covering railings or wrapping entire buildings. In addition to its many possible uses, versatility is intrinsic to the material: Depending on the choice of warp and weft wires and the type of weave, the result is an individual mesh with a specific look and light effect, that can be further expanded with different materials or colored mesh surfaces. Another notable quality of the material is the safety it provides, either in guard rails on walkways, vehicle bridges with sidewalks, central atriums, elevated playgrounds, multi-storey parking lots, or internal or external stairways.
The façade is the only part of the building that can be seen from the outside and has the function of communicating a message derived from its design. It therefore deserves special attention in every detail. A façade that is well proportioned in terms of colours and materials, which facilitates the connection between the interior and the exterior, will generate an initial attraction for pedestrians, inviting them to enter.
From a small house clad in classic tiles, to big brands such as Apple or Louis Vuitton, façades are used as an architectural expression to give us a glimpse of the first elements that we will later find inside the premises. In interior design, the entrance hall of a home concentrates many clues as to what we will find next. The effect of this first impression would be even more positive if the façade included a design that leaves the user hungry for more.
As climate change continues to reach unprecedented levels, many are pointing towards enhancing circularity in the construction sector. Essentially, the circular economy aims to eliminate waste and the continual use of resources by repeatedly reusing, repairing or recycling materials. The cyclical approach is able to meet demand and minimize CO2 emissions by extending a product’s lifespan, which is especially important when dealing with limited resources. Unlike the traditional linear extractive method –where everything goes through an extremely contaminating process of 'take-make-waste'–, circularity keeps materials in use for as long as possible to extract maximum value. This, in turn, reduces pollution, regenerates natural systems and contributes to a healthier built environment, hence building economic, natural, and social capital.
Used by artisans across the globe for thousands of years, colored glass is one of the oldest art forms. Its origins date back as early as the 7th century, when stained windows began adorning churches, cathedrals and convents – often representing religious symbols and Biblical stories. These expanded to Islamic mosques and palaces during the 8th century, and by the Middle Ages could be found in countless churches across Europe. The intricate glass work reached maximum splendor in the monumental buildings of the Gothic period, resulting in giant, elaborate windows with extremely complex figures, patterns and geometries. However, gone are the days when this was reserved exclusively for prominent places of worship or ancient structures. Hand in hand with innovative production methods and new technologies, colored glass has made a comeback in contemporary architecture, enhancing countless buildings with its bold, lively hues.
Blending in with its urban context or standing out to draw attention, a façade tells a building’s story. It is an expressive medium through which we engage with architecture, defining first impressions and setting the tone for the interior by experimenting with transparency, movement, texture and color, among other aesthetic possibilities. Of course, the envelope also plays a crucial functional role, acting as a protective barrier against extreme weather conditions and directly impacting light transmittance, energy efficiency and acoustic comfort. Architects therefore face an important challenge: to achieve a balance between an attractive look and performance. To do so, it is pivotal to specify the right materials during the design stage.
When building near the sea, a project’s design strategy must pay special attention to the effects of marine corrosion. The salt content in the environment provokes a chemical and physical process which incites a material breakdown or degradation, compromising the durability of the building’s infrastructure.
As a response to the demands for ocean-side buildings, and the corresponding façade components that go along with them, air-lux has developed a system that aims to perform reliably in maritime conditions. By virtue of its corrosion-resistant materials, improved surface coatings, and technically optimized components, the system withstands marine climates and minimizes salt water damage.
The mystery of color intrigues us from a young age. Mixing paints to make new hues or watching sunbeams and crystals create rainbows becomes a fascinating part of our childhood long before we ever hear of chemistry and optics. As we grow, color continues to play a major role in how we experience the world, impacting mood, emotions, productivity and behavior. This explains why humans are naturally drawn to certain hues; it is hard-wired into their brains. There is a common perception, for example, that red, orange and yellow palettes create a feeling of warmth and cheerfulness, while browns, grays and blacks evoke sadness and melancholy. Of course, the same applies to design and the built environment, as together with texture, light and shadow, the spaces around us are defined by tones and nuances that shape what we see and how we feel. Hence, color ultimately transforms the way we perceive, feel and live architecture.
The terms critical regionalism, popularized by theorist Kenneth Frampton, proposed an architecture that embraced global influences, albeit firmly rooted in its context. That is, an approach defined by climate, topography and tectonics as a form of resistance to the placidity of modern architecture and the ornamentation of postmodernism. Bringing familiar elements to a particular location can allow the building to be better accepted and incorporated into the local context. This was the case of the New Maitland Hospital, which incorporated a large brick panel next to the main façade, as a reference to the community's traditional symbols.
Cladding systems have important functions in buildings. They can confer thermal insulation, protect internal spaces from the weather and–just as important–give the building a "face", improving its appearance and clearly identifying the element of design. "Cladding" refers to the components that are linked to the structure of a building to form non-structural external surfaces. While in the past wooden cladding was the only option, there are currently multiple possibilities of materials, colors, weights, textures, anchoring systems, and many other variables available. Below, we outline some of the main materials used for façade cladding, and the projects that use them in a remarkable way:
PVC, as the synthetic material Polyvinyl Chloride is called, or Polyvinyl Chloride, is one of the most produced plastics in the world, reaching 40 million tons per year. Its application is quite varied and in construction it has found different branches, serving both as an input for infrastructure and for finishing.
