Capturing an image has become spontaneous and immediate. While mobile photography maintains quality, it loses the ritual of taking a picture, i.e. thinking about an image while walking through a new city or the framing possibilities for a building from your point of view. In short, each image is the result of focus, aperture, exposure and the characteristics of the space. Travelling with a 35mm camera sets your limits, some say it is the closest lens to the human eye, others say it is too narrow to capture a building from the outside, but no doubt it all depends on your judgement and the capabilities of the equipment at your disposal.
Marta Minujín, Parthenon of Books, Dokumenta 14, Kassel, Germany, 2017. Image by Anne-Catrin Schultz.. Image Courtesy of Real and Fake in Architecture–Close to the Original, Far from Authenticity?
The term “fake” has been in the media frequently in the early 21st century, referring to headlines and fictional statements that are perceived as real and are influencing public opinion and action. Replacing the historically more common term “propaganda,” fake news aims at misinformation and strives to “damage an agency, entity, or person, and/or gain financially or politically, often using sensationalist, dishonest, or outright fabricated headlines.” Tracing fake news and differentiating “real” information from personal opinions and identifying intentional (or unintentional) deceit can be complicated. It is similarly complex to trace the duality of fake and real in the built world. To explore the larger context of fake statements in architecture and environmental design, a look at the definition of fake and related terms might be necessary.
Recently, the Nobel laureate economist Paul Krugman wrote in the New York Times about the causes of unaffordable housing in New York City. He blamed the crisis on a few things, including a powerful financial “monoculture” in the city, NIMBYs, and the city itself blocking new construction. That last element, however—that the city blocks new construction—is an increasingly popular myth that needs examination.
Skating and ice rinks combine temperature, atmosphere and structure together. Between sports and leisure, these spaces are designed around experience and time as some of the most interactive public spaces. As an architecture of recreation and play, skating centers also host a variety of sports. Today, the architecture of skating encompasses a range of programs and formal approaches that define some of the most iconic and social activities.
Seven decades after designing Lever House, SOM returns to the iconic modernist building to resume its restoration, continuing its long-lasting stewardship of the project. SOM previously revisited the building in 2001, restoring its façade using high-performance materials while preserving the original architectural image. This time, the intervention concerns the ground floor and the third level terrace, as well as the mechanical systems, to significantly improve the building’s energy performance. When complete in 2023, the renovation will become an important example of extending the life of the midcentury built environment.
Big cities and the troubled routine of urban life increasingly reveal the need for moments of relaxation aimed at physical and mental health. This concern has become more evident after the long quarantine periods of the Covid-19 pandemic, when disconnecting from routine became even more difficult. Thus, in recent years, more and more people have been looking for activities and places that provide this rest.
For more than a century, a street market known as ‘The Blue’ was the beating heart of Bermondsey in Southeast London. On Saturdays gone by, hundreds flocked to the historic neighborhood, a site with roots reaching back to the 11th century when it was once a pilgrimage route to Bermondsey Abbey. Market punters used to sample goods from more than 200 stalls that famously sold everything under the sun. “You can buy anything down The Blue” was the phrase everyone went by.
First Place. Image Courtesy of Galiasgar Kamal Tatarian State Academic Theatre
The Open International Competition for the Development of an Architectural Concept for the Galiasgar Kamal Tatarian State Academic Theatre has announced its results. The consortium including Kengo Kuma & Associates was granted the first place, while the second place went to a proposal led by Asif Kahn Studio and the third place to Coop Himmelb(l)au and his team.
Graduating with an architecture degree is often met with the expectations of working a 9-5 job at an office. However, the reality is that many fresh graduates are venturing into diversified careers and exploring fields such as architectural photography, writing, rendering, set design, and project management. In this Editor's Talk, ArchDaily's Founder and Editor in Chief, Director of Software Product Development, Managing Editors, and Social Media Editor share their experiences of graduating with a Bachelor's Degree in Architecture then finding themselves exploring different, yet very complimentary career paths post graduation, proving that there is a lot more to the architecture practice beyond designing built spaces.
As part of the Desert X international contemporary art exhibition, the second edition of the Desert X AlUla features 15 contextual installations across the Saudi Arabian desert that explore "ideas of mirage and oasis". This year's exhibition is curated by Reem Fadda, Raneem Farsi, and Neville Wakefield, under the theme of Sarab (arabic for 'Mirage'), and invites artists to address the history and culture of the desert, its contemporary significance, and the dichotomy between the natural and man-made world.
Construction began at the Goethe Institute in Dakar, designed by Kéré Architecture. The project is the first purpose-built space for the German cultural association and exchange centre in its over 60 years of global activity. Located within a residential area and a lush garden, the two-storey structure is shaped by the canopy of trees on-site and is being built using bricks made of laterite, a residual local rock with insulating qualities that help to passively regulate the indoor climate. The project will provide spaces for a wide array of activities, ranging from exhibitions and language courses to concerts and gatherings, all while building on the cultural landscape of Senegal.
An architectural project conceived from the neoliberal system can only be hostile. That's what Father Júlio Lancellotti, an active figure in actions to support homeless people in São Paulo, says. His work at the head of Pastoral do Povo da Rua has deservedly received the attention of national and international media, as well as being frequently published on his own social networks, drawing the attention of the public and authorities to urgent issues of inequality, invisibility of the most vulnerable and the hostility of our architecture and public spaces.
It is difficult to measure, observing a completed building, the amount of work, resources and knowledge that were deposited there. All decisions made influence in some way the performance of the building and its durability. As for the execution details, not all architects allow the dissemination of their constructive solutions. There are professionals, however, who go against the grain and focus on disseminating knowledge, identifying common design decisions that can lead to pathologies (such as leaks, rot, corrosion, mold and odors) and more economical ways to avoid them. This is the idea behind Building Science Fight Club, an Instagram profile whose purpose is to explain some issues and critically analyze certain constructive details and ways of installing materials. We spoke with Christine Williamson, creator of the platform, about her journey. See the full interview below:
Gerkan, Marg and Partners (gmp Architects) have won the design competition for global smartphone producers Xiaomi's headquarters in Changping Future Science City in Beijing. Titled “Mi Cube”, the project reflects the company's philosophy of “Smart Technology, Minimalist Design” through an architecture that combines a geometric and structured facade with a multifaceted and dynamic interior sequence of spaces.
OPEN recently revealed the design of Sun Tower, a new landmark structure for the Chinese coastal city of Yantai. The project echoes the area's characteristic Ming dynasty watchtowers and proposes a cultural facility that re-establish the visitor's connection with nature. Comprising a semi-outdoor theatre, an exhibition space, a library and an observation deck at the top referred to as the "phenomena space", the structure is intended as a place "of reflection and contemplation".
The side setbacks configure the distance that must be between the building and the side boundary of the land. Master plans, building codes or zoning laws determine the minimum clearance that must be observed to ensure that the building takes advantage of better aeration, sunlight and permeability. Although this feature brings several qualities to the built environment, many people do not know how to take advantage of the space given by the setback and, often, it becomes just a passageway.
As the discourse about the way we work continues past the original pandemic concern and past the hybrid, remote, or what was once called traditional office space; employers and employees alike are still revisiting mental comfort requirements of a post-pandemic worker. While there are many types of work environments and worker needs that have to be addressed separately (besides the white-collar or knowledge worker), from a design and policies front; one particular, newborn model has been popping up in recent years, thus far seen through some unique, smallscale yet norm challenging Japanese offices.