Sir David Adjaye has created an inclusive new vision for Princeton University Art Museum’s new building. Located at the heart of the campus, the project will replace and roughly double the square footage of the existing facility. Construction is scheduled to begin in 2021 with an anticipated opening in late 2024.
The Art Gallery of Nova Scotia has announced three finalists in the competition to create a new gallery along the Halifax waterfront. As a central component of a new arts district, the design will be part of a larger public gathering place along the Salter Block that showcases contemporary art and public programs. The design aims to increase opportunities to access and experience art, celebrate diverse stories through the arts, and enhance the waterfront experience.
Designed by Steven Holl Architects, the third gallery building on the MFAH Susan and Fayez S. Sarofim Campus, the Nancy and Rich Kinder Building will open to the public on Saturday, November 21, 2020. Dedicated to the Museum’s international collections of modern and contemporary art, the newest addition will exhibit a wide range of works, ranging from painting and sculpture to craft and design, video, and immersive installations.
Overall, when designing exhibition spaces, certain aspects contribute to an effective display of the pieces: diffuse lighting, spatial distribution, and high ceilings are some of them. The combination of these features with rooms that are able to transform themselves (using elements that can be perforated, repainted, and adapted according to each exhibition), is common in many art galleries, expressing the dialogue between art and architecture.
The Nancy and Rich Kinder Building for modern and contemporary art, part of the Museum of Fine Arts in Houston is scheduled to open for the public on November 1st 2020. The intervention was conceived for the “display of the important and rapidly growing MFAH collections of 20th- and 21st-century art”.
Choosing the right lighting for any space can be a complex decision. Considerations need to be made with respect to the purpose, form and function of the lighting application. Design and aesthetics also play a role in the equation. With so many options for lighting on the market, it takes specialized knowledge and understanding to determine the best fit for your space. Even more challenging than finding lighting for a generic space, an art gallery or museum application can be difficult and even overwhelming to light properly. LED lighting has simplified a large chunk of lighting for art display.
As retail moves evermore online, vacant storefronts have become ubiquitous sights in American cities and towns. Often located in formerly prime downtown real estate, the darkened windows have a knock-on effect, sapping urban vibrancy and sometimes falling into disrepair. Discourse surrounding the predicament of dead malls and traditional retail space is ongoing, but a one-size fits-all solution clearly isn't the answer here.
OMA has released new images of their proposed expansion project to the Albright-Knox Art Gallery in Buffalo, New York. The “bold, freestanding building” forms part of the AK360 expansion project, which also includes an OMA-led preservation and improvement project of the existing campus.
The new building will add 29,000 square feet of much-needed space for the display of exhibitions and the museum’s art collection, while also incorporating visitor amenities linked through a wraparound promenade.
The Winnipeg Art Gallery’s Inuit Art Centre has broken ground in Winnipeg Manitoba. Designed by Michael Maltzan Architecture in collaboration with Cibinel Architecture, the 40,000-square-foot scheme is set to become the largest gallery space in the world devoted to Inuit art, culture, and history.
Arranged over four stories, the scheme is an addition to the 1971 museum designed by Gustavo Da Roza, and seeks to form a new cultural landmark for downtown Winnipeg.
Kéré Architecture has recently completed the scenography for “Racism. The Invention of Human Races,” an exhibition at the Deutsches Hygiene-Museum, Dresden. The atmospheres within each of the three spaces are unique yet harmonious, aiming to connect “the rooms’ architecture with the rooms’ theme.” Using a variety of high-quality materials and engaging structures, the journey hopes to show a conflict between people’s desires for stability and the organic need for social transformation, emphasizing the charm of the temporary and importance of conversation.
Diller Scofidio + Renfro and Woods Bagot has won an international competition for the design of the Adelaide Contemporary art gallery in Australia. Offering a “dynamic people-friendly” space for Adelaide’s North Terrace, the scheme features a dramatic “Super Lobby,” sky galleries, and a suspended rooftop garden.
The Diller Scofidio + Renfro and Woods Bagot scheme was chosen from a strong design field including submissions by Adjaye Associates, Bjarke Ingels Group, David Chipperfield Architects, and HASSELL. The announcement follows on from our publication of details on the shortlisted schemes in May 2018.
Morphosis has released images of its proposed Orange County Museum of Art (OCMA) in California. The scheme hopes to create an “open and engaging urban presence within Orange County’s largest center for arts and culture” when it opens in 2021.
At 52,000 square feet, the museum will allow OCMA to organize major temporary exhibitions alongside spacious installations. The museum will contain nearly 25,000 square feet of exhibition galleries, representing a 50% increase on their current location in Newport Beach.
Placing third place out of 69 entries in an international competition for a new cultural building in Shenzhen, China, Mecanoo’s proposal for the Bao’an Public Culture and Art Center aiming to re-evaluate the “inwardly focused identity of cultural facilities in Hong Kong," through the form of an elevated cube. Situated near the Bao’an Metro Station and the Binhai School, the Dutch firm responds to the site’s challenges by reconnecting the center with its adjacent infrastructure.
The metro station and cultural center are united by the large masses of people that are channeled by the former and engaged but the latter. In order to capitalize on this condition, the design combines the metro entrance with that of the museum, thereby connecting the wider community with the arts and creating a more appealing public network.
A competition organized by the Seoul Metropolitan Government for the design of a new local art complex has been won by Korean firm Arcbody Architects. The brief called for the development of a new cultural hub revolving around the arts, to capitalize on local historical infrastructure and provide opportunities for creative enjoyment, education, and research.
"Art complex, Pyeongchang-dong, Seoul will be a multiplex community hub that connects human, cultural organizations, schools and academic associations with the art archive as the medium and aims to be a space for creative and artistic social activities,” explained the architects.
Real Estate firm Related Companies has announced the development of 15 new art gallery spaces to be located in and around the base of Zaha Hadid’s 520 West 28th Street residential building, located along the High Line in the New York neighborhood of Chelsea. The acclaimed Paul Kasmin Gallery, currently located in three West Chelsea locations, will serve as the anchor tenant with a 5,000 square-foot gallery in the base of the Hadid-designed building and additional space in the ‘High Line Nine,’ a collection of full service boutique exhibition spaces located adjacent to the building beneath the High Line.
