Exhibition Space: The Latest Architecture and News

The Art Gallery of Ontario (AGO) has announced an expansion project designed by Diamond Schmitt, Selldorf Architects and Two Row Architect. The Dani Reiss Modern and Contemporary Gallery design will increase the museum’s gallery space by 40,000 square feet, with 13 new galleries across five floors.

The exterior façade of the extension will quietly complement the AGO’s existing built environment, respecting the scale of the surrounding neighborhood. Sitting one story above AGO’s existing loading dock, the Dani Reiss Modern and Contemporary Gallery will be nestled between the AGO and OCAD University. It will connect the existing galleries from four locations, substantially improving visitor circulation in and around the museum.

New York-based firm Marvel revealed schematic designs for The Bronx Museum's new multi-story entrance and lobby, as part of the museum's revamp for its 50th anniversary. With a budget of USD $26 million and slated for completion in 2025, the renovation will relocate the access on the Grand Concourse Street, one of the most iconic The Bronx boulevards, and focus on the cohesion of the multiple sections for a fully accessible route through all of the galleries. Coinciding with this announcement, the Museum reinvented its brand identity and website for the first time in over two decades to reflect its ethos as a vital space at the intersection of art and social justice in New York City.

CHYBIK + KRISTOF have unveiled the design for a Public Art Gallery clad in movable copper plates. The conceptual project is located in a new public square, near a riverbank with access to the water. The cultural function marks the heart of the new development. The cylindrical volumes are inspired by past functions of the area: mining, smelting, and minting. Toward the public square, the cylinders are elevated with the purpose of connecting the interior of the building with the surrounding public space.

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3XN has recently completed the Grognon exhibition space dedicated to the history of digital technologies. Located in Namur, Belgium, at the confluence of two rivers and neighbouring the Roman citadel, as well as the Wallonian Parliament, the project inserts itself within the protected historical setting as a new topography, a landscape that flows along the site weaving together the context and the new programme.

MVRDV has revealed the design of an exhibition and visitor centre for the Port of Rotterdam, which would tell the story of Europe’s largest port. Scheduled to open in 2024, The Harbour Experience Centre features a stack of five rotated exhibition spaces framing views of the surroundings, and outdoor staircases wrapped around the structure provide visitors with a route up the various terraces and to the rooftop. The project is the successor of FutureLand, a temporary information centre from 2009, whose success prompted the creation of a permanent exhibition.

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Tadao Ando’s transformation of the historic Bourse de Commerce interweaves past and present, introducing the minimalist aesthetic of a contemporary art venue within the prestigious heritage building whose history spans four decades. The defining architectural gesture in the building’s refurbishment is a circular concrete wall, a new space within the glass-domed rotunda of the former exchange building, which now displays the private collection of notable art collector François Pinault. Images by photographer Cyrille Weiner and photography atelier Think Utopia highlight Tadao Ando’s vision of “architecture within architecture”, showcasing an exemplary restoration accompanied by a highly contemporary yet timeless intervention.

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Lighting design for exhibition spaces in museums can be quite challenging because light must simultaneously enhance the space, preserve the integrity of the artworks and highlight them in a way that ensures the best conditions for the visitor's enjoyment.

In addition to having the highest CRI (Color Rendering Index), daylight contributes to a feeling of comfort and well-being in the built environment. In exhibition spaces, natural lighting is important to accurately reveal the colors of the objects on display, which is very significant for works of art and provides more visual comfort for visitors to clearly perceive the exhibits.

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Overall, when designing exhibition spaces, certain aspects contribute to an effective display of the pieces: diffuse lighting, spatial distribution, and high ceilings are some of them. The combination of these features with rooms that are able to transform themselves (using elements that can be perforated, repainted, and adapted according to each exhibition), is common in many art galleries, expressing the dialogue between art and architecture.

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Germany’s first wooden high-rise, the “Wildspitze,” is being designed by Störmer Murphy and Partners. At 18 stories and 64 meters high, this residential tower will be one of Europe’s largest urban development projects.

Located in Elbbrücken, a peninsula neighborhood within Hamburg's HafenCity, Wildspitze will add 189 residential units on its riverside site. Each apartment will feature a loggia behind a double glass facade.

David Chipperfield Architects has revealed the design of the newest home of the Centre Pompidou, the West Bund Art Museum in Shanghai. The Parisian institution revealed the details with the announcement of a 5-year deal with the West Bund Group to stage exhibitions in the museum beginning in 2019. Approximately 20 exhibitions – including a focus on contemporary Chinese art – will be included in the deal, described by the Centre Pompidou as "the most important long-term cultural exchange project” between France and China.

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