Architecture: The Latest Architecture and News

Throughout the work of Beijing-based practice ARCHSTUDIO, there is a constant feeling of sensitivity to culture and history. That is not to say that the firm’s designs are not modern—far from it in fact—but that the work of founder Han Wenqiang infuses modern materials and forms with a distinctly Chinese sensibility, that is just as apparent in his designs for a food packaging facility as it is in a Buddhist shrine (incidentally, both designs which won ArchDaily Building of the Year Awards, in 2017 and 2018 respectively). In the latest interview from his “City of Ideas” series, Vladimir Belogolovsky speaks to Han about whether architecture is an art form and what it means to create “Chinese” architecture in the 21st century.

+ 48

Appreciated within the industry but often maligned by the general public, brutalism came to define post-war architecture in the UK, as well as many countries around the world. In his 1955 article The New Brutalism, Reyner Banham states it must have “1, Formal legibility of plan; 2, clear exhibition of structure, and 3, valuation of materials for their inherent qualities as found.”

One Kemble Street, a 16-story cylindrical office block originally named "Space House" and designed by George Marsh and Richard Seifert, clearly exhibits all of these characteristics, creating a landmark in the heart of London that remains as striking today as it was upon its completion in 1968. Photographing the Grade-II listed building throughout the day, photographer Ste Murray manages to beautifully capture the building’s essence, celebrating its 50 year anniversary while also highlighting the intrigue of its form in a way that suggests parallels to contrasting ideologies.

+ 18

In China's newly emerging constellation of famed architects, few firms elicit the sense of surprise caused by the work of Atelier Deshaus. With projects ranging from awe-inspiring to humble, their work does not adhere to any stylistic rules, but all of their projects exude an enigmatic aura. In this interview, the latest in Vladimir Belogolovsky’s “City of Ideas” series, principals Liu Yichun and Chen Yifeng discuss the role of identity in their work and how they try to connect their buildings to the landscape.

Vladimir Belogolovsky: Is it true that you each design different projects in the studio? Why is that?

Liu Yichun: This has been true since 2010. Before that we always designed everything together. We used to have endless discussions and too many disagreements and arguments. That’s why we decided to pursue two parallel paths. This approach led to greater efficiency and it helped us to formulate clearer ideas of our independent views of architecture. It also helps us to diversify our work and to avoid forming one recognizable style.

Chen Yifeng: It is important for us to express our solutions differently, even though, fundamentally, we are working in one direction and pursuing one family of ideas.

+ 23

Art, in general, is made to be seen or experienced by another, an interlocutor, who, in turn, establishes various relationships with the art work. However, this is not the case of the Bataan Chapel, built by the Swiss artist Not Vital in the Philippines.

Ravaged by constant winds, the art work rises on a hill in rural Bagac, a town of just under 30,000 inhabitants located about 50 kilometers west of Manilla. The remote location of the building makes access difficult and the journey becomes a sort of pilgrimage — part of its grace lies precisely in its inaccessibility.

There's an old, weary tune that people sing to caution against being an architect: the long years of academic training, the studio work that takes away from sleep, and the small job market in which too many people are vying for the same positions. When you finally get going, the work is trying as well. Many spend months or even years working on the computer and doing models before seeing any of the designs become concrete. If you're talking about the grind, architects know this well enough from their training, and this time of ceaseless endeavor in the workplace only adds to that despair.

Which is why more and more architects are branching out. Better hours, more interesting opportunities, and a chance to do more than just build models. Furthermore, the skills you learn as an architect, such as being sensitive to space, and being able to grasp the cultural and societal demands of a place, can be put to use in rather interesting ways. Here, 3 editors at ArchDaily talk about being an architect, why they stopped designing buildings, and what they do in their work now. 

With the unconventional, undulating forms of his buildings—and the fact that his path to architectural success included a stint working for Zaha Hadid—Ma Yansong is often miscategorized as an architect of the latter generation of Deconstructivists, interested only in futuristic forms that push the boundaries of technology for the sake of innovation as an end in itself. But in fact Ma’s designs, especially those in his home country of China, are deeply rooted in nature and tradition, as he explains in the latest interview from Vladimir Belogolovsky’s “City of Ideas” series.

+ 88

Videos

What if your apartment was more than just a place to live? What if it was a catalyst for social interactions? Or what if it removed the everyday tedious tasks of cleaning, paying bills, and buying furnishings? Co-living, a modern form of housing where residents share living spaces, is aiming to do just that.

Co-living is growing in popularity in major cities such as London and New York, where increasing housing prices are forcing residents to look at new and adaptive ways to rent in the city. When we discussed the ambitions and inspirations behind the co-living movement in 2016, it was still a concept that was in its relatively experimental stages. Today, co-living is more focused in its mission, and has found success by pushing people together through a collection of common themes: a yearning for social connection, participation in an increasingly shared economy, and the affordability of a convenient housing solution.