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Archdaily360

Architecture as Experiential Marketing: The Surprisingly Bright Vantablack Olympic Pavilion in PyeongChang

09:00 - 22 February, 2018
Architecture as Experiential Marketing: The Surprisingly Bright Vantablack Olympic Pavilion in PyeongChang, © Keshia Badalge
© Keshia Badalge

Much has been said about the darkest building in the world, designed by Asif Khan, for Hyundai's Winter Olympic pavilion this year. What’s more surprising about this blackest-of-black pavilion is really how bright it is inside. The imposing facade of Vantablack VBx2 encloses a series of radiant, playful rooms and the entire project is part of a joint effort by Hyundai and Asif Khan to use architecture and design principles to bring delight to Olympic visitors in Pyeongchang this year.

© Kyungsub Shin © José Tomás Franco © José Tomás Franco © José Tomás Franco + 39

Explore Heatherwick Studio's Vessel in This 360 Video

14:10 - 12 December, 2017

The idea for the vessel came from feeling that we shouldn’t just make a sculpture or a monument – it felt to us that rather than building a sculpture, it would be great if something was creating more public space.

In the latest video in their Daily 360 series, The New York Times takes us inside Heatherwick Studio’s “Vessel” at Hudson Yards. After topping out last week, the full 154 flights of stairs that make up the unique public structure are now in place, offering some pretty extraordinary views of the Hudson River and west Manhattan.

The New York Times Takes Us to the New 7 Wonders of the World with 360 Videos

09:31 - 9 December, 2017
via The New York Times
via The New York Times

As part of their "Daily 360," The New York Times has released a series of immersive videos exploring the New Seven Wonders of the World, offering viewers the experience of visiting the architectural marvels themselves without having to fly 5000 miles. Back in 2007, the seven monuments were announced after a seven-year poll that included votes by 100 million people who recognized the structural and innovative significance of these masterpieces across the planet.

The Daily 360 is a collection of videos by The New York Times; rather than a 2d moving image, they give a real understanding of space, transporting you to the place. Over the last year, their videos have included the Guggenheim, Art Deco masterpieces and memorial architecture from different cultures. Experience the New Seven Wonders of the World for yourself below:

See New York's Old Kosciuszko Bridge Implode in This 360 Video

16:00 - 2 October, 2017

In the latest in their Daily360 series, the New York Times takes a look at this past weekend's demolition of the old Kosciusko Bridge on Newton Creek between the boroughs of Brooklyn and Queens. Built in 1939, the steel truss bridge had become a major bottleneck for traffic over the past 8 decades, prompting the state government to invest in a new cable-stayed design. The first span of that bridge opened in April, with a second span to be built over the path of the former bridge.

 “This is an area that was polluted from the industrial manufacturing economy,” said New York State Governor Cuomo. “We’re cleaning it up, but I think the crown jewel is going to be that new Kosciuszko bridge.”

Sou Fujimoto's Polyhedral Pavilion Shapes The Art Island of Japan

16:00 - 10 September, 2017
Sou Fujimoto's Polyhedral Pavilion Shapes The Art Island of Japan, © Fernanda Castro
© Fernanda Castro

Located a few meters from the terminal of Naoshima, the Japanese island better known as the "Art Island", Sou Fujimoto's Pavilion appears as a translucent and lightweight diamond perched on the coastal edge of Kagawa, visible from SANAA's ferry terminal welcoming the visitors to the island. 

The Naoshima Pavilion was part of the 2016 Setouchi Triennial. Fujimoto has created its structure with a white painted stainless steel framework, acting as a mesh that gives the polyhedron it's irregular shape and light appearance as if it was levitating from the ground. 

Go Inside BIG's Converted Nazi Bunker in This 360 Video

16:05 - 30 August, 2017

In the latest in their Daily360 series, the New York Times takes us inside BIG's recently completed TIRPITZ museum, located within a former Nazi bunker on the west coast of Denmark. The video gives a panoramic tour of the museum's light-filled subterranean spaces, along with commentary from museum curator Anne Sofie Vemmelund Christensen, who notes the most transformative changes from the spectacular renovation.

Frank Lloyd Wright For Sale: New York Times Profiles 5 Wright Houses Currently on the Market

14:20 - 22 August, 2017

During the year of the 150th anniversary of his birth, Frank Lloyd Wright is having another glorious moment in the public consciousness. While many of Wright’s structures, including Fallingwater, the Guggenheim and Taliesin, are staples of the architectural canon, this renewed interest has given some of Wright’s other 380 remaining buildings the chance to step out into the sun.

Many of these other still-standing buildings are houses, and while some have been converted into museums, many remain on the market for prospective homebuyers with a knack for preservation – but not necessarily exorbitant wealth (according to the New York Times, the 1917 Prairie-style Meier House sold in 2013 for just $125,000). In total, 45 Wright properties have been sold in the last five years alone.

Dock 45 / Spacefiction studio

20:00 - 21 April, 2017
Dock 45 / Spacefiction studio, © LINK studio
© LINK studio

© LINK studio © LINK studio © LINK studio © LINK studio + 38

  • Architects

  • Location

    1066, Rd Number 45, Nandagiri Hills, Jubilee Hills, Hyderabad, Telangana 500033, India
  • Architect in Charge

    Spacefiction studio
  • Design Team

    Baba Sashank, Vindhya Guduru & Santhosh Kandanala
  • Area

    910.0 m2
  • Project Year

    2017
  • Photographs

Does it Pay to Invest in Good Architecture? The Case of 'The Iceberg' in Aarhus, Denmark

07:00 - 27 February, 2017
Does it Pay to Invest in Good Architecture? The Case of 'The Iceberg' in Aarhus, Denmark, The Iceberg / CEBRA + JDS + SeARCH + Louis Paillard Architects. Image © José Tomás Franco
The Iceberg / CEBRA + JDS + SeARCH + Louis Paillard Architects. Image © José Tomás Franco

It is often said that architecture only makes projects more expensive. That architects only add a series of arbitrary and capricious complexities that could be avoided in order to lower their costs, and that the project could still work exactly the same without them. Is this true in all cases?

Although they are more profitable economically, human beings don't seem to be happy inhabiting cold concrete boxes without receiving sunlight or a breeze everynow and then, or in an unsafe neighborhood where there's no possibility to meet your friends and family outdoors. Quality in architecture is a value that sooner or later will deliver something in return. 

Balance is key, and a good design will never be complete if it's not economically efficient. How do we achieve this ideal? We reviewed the design process for 'The Iceberg' in Aarhus, Denmark. A project that managed to convince the authorities and investors when proposing a high-impact and tight-budget design, which in its form seeks to respond to the objective of guaranteeing the quality of life of its users and their neighbors. 

The Iceberg, Model. Image © José Tomás Franco Mikkel Frost, Founding Partner of CEBRA, explaining us 'The Iceberg' during the Press Tour of The Architecture Project. Image © José Tomás Franco The Iceberg / CEBRA + JDS + SeARCH + Louis Paillard Architects. Image © José Tomás Franco The Iceberg / CEBRA + JDS + SeARCH + Louis Paillard Architects. Image © José Tomás Franco + 15

"The Cloud" by Studio Fuksas Brings a Touch of Modern Baroque to Rome's Rationalist EUR Neighborhood

09:30 - 14 February, 2017
"The Cloud" by Studio Fuksas Brings a Touch of Modern Baroque to Rome's Rationalist EUR Neighborhood, © Moreno Maggi
© Moreno Maggi

This article was originally published by Metropolis Magazine as "Studio Fuksas' Controversial (Yet Striking) Convention Center Opens At Last."

Despite its evocatively fluffy name, “The Cloud” (Nuvola in Italian) has been one of the most seriously discussed and debated architectural projects in Italy in the last decade. Even after its opening in October 2016, the building continues to generate controversy over its cost (an estimated €353 million, or $390 million) and the delays its construction incurred.

The EUR Convention Center, as it’s officially known, is the largest new building to be built in Rome in more than 50 years—a flicker in time for the Eternal City, perhaps, but not an inconsiderable span either. The design was hatched by Massimiliano and Doriana Fuksas in 1998, but it languished on the drawing boards for nearly two decades after that. In that time the city elected five different mayors and had three temporary commissioners. It also weathered a number of corruption scandals.

© Moreno Maggi © Moreno Maggi © Moreno Maggi Passages and access to the Cloud. Image © Moreno Maggi + 14

Torre Reforma / LBR + A

13:00 - 4 August, 2016
© Alfonso Merchand
© Alfonso Merchand

© Alfonso Merchand © Alfonso Merchand © Alfonso Merchand © Alfonso Merchand + 44

  • Architects

  • Location

    Paseo de la Reforma 483, Cuauhtémoc, 06500 Ciudad de México, D.F., México
  • Architect in Charge

    Benjamín Romano
  • Area

    89657.27 m2
  • Project Year

    2016
  • Photographs

AD Classics: National Congress / Oscar Niemeyer

06:00 - 21 September, 2015
AD Classics: National Congress / Oscar Niemeyer, © Filipe Frazao / Shutterstock.com
© Filipe Frazao / Shutterstock.com

Located at the head of the abstract bird-shaped city plan by Lúcio Costa, and as the only building within the central greensward of the eastern arm of the Monumental Axis, the palace of the National Congress (Congresso Nacional) enjoys pride of place among Oscar Niemeyer’s government buildings in Brasília. The most sober of the palaces on the Plaza of the Three Powers, the National Congress reflects the strong influence of Le Corbusier, while hinting at the more romantic and whimsical forms that characterize Niemeyer’s trademark Brazilian Modernism.

© Flickr User may_inthesky The Monumental Axis with the National Congress in the distance. Image © Limogi © Andrew Prokos Interior of the Chamber of Deputies. Image © flickr user agenciasenado + 14

The Technical Faculty SDU / C.F. Møller

03:00 - 15 July, 2015
The Technical Faculty SDU / C.F. Møller, Courtesy of C. F. Møller Architects
Courtesy of C. F. Møller Architects

Courtesy of C. F. Møller Architects Courtesy of C. F. Møller Architects Courtesy of C. F. Møller Architects Courtesy of C. F. Møller Architects + 20

  • Architects

  • Location

    University of Southern Denmark, Campusvej 55, 5230 Odense M, Denmark
  • Project Year

    2015

Museo Jumex / David Chipperfield

10:00 - 11 June, 2015
Museo Jumex / David Chipperfield, © Simon Menges
© Simon Menges

© Simon Menges © Simon Menges © Simon Menges © Simon Menges + 15

  • Architects

  • Location

    Museo Jumex, Miguel de Cervantes Saavedra 303, Ampliacion Granada, 11529 Ciudad de México, D.F., Mexico
  • Architect in Charge

    David Chipperfield
  • Project Year

    2013
  • Photographs

AD Classics: Los Manantiales / Felix Candela

01:00 - 14 April, 2014
AD Classics: Los Manantiales / Felix Candela, via www.rkett.com
via www.rkett.com

via wikiarquitectura © Flickr user Emmanual Hernandez via wikiarquitectura via www.rkett.com + 25

With the design for Los Manantiales, Felix Candela’s experimental form finding gave rise to an efficient, elegant, and enduring work of structural art.  Comprised of four intersecting hypars,  a strikingly thin roof surface creates a dramatic dining space.  Built as Candela was establishing an international reputation as the foremost shell building, he demonstrated to the world his masterful combination of artistry and technical virtuoso.

Cineteca Nacional Siglo XXI / Rojkind Arquitectos

09:00 - 19 February, 2014
Cineteca Nacional Siglo XXI / Rojkind Arquitectos, © Rojkind Arquitectos. Photo: Paul Rivera
© Rojkind Arquitectos. Photo: Paul Rivera

© Rojkind Arquitectos. Photo: Paul Rivera © Rojkind Arquitectos. Photo: Jaime Navarro © Rojkind Arquitectos. Photo: Jaime Navarro © Rojkind Arquitectos. Photo: Jaime Navarro + 35

Museo Soumaya / FR-EE Fernando Romero Enterprise

01:00 - 28 November, 2013
Museo Soumaya / FR-EE Fernando Romero Enterprise, © Rafael Gamo
© Rafael Gamo

© Rafael Gamo                          © Adam Weisman © Adam Weisman © Adam Weisman + 32

Museu Brasileiro de Escultura (MuBE) / Paulo Mendes da Rocha

01:00 - 1 November, 2013
Museu Brasileiro de Escultura (MuBE) / Paulo Mendes da Rocha, © Paul Clemence
© Paul Clemence

Keep an eye out, or you might miss the Museu Brasileiro de Escultura (a.k.a. MuBE, pronounced MOO-bee). Widely considered the masterpiece of Pritzker Prize-winner Paulo Mendes da Rocha, the building was in fact born out of the desire to have no building at all. When in the 1980s an empty lot in Sao Paulo's mansion-laden Jardins district was slated to become a shopping mall, wealthy residents successfully lobbied to create a public square instead. To sweeten the deal and ensure the land stayed commercial-free, they hired Mendes de Rocha to create MuBE. Completed in 1995, the 7000-sq-meter museum hunkers down beneath ground level, thus preserving what in Sao Paulo is that rarest of luxuries: a public green space.